Cover Image: The Water Dancer

The Water Dancer

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Member Reviews

While I enjoyed and appreciated the themes and intense depiction of slavery and the ways in which horrors unfolded, something about the magical realism didn’t fully blend together for me.

I would certainly read the author again, this didn’t quite connect on all the levels it needed to - for me.

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I really wanted this one to work for me but unfortunately I just didn't enjoy it the way I hoped - this may have been because I listened to it on audiobook, and I think even though the audiobook narrator was good, it just didn't connect with me the way you want an audio experience to.

This book examines a very dark time in American history as we follow Hiram Walker, who was born on a Virginian plantation, his father the plantation owner, and forced to watch his mother be taken from him and sold and then eventually he is taken to the big house to work and become an assistant to the owner's son, his half brother. As Hiram gets older, things happen that make it clear he has a perculiar gift, and when he discovers an Underground group, his gift becomes the key for success.

This book is beautifully written and told, and I was really struck by so many parts of it. Hiram's memory loss due to the trauma of having his mother taken, and then his strange upbringing with knowing who his father was but always treated like a servant and knowing he'd never be more than that to his family was so sad. And then we see Hiram's found family in the form of elderly caretaker Athena, butler Rocco and Sophia, who becomes a love interest for Hiram but due to her beauty is used in ways that are unimaginable.

I think what mostly didn't work for in this book is the blend of genres and the way the historical story of the Underground Railroad, and the magical realism of Hiram and Harriet's gifts. I found myself confused a lot at times, and I think the pacing of the story also suffered because of this - it really felt like it took a very long time to Hiram to really understand his gift, and be able to use it the way he wanted. And by the time he gets home to Virginia, and Athena and Sophia, the book was almost over and his mission to save them felt very rushed.

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Thank you to penguin for my earc of this book!
This was a compelling read and I loved the imagery!

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In parts it felt like the plot had lost its way and the style a bit repetitive but overall the imagery was vivid and the writing fluid.. At certain points it reminded me of Colson Whitehead’s ‘Underground railway’ and even Octavia E Butler’s ‘Kindred’, though not as captivating as either. Even so I would recommend.

Thanks Netgalley for the advance copy.

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A moving and unforgettable story, I found his writing powerful and lyrical and rich in imagery and felt myself transported into Hiram’s world.

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Hiram Walker has grown up only knowing slavery. When his mother is sold, and he is left alone, he discovers that he has mysterious powers. Powers no person should have. The power to remember, and the power of freedom.

Coates imagines a world that brings the horrors of slavery to life, working in a magical undertone that sustains and broadens his vision of the traumatic and heartbreaking reality of what life was like in the antebellum South. His words are beautiful, at odds with the descriptions of devastation he weaves. The use of specific words to describe slaves and owners, quality, quantity and low help differentiate between the two distinct groups of people within the story. It's a further separation of self and sets the scenes wonderfully, and also highlights some of the internal conflicts of slaves and owners when they also share familial blood.

This isn't a fast read. It weaves and wanders, setting up the environment without a specific time or place, but distinctly southern. The characters are slowly crafted, building on their interpersonal relationships and life so that you grow to love or loathe them over time. Emotions creep up on you and hold you tight. This isn't a happy story, morbid it one with a truly defined plot, but it's also one not without hope.

Emotional, highly thought provoking read.

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The darkness of slavery and all of its shackles to the brightness of conduction and all of its light. An unusual story. with exquisite writing but was a slow read especially in the second half.

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I really struggled to get into this book and found myself constantly distracted where I usually wouldn’t be. I was really hoping to love this one but I felt like it was a chore to keep picking it up. I have dnf’d for the time being. I may return to it at a later date.

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Ta-Nehisi Coates' name has been on my radar for a while, but this is the first of his books that I've read. I've heard he's an incredibly powerful non-fiction writer, and having read this (his debut fiction novel) I will definitely be looking out for his other work.

I've realised over the past few years that the blending of historical fiction with magical realism is a form that does something funny to my insides - I absolutely love it. I'm also really interested in Black history, and so the premise of this book jumped out at me. Hiram Walker is a slave on a tobacco plantation in Virginia. His mother was sold off when he was a young child, and he has lived a life between the other slaves on The Street and serving closely the family of slave owners up at the big house. An accident that sees him nearly drown unlocks a mystical power within him, and he finds himself joining the Underground Railroad - the network of former slaves and white abolitionists working in secret to free other enslaved people. This work takes him to the North, where slavery is illegal and freedom can become a reality. But the draw of his found family back in Virginia is stronger than he can fight.

I know we're only in February, but I really do feel that this book will be on my favourites of 2021. I was utterly captivated by the writing, the characters and the plot of this book. There was enough of a balance between lyrical descriptions and the action of slave rescues to really captivate me but also keep the book pushing forward. I felt female characters in this book were all very distinct and had their own story arcs and agendas, and Hiram himself was full of his own flaws and realisations to make him seem like a complete person.

Set against a time in history that even today has a strong presence in how society is shaped, this was also an incredibly informative read. The treatment of Black people as commodities whose lives were seen only in terms of their monetary value, stripped of their basic human qualities in the eyes of the rich so that families could be torn apart for profit, was shocking. But Coates doesn't use gratuitous violence to make his point. Instead, it is the contrast between the Quality and the Tasked that illustrates this so well, particularly combined with the differences between north and south. This is a very intelligently told story.

I thought this book was a beautiful ode to the human beings who were kept enslaved.

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Thank you to NetGalley for the free copy of this book in exchange for an honest review. I nearly DNF’d The Water Dancer very early on, and I am infinitely glad I didn’t. This is not an easy read; the pages are ruminative and demand the reader to pore, make note, read back, read again. The literary lover in me was enamoured with the imagery and wording used to describe and convey thematic messages regarding slavery, family, change, freedom, humanity, and so many other complex subtexts within those. My nine pages of notes are an ode to how much can be taken from Coates’ writings and I have no doubt that a second read would warrant nine pages more.

All this praise being said, the novel definitely has a couple issues in terms of character and general narrative - from what I gather, Coates is typically a non-fiction writer so these discrepancies from what I typically expect in terms of plot make a lot of sense. The transitions from the magical realism to the hard and gritty passages on slavery and abolitionist movements were not always seamless and this did affect my reading at times, but if it wasn’t already clear I took a lot away from this read and my rating definitely reflects that. Infinitely appreciative and will definitely be looking out for more of Coates’ work, fiction or not.

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'Between the World and Me' was my first foray into Ta-Nehisi Coates, and it blew me away with it's poignancy, eloquence and humanity. I wish that I could have connected with 'The Water Dancer' to the same degree - the concept is compelling, and we absolutely should be uplifting and reading these sorts of narratives from enslaved characters.

The pacing is where this novel fell short for me – I found it hard to get into, and it failed to sustain my interest - it felt at times that the detail was weighing it down, despite helping to build a rich tapestry. It is intensely lyrical and meticulously well-researched and developed, but I struggled to truly engage with Hiram's narrative.

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I received a copy of this book to review from Netgalley. Thank you for the opportunity.
A fascinating and novel idea for the story. It read like being told a story around a fireplace. The writing was very well done. The characters are well developed and the story well explored.
However, at times the writing became very complex and difficult to follow.
A good read.

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Unfortunately I bailed on this book at about 25% through, but I do feel that it is a case of 'It's not you, it's me'.
I struggle with magical realism at the best of times and, currently, when I need books to be an escape from the real world, this was also a bit too dark for me. I found that I didn't really know what was going on and was really pushing on to read the book, but if we're just not engaging with the storyline then what else can we do?

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I had heard nothing but good things about this book so was very excited to receive a review copy, also on Oprah’s book list- would recommend!

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The Water Dancer is a well written novel, but one that I struggled to fully engage with for some reason. It felt like hard work to read and I kept feeling I’d missed information and had to go back.

There were definitely some interesting images and themes, I was keen to discover why Hiram couldn’t remember his mother although he had perfect recall in other areas. I was also fascinated by the mysterious “conduction” and how it could possibly work.

This is a book that many readers will love, but unfortunately it just missed the mark for me.

Thanks to the author, publisher and NetGalley for providing a review copy in exchange for honest feedback.

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The book tells a the story of young Hiram Walker, who was "born into bondage" and had forgotten all of his memories of his mother after she was sold. Yet along with this terrible loss, Hiram also gained an unusual gift - .a gift that will later help to save his life. And so we are introduced into Hiram's life as a slave and his constant battle from the plantations to the wars to save his family.
There is a strong element of magic realism to the novel and while intriguing this does not take from the utter brutal cruelty of the slave world that surrounds Hiram. The language is richly descriptive and Ta-Nehisi Coates does not shy away at any point from the reality of the past. The story is utterly heartbreaking but none the less has a huge impact and it is an important tale to tell.

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This book sucked me in and didn't let go until the very last page. A truly incredible story with an unusual magical realism twist.

Hiram Walker is a slave on a Virginian plantation in the mid-1800s. He remembers very little of his mother, who was sold when he was young, and he sadly lives under the thumb of his father, the owner of the plantation. Following a near-fatal event, Hiram discovers that he possesses a power that will end up changing his life entirely.

This took me a while to read, but I feel that it is a book best read slowly. The writing was beautiful and the complexity of the story amazed me, as it was such a novel way to tell Hiram's tale. At first, I struggled with the magical realism elements but I did eventually warm up to it and thought it really set the book apart. Slavery will never be an easy topic to read about, and it shouldn't ever be. I felt that this book managed to capture all of the horrors in such a poignant manner and emotion just spilled off the page.
Hiram was a fantastic character to follow and he was written well too. My main complaint was that a romantic relationship was introduced but without any real substance to it. I like romances to have a solid basis and at least some background, but I didn't quite get that in this instance.

An unusual take on such a powerful and emotive topic, but I really enjoyed it. I am now looking forward to exploring other works by Coates!!

Many thanks to the author, publisher, and Netgalley for sending me a copy of this book in return for an honest review.

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Thanks to NetGalley and the publisher for this ARC.

Finally getting round to reading Coates' novel and I'm kicking myself for waiting so long. Coates' writing is powerful, urgent and beautiful and this is a book that everyone should read. While it touches on many issues, the main theme is freedom - how it is achieved, what it means and who gets to decide. The magical realism element of conduction is reminiscent of the literal nature of Colson Whitehead's novel, which implies that the Underground Railroad was such a magical thing in itself that it has to exist within this realm of alternate reality. The characters jump off the page and you can identify with every single one. Required reading.

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This is a beautifully written book, the writing is almost lyrical and prose like, it’s a joy to read Ta-Nehisi’s books, even when they are hard, thought provoking and uncomfortable to read, they so beautifully crafted. The Water Dancer is an absolutely stunning read, full of multi-faceted and compelling characters, heartbreaking to read but no less enchanting because of it, thoroughly recommended read.

Thanks to netgalley and the publisher for a free copy for an honest opinion

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3.5★
“Perhaps my mother would be there, and then, at the speed of thought, I saw her flittering, before my eyes, water dancing in the ring.”

I was so frustrated while reading this book that I quit several times but kept thinking there were some valuable insights and strong images and I wanted to see where they led.

Hiram Walker is a boy, a slave who doesn’t remember his mother. He tells his story about growing up and learning more about who he is and what he can expect in life.

“And more, I was just then beginning to understand the great valley separating the Quality and the Tasked—that the Tasked, hunched low in the fields, carrying the tobacco from hillock to hogshead, led backbreaking lives and that the Quality who lived in the house high above, the seat of Lockless, did not.”

He has also begun to experience strange episodes of other-worldliness. Not out-of-body experiences so much as visions. He’s not sure what they are or why the occur, but sometimes they have helped him escape a dangerous situation.

Coates has used history, oral tales, and science fiction to create a world where Hiram meets Harriet Tubman, the famous escaped slave who was nicknamed “Moses”, because she led so many slaves north to freedom on the “underground railroad”.

Harriet was badly injured as a child and suffered spells of unconsciousness and had visions all her life, which she attributed to religious messages. Coates gives her truly magic powers. He is a science fiction fan himself, so I imagine he enjoyed writing these parts.

“And at that Harriet stopped in her tracks. There was a light growing now, out of the darkness. At first I thought Harriet had lit a lantern, for the light was low and faint. And then I saw that the light was not yellow but a pale spectral green, and I saw that this light was not in Harriet’s hand, but was in Harriet herself.

She turned to me, with eyes of the same green fire that had grown up out of the night.

‘To remember, friend,’ she said. ‘For memory is the chariot, and memory is the way, and memory is bridge from the curse of slavery to the boon of freedom.’”

The language seems uneven, sometimes poetic and cultured, sometimes broken and rustic. In some places, Hiram’s thoughts and words are quite sophisticated while in others they are rough and unschooled. Some of the internal monologues sound far too adult and philosphical for a young boy.

“The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them—we had to be. Sloth was literal death for us, while for them it was the whole ambition of their lives.”

The option of a life of sloth for the Quality was gradually disappearing. Tobacco crops were failing. The Tasked were becoming the only commodity for some.

“But the land was not what it had been, and the Quality took up a new trade, and the trade was us, and each week when we counted we saw hands fading away.
. . .
The tree of our family was parted—branches here, roots there—parted for their lumber.
. . .
And as they dragged her off, I heard her holler, almost in rhythm and melody, like the old work songs, ‘Murderer, say I! Auctioneer of all my lost boys! Ryland’s Hounds, Ryland’s Hounds! May a righteous God rend you to worms’ meat! May black fire scorch you down to your vile and crooked bones.’”

The other growing business was capturing escaped slaves or kidnapping freed blacks from the north and selling them in the South. The hunters and their hounds were mostly the "low whites".

“We feared them and hated them, perhaps more than we feared and hated the Quality who held us, for all of us were low, we were all Tasked, and we should be in union and arrayed against the Quality, if only the low whites would wager their crumbs for a slice of the whole cake.”

This is a hard one for me, because there is a good story in here with a talented writer to tell it. I’ve liked what I’ve read of his articles. For some reason, I didn’t connect with Hiram. I wish I had. It’s an important part of history, and its legacy in the US is dreadful. Plus, around the world, people are still being stolen and sold like livestock.

Thanks to NetGalley and Penguin for the review copy from which I’ve quoted.

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