Rotherweird is the debut novel by Andrew Caldecott. A hybrid of historical and science fiction, I was unsure what to expect. My experience of debut's particularly in the SF or fantasy genre has until now been a mixed bag, leaning mostly towards the poorly written and poorly plotted. Rotherweird however is something else entirely, Andrew Caldecott weaves together a mystical tale of suspense and adventure, mixed in with the macabre and my favourite period in history; Tudor England.


The opening lines see Mary Queen of Scots, desperate after the loss of a baby who may never have even been a baby at all. It appears at first that this story will focus mainly on this time period, but it is merely setting the scene. The reader is almost immediately whisked away to modern times and the mysterious town of Rotherweird.

Standing alone amidst the rest of the UK, Rotherweird is a town where everyone is smart, particularly when it comes to science, nobody really leaves and it is rare that outsiders come in, other than to teach, trade or perform at one of Rotherweird's many fairs. Enter four new players; The Actress set to play Lady Slickstone, the mysterious and sinister Sir Virgil Slickstone, their faux son and finally the new history teacher Mr Jonah Oblong.


It becomes immediately obvious to the newcomers that things in Rotherweird Are more than just a little... weird (pun fully intended). For Mr Oblong especially, despite being the history teacher, he is neither allowed to know or to teach any of Rotherweird's history, nor any general history before the Cusp of the 19th century. Because Rotherweird has a secret that it doesn't want anyone to find out for fear that the bad things that happened which forced Elizabeth II to cast it adrift, might happen again.


The characters in this book, are incredibly well written, from Orelia Roc, part owner of the antique shop Baubles and Relics to Hayman Salt the resident outsider and horticulturists. All of them have motives but the imminent threat of destruction brings them all together.

Andrew Caldecott's ability to create and shape worlds and the characters in them, draws the reader into an intense narrative of plot and subtext that keeps you guessing until the very end. You don't even know you have suspicions until the answer is revealed.

Enchanting and beautifully written, I can only hope that there is going to be a Rotherweird II and SOON!

A highly unusual book, a kind of portal fantasy/historical fantasy/contemporary urban fantasy blend. It reminds me most of Robert Holdstock or Charles de Lint, though less ominous in tone than either.

There are a great many characters, and according to the author's afterword, there were originally a lot more. I had a cold when I read it, so my brain was fuzzy, and I sometimes had to think hard to remember who a character was when they were mentioned after being offstage for a while. I felt that it could have been achieved with a tighter cast; in particular, I didn't really see why the villain found it necessary to supply himself with not only a fake wife, but a fake son, since the son never seemed to contribute to his plans in any way. I could see why the author involved him (he played a minor, but important, role in the plot), but I couldn't figure out why the villain did so. The "son" was also oddly subservient to the villain, given the rest of his character.

One thing I disliked was that strong, fulfilling relationships between men and women were conspicuous by their absence. As well as the fake marriage, there are a couple of marriages which have obviously been contracted for political reasons, and in which the wife is a cypher, never developed as a character. Another marriage is threatened by the husband's drinking. I can only remember one relationship (the publican and his wife) where both partners are developed and effective, and where they don't seem to be in conflict, but that's because they don't seem to be in anything; they take action separately, but don't really have a scene together where they interact. The outsider who is the best candidate for "central character" (he's not really a protagonist, or less so than some of the other characters, but we spend a lot of time with him) <spoiler>never manages to develop a satisfactory relationship with any of the several women he's attracted to</spoiler>.

The point of view is, I suppose, omniscient, though it mostly follows one character per scene (fooling me for a while into thinking it was third person limited), occasionally switching heads mid-scene. This is necessary in part because there's no one protagonist in the complicated plot.

The setting is a town separated by statute from England at large, to preserve a terrible secret. It's an odd mixture; it has a long tradition of scientific inquiry (something best done while <i>not</i> isolated, in general), and the school - a secondary school, not a university - produces cutting-edge research, yet there's little evidence of modern technology; the scientific prowess of some of the characters is an idea more than it is a developed element of the plot. The overall feel of the town is a lot closer to its Elizabethan origins than it is to the present day, which directly contradicts the strong imperative to forget about the past and forge towards the future. I felt that this aspect hadn't been fully thought through.

It's sounding as if I didn't enjoy it, but I did. The mysterious, and never fully explained, portals to the other world, the Elizabethan backstory, the various mysteries, and the joint maneuverings of the large cast kept me involved and interested. I did think it was, at one and the same time, over-elaborate and yet not completely worked out, but it shows a lot of promise, and I will be watching for the sequel.