Jonathan Janz is certainly one of the best writers in horror today. He is able to succeed in any number of horror sub-genres (splatterpunk, ghost stories, monsters, weird west, coming-of-age) and masterfully weaves another entry into the new school of the haunted house tale (see Scott Thomas' Kill Creek for another example of this!). Part mystery, part revenge story, part demonic/spectral posession, with a little Laymon thrown in for good measure not only makes this another masterpiece for Janz, but will hopefully cement Flame Tree Press' "Fiction Without Frontiers" imprint as a force to be reckoned with in genre fiction.

Worth every bit of praise it has received so far, The Siren and the Specter should definately be on your top 10 list of horror books.

If it isn’t already.

As previous critics have already stated; “…Janz’s work has been lauded by writers like Jack Ketchum, Edward Lee, Tim Waggoner, Bryan Smith, and Ronald Kelly.” I don’t know about you, but that says a hell of a lot about the author. Also, he has quite a few prestigious acclaimes and worthy words of praise from numerous review sites, both past and present.

The book itself reads like an episode of Ghost Hunters albeit with a lot of uncut swearing (don’t worry it’s nothing vulgar nor repetitive to the point where you wonder if the author has a limited vocabulary), and the indepth study of the county and its inhabitants creates a rich, lived-in vibe you’d expect from Janz’s reputation.

I personally enjoyed the eery and creepy moments when the paranormal started going bump in the night, but it was also the obvious guilt of the protagonist, David Caine, and his scepticism which enthralled me all the way. Every time something peculiar happens, he dismisses it but immediately the little voice in his head is there to second-guess his assumptions.

I just hope the chilling end alludes to a possible sequel.

I'm always on the lookout for intriguing horror novels. So, I just knew that I wanted to read THE SIREN AND THE SPECTER by Jonathan Janz the minute I saw the cover. The blurb made me even more eager.

First I want to say that I don't scare easily. I can find books disturbing, but I just don't get scared. However, I do love a good haunted house story and that is exactly what I got with this book. If you are a fan of haunted house stories, then this is a story for you!

FULL REVIEW WILL COME ON OR CLOSE TO THE PUB.DATE!

Great book...I really enjoyed the book, but I can't say I was totally scared to death...should have probably read the book alone, in the dark, during a storm and my scare level would probably have been much higher.
I enjoyed the characters, they were well rounded and believable. Its a real page turner because you simply have to know what happening next. Defo a book that will be re-read in the autumn ;)

Well, I was surprised that I had a difficult time with this book. It took me longer than normal to read it because there were inconsistencies and the writing was very hard to follow. I will not say the whole book was a wash because it did get better. I will say that some of the writing is harsh and graphic but that is ok for me. Some do not like that type of verbiage. The book overall was a great concept and the premise believable to the point that you can finish it.

I give this a 3 star ⭐️ out of 5


Thanks to netgalley and the author/publisher for giving me the opportunity to read this ebook in exchange for an honest review.

I loved Jonathan Janz's early books and was hopeful that this new story would be a return to his beginners glory. I was sadly disappointed.

I found THE SIREN AND THE SPECTER to be a tough read. The first fifteen percent was stilted, slow and had odd errors that should have been caught in the authors first draft editing. No, I'm not going to list them here - rather, I'm going to hope that the copy editor will pick up on at least the most glaring. Normally I don't finish books I don't like, but I truly wanted to like this as much as I did the early Janz books.

Well, it took me a while, but I did it. I finished it. At some point, Janz found his groove and his writing smoothed out. It became easy to read and he put some depth to his characters. I didn't find any of the characters sympathetic or likable; not something important to me, but I point out because I know others find that important.

Sad to say, in spite of the graphic sex and child abuse, I couldn't help thinking of Scooby Doo cartoons while I was reading this. But there were enough parts of the book that I enjoyed to allow me to go with a three star rating (it was ok).

I've been anticipating the launch of Flame Tree Press for a good while now, not least of which because it meant brand new books from Jonathan Janz and Hunter Shea. Both authors launched their careers at the now-ancient history Samhain Publishing, and while both have found publishers elsewhere since that publisher's collapse in 2016, it feels good to have them reunited beneath a common imprint and the guiding hand of editor Don D'Auria. I've been waiting for a new Janz novel ever since finishing Exorcist Falls early last year, so turning toward The Siren and The Specter as my inaugural read of Flame Tree Press was a no-brainer.

As expected, Janz delivers a fun, gruesome, and highly compelling read that happily kept me up past my bed-time on a few occasions because I absolutely had to know what would happen next. This is a good and true "just one more chapter!" kind of read.

Noted skeptic and supernatural debunker David Caine is invited by an old college buddy to stay for a time in the Alexander House, the most haunted house in all of Virginia. Built in the 1700s, its owner, Judson Alexander, was the worst sort of man, one who held the village around the Rappahannock River in an iron fist, raping and killing at a whim. His house was a source of bloodshed and torture for a number of those villagers, the land tainted forever. David rightfully expects the urban legends surrounding the Alexander House to be rubbish, but even he can't deny the quiet ache of his own personal losses that being back by the Rappahannock causes. As events unfold, David's skepticism is put to the test and soon enough the Rappahannock will run red with blood.

The Siren and The Specter has a lot going for it. As the title indicates, you get not one, but two - two! - supernatural entities to torment our lead protagonist. You also get a fair amount of carnage, a host of depraved sex acts, and a number of ghostly encounters that will make the hair on the back of your neck stand on end. One of the best parts, though, was the sense of history Janz imbues the Alexander House and its surrounding region with, a history that is deeply personal to David and the peninsula where this book is set. The country is young, but the land is old, and the pre-colonial mythology surrounding the titular siren was a welcome counterpoint to the horrors inflicted by Alexander upon his neighbors. What struck me most, though, was the historical interplay between the siren and the specter themselves. Although these are two distinct entities in the mythology of the Rappahannock, both are fueled at opposite ends of the spectrum in terms of both their gender and their bloodlust, one a victim and the other a victimizer. Janz slowly reveals the stories of each in highly compelling ways, using the dual spirits to illustrate mankind's proclivity toward wrath, cruelty, and the possession of others.

I'll confess that on first blush, I wasn't entirely sold on the siren's involvement in terms of this book's plot. Initially, it felt like a bit of unnecessary overreach, even a minor element that could have been cut without any detriment to the work. After some consideration, though, I find myself appreciating the thematic importance of the siren more and more, and the things she represents for David as he is forced to reconsider his skepticism toward the supernatural. There's a strong sense of duality at play in this book, and as a figure herself the siren is emblematic of several things in terms of both plot and character. The Siren and the Specter is very firmly rooted in the Gothic tradition, which demands readers to use their imagination, suspend their disbelief, and accept that there are more mysteries in this world than we can possibly understand. Judson Alexander is the most in-your-face mystery that both David and the reader must confront, but Janz asks us to accept just a little bit more than that as we carry along, challenging us to confront our own skepticism alongside David and accept some additional horrors and wonders beyond Alexander. Both are integral to David and his personal evolution during his stay on the peninsula. And after all, if we can accept the specter, why not the siren?

While there are plenty of Gothic traditions on display here - the fallen hero, death and romance, loss and terror, an emphasis on sexuality, dashes of political violence, an atmosphere of dread, a focus on the architecture of the Alexander House - in the end, it's this broadening of imagination that proves most fascinating and compelling. In fact, there's a lot about The Siren and The Specter that fascinates, from the character dynamics and their relationships to Alexander, the perversions of the Shelby family, David's struggles to be a better man and the appreciable easiness of those around him to call him out on his foolishness, and, of course, Janz's flair for violence. Janz is not the type of author who gets squeamish writing about blood and guts, and he clearly enjoys splashing around in gore with all the delight of a mad sadist. This is a big win for horror fans, and even when you know certain macabre acts are just a page away, he still manages to pull off a few surprises in each of the big reveals.

It's clear why Flame Tree Press chose The Siren and The Specter as one of their launch titles, and it's a delicious springboard into this new imprint. I suspect this book will also (rightfully) earn Janz a legion of new and devoted readers, readers who will enjoy sinking their teeth into the author's considerable back-list, which will be republished by Flame Tree Press over the remainder of 2018 and well into 2019. Introducing an imprint, and even to a certain degree reintroducing an already established author, with a work of Gothic horror like The Siren and The Specter is a smart move, and one that instills a lot of confidence in this new brand. Get ready to expand your imagination.

[Note: I received an advance reader copy of The Siren and The Specter from Flame Tree Press.]