Huge thanks once more to Titan Books who gave me access to a ebook copy of ''A Cosmology Of Monsters', the debut novel from Shaun Hamill which is out in the UK from June 2nd.

My inital reactions to it were that it was not quite as described, though I would be hard pressed to write the synopsis for this book. Flipping back and forth in the timeline of the Turner family, alternately told from various narrative perspectives, the central motif is about what are, and are not monsters. The notion of free will and self determination in the respect of those you love, and dealing with forces outside of your control is viewed through the prism of letting the monster into your house. But what if the monster was already inside?

Margaret and Harry's courtship is dealt with in a whirlwind opener after son, Noah, details the life of a man he never got to meet. Instead of toeing the line and doing the 'expected' thing of a woman in the late 60's (marriage whether you like it or not, children within the bounds of wedlock etc) Margaret connects with Harry over their love of books. Initially irritated by him, they have an undeniable chemistry boosted by the unlikely cupid of H.P Lovecraft.

Now a confession-I don't 'get' Lovecraft, so was hoping this would be be a Cthulhu-esque tale that would be beyond this simple reader's comprehension. But somehow, this manages to be both Lovercraftian and yet not, it managed the rare feat of getting me to consider revisiting HP's work.

Anyhow, flash forward to Margaret and Harry being older, having 2 daughters and living in the small town of Vandergriff, and making a fairly pedestrian living. All Harry's books and comics are being stored in a unit as they have run out of house to store them in, and Harry begins an obsession with Halloween which will have repercussions throughout the Turner family tree...

He wants to build a haunted house , something to bring the neighbourhood together in a state of terror, something unforgettable and huge. His plans and scematics become part of the Turner daily routine with fa,ily and neighbours joining in, it is a roaring success that becomes a part of the neighbourhood mythological landscape. Until Harry begins to start acting strangely, and, as Margaret finds out that she is pregnant with Noah and on the verge of leaving her husband,is diagnosed with brain cancer.

His only relief in his final days is drawing plans with Margaret of his next great scheme, the Wandering Dark, a haunted house which will become a state wide attraction.

Barely making ends meet and with a young family to raise as a widow, all of Maragret's dreams of going back to uni and making something of her life are abruptly curtailed, until the year her eldest daughter, Sydney, is 17.

Suddenly, a confluence of happenings create the environment wherein Harry's final ambitions can become a reality, young people begin to disappear and Noah discovers that monsters are not merely contained within the pages of his father's books...

This is a coming of age tale, superbly rendered in a very recognisable small town America, across the later half of the twentieth century. The way that things become part of a myth and the way that monsters are created-as well as their intrinsic goodness/badness-is so beautifully explored in the context of familial expectations, mental health, homosexuality and genetic predispositions to maladies.

Each of the family becomes a very real person, so by the time the actual monsters appear, you are heavily invested in their wellbeing and emotionally connected to them. Sydney, with her ambition to recognise her father's existence, Eunice and her emotional fragility and Noah, the after thought, the one who is most ignored and wanders through life like a ghost. He has a strange kind of freedom afforded to him because of this, and whilst no one is watching, he lets something in that no one has warned him about, something that interacts with him whilst everyone is busy taking care of their own needs.

There is such a sense of overwhelming grief that it creates an overwhelming beauty that permeates this book, hard to believe that it's a debut novel. The building of a haunted house which in itself becomes haunted by lost dreams and love is a brilliant motif-the way that it is resurrected with what is found scary and relevant as time goes on is so painfully prescient in a world struck down by a pandemic. At a time where the reality of life is constantly changing whilst people stagnate-and even die-in their homes , the scariness of the everyday is not lost on this reader. The real world is now the haunted house , the extrinsic and intrinsic nature of fear and death are rapidly flipping the script on everyday existence.

Deep and resonate with one hell of an ending that flipped the whole story and made me want to start it again, this is a definite contender for one of my books of the year.The entire narrative just sweeps you away, the whole concept of belonging, obligation to family and what lengths you go to to protect them is outstanding.

You read Shaun Hamill's debut as if it was written by Stephen King. Hamill's prose is interesting, realistic, exciting. I spent a few crazy days with the Turner family (Turner - what an amazing last name, what hints it contains!). I was wracking my brain, various theories were swirling around, and my eyes were popping out - all in the course of reading. What the hell has been happening in a small Texas town and who inhabits the head (body and soul?) of each of the Turners?..

"A Cosmology of Monsters" contains an incredible amount of everything: it is a love story, a strange case of teenage disappearances, a lovely and strange dysfunctional family and weird “horror houses” - a family obsession of the Turners! A couple of times I exclaimed - WTF!

There is an incredible amount of love and all types of love in the book - selfish, heart-breaking, sacrificial. Hamill loves his heroes and we, the readers, are infected with this love. The Turner family is beautiful and damned - or is it all a case of hereditary schizophrenia? Wouldn't that be a real curse!

There was a moment in the book, on page 291 of the American edition, when my breath caught in delight - what an ending! Sadly, it was not the end, the author considered it necessary to put everything in order and explain every little detail - which ruined the ending a bit (for me). But guys, this book truly deserves five stars (which I don't award), because this is a great book. Do you hear? THIS IS A GREAT BOOK!

PLEASE READ.

Unfortunately, I am unable to review this book as the formatting on the file makes it almost impossible to read. Sections of the book have sentences end mid way through, only to start again a few pages later, and in some places paragraphs seem to alternate between two different sections. As such I am out 20-25% into the book and the narrative begins to make no sense and I am unable to keep track of what is happening. If these are things that could be fixed I would love to be able to reread the book.

This book chilled me. CHILLED me to the bone. Not one for a horror but being a Stephen King fan regardless I was enticed mostly by King’s assurances that “he loved it and we would too”. He was not wrong, I enjoyed it immensely, though I couldn’t honestly say I loved it. As I said, horror isn’t really my genre.
That being said, this book was spooky enjoyable. Noah is a lovely character and I was on the edge of my seat for him throughout the book. Lovecraftian and dark, with his Lovecraft obsessed mother (who reminded me vaguely of myself! Oops!) and his creepy fathers wishes - I was both horrified and gripped by what was to come.
It isn’t a book I’d read again, but it was definitely good for a read through - however creepy!