Member Review
Review by
Verity W, Reviewer
Nandor Fodor is a Jewish-Hungarian refugee in 1930s London. He's also a ghost hunter and he starts to investigate the case of Alma Fielding, a surburban housewife who says she's being plagued by a poltergeist. As he starts to investigate as part of his work for the International Institute of Physical Research, the phenomena intensify and he discovers Alma's complicated and traumatic past. And all this is happening against the backdrop of the rise of Fascim in Europe as well as the obsession/renaissance in spiritualism that happened in the post Great War period.
Now although reads like the plot of a novel, this is actually non-fiction. It's sometimes hard to believe this while you read it though as Alma continues to manifest material affects after she's been strip searched and put into a special costume provided by the Institute. But it is and its fascinating. Fodor is rational although he wants to believe, but as he develops doubts about Alma, he handles it in a much more sensitive way than I was expecting. I've almost said to much here, but it's really hard to talk about non-fiction like it's a novel, when so much of whether it works is about the research and the story and whether it feels satisfying. On that front, I wanted a little bit more closure about Alma and her haunting, but I appreciate that in a work of non-ficiton, you can only work with what the sources tell you.
The juxtaposition of Alma's story and the wider context of the late 1930s also works really well. If you've read Dorothy L Sayers' Strong Poison* you'll have encountered the wave of spiritualists of the era - and seen some of their trickery exposed (to the reader at least) by Miss Climpson, but this really sets what Fodor was doing and the organisations that he worked for into the wider context. I was fascinated. If you're looking for something to read for Halloween, and don't want fiction, this is really worth a look.
Now although reads like the plot of a novel, this is actually non-fiction. It's sometimes hard to believe this while you read it though as Alma continues to manifest material affects after she's been strip searched and put into a special costume provided by the Institute. But it is and its fascinating. Fodor is rational although he wants to believe, but as he develops doubts about Alma, he handles it in a much more sensitive way than I was expecting. I've almost said to much here, but it's really hard to talk about non-fiction like it's a novel, when so much of whether it works is about the research and the story and whether it feels satisfying. On that front, I wanted a little bit more closure about Alma and her haunting, but I appreciate that in a work of non-ficiton, you can only work with what the sources tell you.
The juxtaposition of Alma's story and the wider context of the late 1930s also works really well. If you've read Dorothy L Sayers' Strong Poison* you'll have encountered the wave of spiritualists of the era - and seen some of their trickery exposed (to the reader at least) by Miss Climpson, but this really sets what Fodor was doing and the organisations that he worked for into the wider context. I was fascinated. If you're looking for something to read for Halloween, and don't want fiction, this is really worth a look.
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