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A sparingly written account of terminal illness and its effects on the people around. The discomfort of facing this immortality in others and oneself. Despite the sensitive topic, this book is funny and perceptive and I would recommend it to others.

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Thank you to Virago/Little Brown Book Group for approving me to read ๐˜„๐—ต๐—ฎ๐˜ ๐—ฎ๐—ฟ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐—ด๐—ผ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต by Sigrid Nunez on Netgalley.
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๐—ถ๐˜ ๐˜„๐—ฎ๐˜€๐—ปโ€™๐˜ ๐˜€๐˜‚๐—ฝ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป ๐—น๐—ถ๐—ธ๐—ฒ ๐˜๐—ต๐—ถ๐˜€. ๐—˜๐˜ƒ๐—ฒ๐—ป ๐—ถ๐—ณ ๐—ถ๐˜ ๐˜€๐˜๐—ฟ๐—ถ๐—ธ๐—ฒ๐˜€ ๐—บ๐—ฒ ๐—ป๐—ผ๐˜„ ๐—ฎ๐˜€ ๐—ต๐—ฎ๐˜ƒ๐—ถ๐—ป๐—ด ๐—ฏ๐—ฒ๐—ฒ๐—ป ๐—ถ๐—ป๐—ฒ๐˜ƒ๐—ถ๐˜๐—ฎ๐—ฏ๐—น๐—ฒ. ๐—•๐˜‚๐˜ ๐—ฑ๐—ผ๐—ฒ๐˜€๐—ปโ€™๐˜ ๐—น๐—ผ๐˜ƒ๐—ฒ ๐—ฎ๐—น๐˜„๐—ฎ๐˜†๐˜€ ๐—ณ๐—ฒ๐—ฒ๐—น ๐—ท๐˜‚๐˜€๐˜ ๐˜€๐—ผ: ๐—ฑ๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ฒ๐—ฑ, ๐—ป๐—ผ ๐—บ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ ๐—ต๐—ผ๐˜„ ๐˜‚๐—ป๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ, ๐—ป๐—ผ ๐—บ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ ๐—ต๐—ผ๐˜„ ๐—ถ๐—บ๐—ฝ๐—ฟ๐—ผ๐—ฏ๐—ฎ๐—ฏ๐—น๐—ฒ.
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What You Are Going Through is a very poignant and moving book, and felt like a very honest commentary on life and death.
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๐——๐˜†๐—ถ๐—ป๐—ด ๐—ถ๐˜€ ๐—ฎ ๐—ฟ๐—ผ๐—น๐—ฒ ๐˜„๐—ฒ ๐—ฝ๐—น๐—ฎ๐˜† ๐—น๐—ถ๐—ธ๐—ฒ ๐—ฎ๐—ป๐˜† ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐—ฟ๐—ผ๐—น๐—ฒ ๐—ถ๐—ป ๐—น๐—ถ๐—ณ๐—ฒ: ๐˜๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐—ฎ ๐˜๐—ฟ๐—ผ๐˜‚๐—ฏ๐—น๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜. ๐—ฌ๐—ผ๐˜‚ ๐—ฎ๐—ฟ๐—ฒ ๐—ป๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜๐—ฟ๐˜‚๐—ฒ ๐˜€๐—ฒ๐—น๐—ณ ๐—ฒ๐˜…๐—ฐ๐—ฒ๐—ฝ๐˜ ๐˜„๐—ต๐—ฒ๐—ป ๐˜†๐—ผ๐˜‚โ€™๐—ฟ๐—ฒ ๐—ฎ๐—น๐—ผ๐—ป๐—ฒโ€” ๐—ฏ๐˜‚๐˜ ๐˜„๐—ต๐—ผ ๐˜„๐—ฎ๐—ป๐˜๐˜€ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ฎ๐—น๐—ผ๐—ป๐—ฒ, ๐—ฑ๐˜†๐—ถ๐—ป๐—ด?
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The story is told from the perspective of a female writer who is navigating typical, mediocre moments in life - such as travelling, running into an ex, and interacting with an Airbnb host - to navigating unusual and challenging moments in her life, including caring for a friend with terminal cancer.
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๐—ฃ๐—ฒ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐—ฎ๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ ๐—ต๐—ฒ๐—ฟ ๐˜„๐—ฎ๐˜€ ๐—ฎ๐—น๐—น ๐˜€๐—ต๐—ฒ ๐—ต๐—ฎ๐—ฑ ๐—ฎ๐˜€๐—ธ๐—ฒ๐—ฑ ๐—ณ๐—ผ๐—ฟ. ๐—” ๐—ฐ๐—ฎ๐—น๐—บ, ๐—ฐ๐—น๐—ฒ๐—ฎ๐—ป, ๐—ด๐—ฟ๐—ฎ๐—ฐ๐—ฒ๐—ณ๐˜‚๐—น, ๐—ฒ๐˜ƒ๐—ฒ๐—ปโ€” ๐˜„๐—ต๐˜† ๐—ป๐—ผ๐˜?โ€”๐—ฏ๐—ฒ๐—ฎ๐˜‚๐˜๐—ถ๐—ณ๐˜‚๐—น ๐—ฑ๐—ฒ๐—ฎ๐˜๐—ต. ๐—ช๐—ฎ๐˜€ ๐˜„๐—ต๐—ฎ๐˜ ๐˜€๐—ต๐—ฒโ€™๐—ฑ ๐—ต๐—ฎ๐—ฑ ๐—ถ๐—ป ๐—บ๐—ถ๐—ป๐—ฑ. ๐—” ๐—ฏ๐—ฒ๐—ฎ๐˜‚๐˜๐—ถ๐—ณ๐˜‚๐—น ๐—ฑ๐—ฒ๐—ฎ๐˜๐—ต ๐—ถ๐—ป ๐—ฎ ๐—ป๐—ถ๐—ฐ๐—ฒ ๐—ต๐—ผ๐˜‚๐˜€๐—ฒ ๐—ถ๐—ป ๐—ฎ ๐˜€๐—ฐ๐—ฒ๐—ป๐—ถ๐—ฐ ๐˜๐—ผ๐˜„๐—ป ๐—ผ๐—ป ๐—ฎ ๐—ณ๐—ถ๐—ป๐—ฒ ๐˜€๐˜‚๐—บ๐—บ๐—ฒ๐—ฟ ๐—ป๐—ถ๐—ด๐—ต๐˜.
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As with a lot of literary novels, there are some very real reflections on life, and given the circumstances, there is a fair amount of gallows humour.
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๐—œ ๐—ผ๐—ป๐—ฐ๐—ฒ ๐—ต๐—ฒ๐—ฎ๐—ฟ๐—ฑ ๐—ฎ ๐—ณ๐—ฎ๐—บ๐—ผ๐˜‚๐˜€ ๐—ฝ๐—น๐—ฎ๐˜†๐˜„๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐˜€๐—ฎ๐˜†, ๐˜๐—ต๐—ฎ๐˜ ๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—ฎ๐—ฟ๐—ฒ ๐—ป๐—ผ ๐˜๐—ฟ๐˜‚๐—น๐˜† ๐˜€๐˜๐˜‚๐—ฝ๐—ถ๐—ฑ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป ๐—ฏ๐—ฒ๐—ถ๐—ป๐—ด๐˜€, ๐—ป๐—ผ ๐˜‚๐—ป๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ด ๐—ต๐˜‚๐—บ๐—ฎ๐—ป ๐—น๐—ถ๐˜ƒ๐—ฒ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚โ€™๐—ฑ ๐—ฑ๐—ถ๐˜€๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜๐—ต๐—ถ๐˜€ ๐—ถ๐—ณ ๐˜†๐—ผ๐˜‚ ๐˜„๐—ฒ๐—ฟ๐—ฒ ๐˜„๐—ถ๐—น๐—น๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐˜€๐—ถ๐˜ ๐—ฎ๐—ป๐—ฑ ๐—น๐—ถ๐˜€๐˜๐—ฒ๐—ป ๐˜๐—ผ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ. ๐—•๐˜‚๐˜ ๐˜€๐—ผ๐—บ๐—ฒ๐˜๐—ถ๐—บ๐—ฒ๐˜€ ๐˜†๐—ผ๐˜‚ ๐—ต๐—ฎ๐—ฑ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐˜„๐—ถ๐—น๐—น๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐˜€๐—ถ๐˜ ๐—ณ๐—ผ๐—ฟ ๐—ฎ ๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐—น๐—ผ๐—ป๐—ด ๐˜๐—ถ๐—บ๐—ฒ.
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Following the friend's diagnosis, she asks the narrator something that none of us hope to be asked - namely to be there with her when she decides to end her own life.
The two friends subsequently embark on journey to a holiday home, and get to know each other more - perhaps better than anyone else they've known in life now that all falsehoods and pretenses have been dropped.
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๐˜„๐—ฒโ€™๐—ฑ ๐˜€๐—ถ๐˜ ๐˜๐—ผ๐—ด๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐˜€๐—ฎ๐—บ๐—ฒ ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ป ๐˜๐—ต๐—ฒ ๐˜๐˜„๐—ผ๐˜€๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฟ ๐—ผ๐—ป ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฎ๐—ฐ๐—ธ ๐—ฝ๐—ผ๐—ฟ๐—ฐ๐—ต , ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐˜„๐—ฒ ๐—น๐—ถ๐—ธ๐—ฒ๐—ฑ ๐˜๐—ผ ๐˜„๐—ฎ๐˜๐—ฐ๐—ต ๐˜๐—ต๐—ฒ ๐˜€๐˜‚๐—ป๐˜€๐—ฒ๐˜. ๐—ฆ๐—ผ๐—บ๐—ฒ๐˜๐—ถ๐—บ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ถ๐—ป๐—ธ๐—ฒ๐—ฑ ๐—ฎ๐—ฟ๐—บ๐˜€ ๐—ผ๐—ฟ ๐—ฐ๐—น๐—ฎ๐˜€๐—ฝ๐—ฒ๐—ฑ ๐—ต๐—ฎ๐—ป๐—ฑ๐˜€. (๐—ง๐—ผ๐˜‚๐—ฐ๐—ต ๐—ถ๐˜€ ๐˜€๐—ผ ๐—ถ๐—บ๐—ฝ๐—ผ๐—ฟ๐˜๐—ฎ๐—ป๐˜.) ๐—”๐˜ ๐˜€๐˜‚๐—ฐ๐—ต ๐—บ๐—ผ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐—œ ๐—ณ๐—ฒ๐—น๐˜ ๐˜๐—ต๐—ฎ๐˜ ๐˜€๐—ต๐—ฒ ๐˜„๐—ฎ๐˜€ ๐—ฎ๐˜€ ๐—บ๐˜‚๐—ฐ๐—ต ๐—ฎ ๐—ฐ๐—ผ๐—บ๐—ณ๐—ผ๐—ฟ๐˜ ๐˜๐—ผ ๐—บ๐—ฒ ๐—ฎ๐˜€ ๐—œ ๐˜„๐—ฎ๐˜€ ๐—บ๐—ฒ๐—ฎ๐—ป๐˜ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ต๐—ฒ๐—ฟ. ๐—˜๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐—ป๐—ผ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ๐—ป ๐˜€๐—ต๐—ฒ ๐˜„๐—ผ๐˜‚๐—น๐—ฑ ๐˜€๐—พ๐˜‚๐—ฒ๐—ฒ๐˜‡๐—ฒ ๐—บ๐˜† ๐—ต๐—ฎ๐—ป๐—ฑ ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐˜€๐—ฎ๐˜†๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐˜†๐˜๐—ต๐—ถ๐—ป๐—ดโ€” ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐—ป๐—ฒ๐—ฒ๐—ฑ๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐˜€๐—ฎ๐˜† ๐—ฎ๐—ป๐˜†๐˜๐—ต๐—ถ๐—ป๐—ดโ€” ๐—ฏ๐˜‚๐˜ ๐—ถ๐˜ ๐˜„๐—ฎ๐˜€ ๐—ฎ๐˜€ ๐—ถ๐—ณ ๐˜€๐—ต๐—ฒ ๐—ต๐—ฎ๐—ฑ ๐˜€๐—พ๐˜‚๐—ฒ๐—ฒ๐˜‡๐—ฒ๐—ฑ ๐—บ๐˜† ๐—ต๐—ฒ๐—ฎ๐—ฟ๐˜.
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The narrator's friend (and at times the narrator) challenges the reader with some uncomfortable truths in their lives, that could easily be reflected in our own lives. People who in some senses wasted their time in unhappy relationships, on people they didn't get on with, and on negative family dynamics that were not worth the time and energy invested.
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๐—”๐—ป๐—ฑ ๐—ต๐—ฒ๐—ฟ๐—ฒ, ๐—ฝ๐—ฒ๐—ฟ๐—ต๐—ฎ๐—ฝ๐˜€, ๐˜„๐—ฎ๐˜€ ๐—ฎ ๐—น๐—ฎ๐˜€๐˜ ๐—ฐ๐—ต๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐˜‚๐˜€ ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฑ๐—ฒ๐—ฒ๐—บ ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ๐—น๐˜ƒ๐—ฒ๐˜€, ๐˜๐—ต๐—ฒ ๐—บ๐—ฎ๐—ป ๐—ฟ๐—ฎ๐—ถ๐˜€๐—ฒ๐—ฑ ๐—ต๐—ถ๐˜€ ๐˜ƒ๐—ผ๐—ถ๐—ฐ๐—ฒ ๐˜๐—ผ ๐˜€๐—ฎ๐˜†. ๐—ง๐—ต๐—ฒ ๐—ผ๐—ป๐—น๐˜† ๐—บ๐—ผ๐—ฟ๐—ฎ๐—น, ๐—บ๐—ฒ๐—ฎ๐—ป๐—ถ๐—ป๐—ด๐—ณ๐˜‚๐—น ๐—ฐ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฎ ๐—ฐ๐—ถ๐˜ƒ๐—ถ๐—น๐—ถ๐˜‡๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ฎ๐—ฐ๐—ถ๐—ป๐—ด ๐—ถ๐˜๐˜€ ๐—ผ๐˜„๐—ป ๐—ฒ๐—ป๐—ฑ : ๐—ง๐—ผ ๐—น๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—ต๐—ผ๐˜„ ๐˜๐—ผ ๐—ฎ๐˜€๐—ธ ๐—ณ๐—ผ๐—ฟ๐—ด๐—ถ๐˜ƒ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ผ ๐—ฎ๐˜๐—ผ๐—ป๐—ฒ ๐—ถ๐—ป ๐˜€๐—ผ๐—บ๐—ฒ ๐˜๐—ถ๐—ป๐˜† ๐—บ๐—ฒ๐—ฎ๐˜€๐˜‚๐—ฟ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ฒ๐˜ƒ๐—ฎ๐˜€๐˜๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ต๐—ฎ๐—ฟ๐—บ ๐˜„๐—ฒ ๐—ต๐—ฎ๐—ฑ ๐—ฑ๐—ผ๐—ป๐—ฒ ๐˜๐—ผ ๐—ผ๐˜‚๐—ฟ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป ๐—ณ๐—ฎ๐—บ๐—ถ๐—น๐˜† ๐—ฎ๐—ป๐—ฑ ๐˜๐—ผ ๐—ผ๐˜‚๐—ฟ ๐—ณ๐—ฒ๐—น๐—น๐—ผ๐˜„ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฒ๐—ฎ๐˜‚๐˜๐—ถ๐—ณ๐˜‚๐—น ๐—ฒ๐—ฎ๐—ฟ๐˜๐—ต. ๐—ง๐—ผ ๐—น๐—ผ๐˜ƒ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ณ๐—ผ๐—ฟ๐—ด๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐—ป๐—ฒ ๐—ฎ๐—ป๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐—ฎ๐˜€ ๐—ฏ๐—ฒ๐˜€๐˜ ๐˜„๐—ฒ ๐—ฐ๐—ผ๐˜‚๐—น๐—ฑ. ๐—”๐—ป๐—ฑ ๐˜๐—ผ ๐—น๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—ต๐—ผ๐˜„ ๐˜๐—ผ ๐˜€๐—ฎ๐˜† ๐—ด๐—ผ๐—ผ๐—ฑ๐—ฏ๐˜†๐—ฒ.
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The book itself is very timely, and self-reflective. It comments on it's own content matter and on modern events, including how ingesting too much mainstream news can lead to increasing worry and paranoia.
I also like how the book challenges certain perceptions, namely those surrounding 'women's literature', which is often promoted as only being of interest to women, which isn't and shouldn't be the case.
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๐—”๐—น๐—น ๐˜๐—ต๐—ฒ๐˜€๐—ฒ ๐—ฏ๐—ผ๐—ผ๐—ธ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ต๐—ผ๐—ฟ๐—ฟ๐—ถ๐—ฏ๐—น๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ ๐—ผ๐—ณ ๐—บ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป ๐—น๐—ถ๐—ณ๐—ฒ, ๐˜€๐—ต๐—ฒ ๐˜€๐—ฎ๐—ถ๐—ฑ, ๐—ฎ ๐—น๐—ผ๐˜ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ๐—บ ๐—ฏ๐—ฟ๐—ถ๐—น๐—น๐—ถ๐—ฎ๐—ป๐˜, ๐—œ ๐—ธ๐—ป๐—ผ๐˜„, ๐—œ ๐—ธ๐—ป๐—ผ๐˜„, ๐˜†๐—ผ๐˜‚ ๐—ฑ๐—ผ๐—ปโ€™๐˜ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐˜๐—ผ ๐˜๐—ฒ๐—น๐—น ๐—บ๐—ฒ. ๐—•๐˜‚๐˜ ๐—œ ๐—ฑ๐—ผ๐—ปโ€™๐˜ ๐˜„๐—ฎ๐—ป๐˜ ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฎ๐—ฑ ๐—ฎ๐—ป๐˜† ๐—บ๐—ผ๐—ฟ๐—ฒ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ป๐—ฎ๐—ฟ๐—ฐ๐—ถ๐˜€๐˜€๐—ถ๐˜€๐—บ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—น๐—ถ๐—ฒ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ณ๐˜‚๐˜๐—ถ๐—น๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐—ฟ๐—ฒ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€๐—ต๐—ถ๐—ฝ๐˜€ ๐—ฏ๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐˜๐—ต๐—ฒ ๐˜€๐—ฒ๐˜…๐—ฒ๐˜€. ๐—œ ๐—ฑ๐—ผ๐—ปโ€™๐˜ ๐˜„๐—ฎ๐—ป๐˜ ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฎ๐—ฑ ๐—ฎ๐—ป๐˜† ๐—บ๐—ผ๐—ฟ๐—ฒ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป, ๐—ถ๐—ป ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ฎ๐—ฟ ๐—บ๐—ฎ๐—น๐—ฒ, ๐—ต๐—ถ๐—ฑ๐—ฒ๐—ผ๐˜‚๐˜€๐—ป๐—ฒ๐˜€๐˜€
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Ultimately though, What Are You Going Through felt to me like a reflection on love. After all, supporting someone with a terminal diagnosis and caring for them at their most vulnerable truly is an act of love for that person.
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๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—ฎ๐—ฟ๐—ฒ ๐˜๐˜„๐—ผ ๐—ธ๐—ถ๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ: ๐˜๐—ต๐—ผ๐˜€๐—ฒ ๐˜„๐—ต๐—ผ ๐˜‚๐—ฝ๐—ผ๐—ป ๐˜€๐—ฒ๐—ฒ๐—ถ๐—ป๐—ด ๐˜€๐—ผ๐—บ๐—ฒ๐—ผ๐—ป๐—ฒ ๐—ฒ๐—น๐˜€๐—ฒ ๐˜€๐˜‚๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ถ๐—ป๐—ธ, ๐—ง๐—ต๐—ฎ๐˜ ๐—ฐ๐—ผ๐˜‚๐—น๐—ฑ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป ๐˜๐—ผ ๐—บ๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ผ๐˜€๐—ฒ ๐˜„๐—ต๐—ผ ๐˜๐—ต๐—ถ๐—ป๐—ธ, ๐—ง๐—ต๐—ฎ๐˜ ๐˜„๐—ถ๐—น๐—น ๐—ป๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป ๐˜๐—ผ ๐—บ๐—ฒ. ๐—ง๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ธ๐—ถ๐—ป๐—ฑ ๐—ผ๐—ณ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ต๐—ฒ๐—น๐—ฝ ๐˜‚๐˜€ ๐˜๐—ผ ๐—ฒ๐—ป๐—ฑ๐˜‚๐—ฟ๐—ฒ, ๐˜๐—ต๐—ฒ ๐˜€๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ ๐—ธ๐—ถ๐—ป๐—ฑ ๐—บ๐—ฎ๐—ธ๐—ฒ ๐—น๐—ถ๐—ณ๐—ฒ ๐—ต๐—ฒ๐—น๐—น.
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There are so many other things that happen in this novel, and so much more I could say, but this review is probably long enough... So before you lose interest I would just say I'd highly recommend What Are You Going Through to all readers who enjoy literary fiction, and would definitely read more by Sigrid Nunez.

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I found this book very interesting to read. It's quiet and the writing is deceptively simple, as there's a lot more beneath the surface. Asking tough about life and death, and what is right and what is wrong, I found that it It sparked many deeper trains of thought. Not always a comfortable read, but clever and thought-provoking.

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I did a video review of this book, see link below.
Basically, a powerful and important read, and while I didn't exactly enjoy the experience of reading it, I thought it was an excellent book. I was glad to have experienced it.

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This strong piece of fiction has a plot more true to life as we live it than the storyline of more typical novels. Sigrid Nunez has chosen to write about the kinds of thoughts about life and death that we all have but rarely talk about. I found kernels of wisdom and thought provoking ideas on nearly every page. My only disappointment was that there isn't much of an ending. The story just stops.

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This truly extraordinary novel is an equal parts heart-breaking and heart-warming, tragic and comedic look at later life in all its forms, Centered around an unnamed female narrator, we follow her through a series of encounters - friends, lovers, Air BnB proprietors, all of which at first seem normal quotidian encounters. However, as the small, but perfectly form, narrative unfurls, the relationships become more complex, more challenging and in most cases, ultimately more rewarding.
The key relationship for me, was with a friend currently nearing the end of her life, and who is looking for help with ending things before they become too unbearable. Their fascinating interactions were for me the main hook in this book, although the supporting cast was also outstanding. Thinking about the fragility of the human existence is always a demanding task, and Nunez subtly introduces topics that sent my brain fizzing out in all directions.
This book was touching, thought-provoking, heart-breaking, soul-poking, funny, weird, and a whole world of other emotions. It was also my first foray into the work of Sigrid Nunez, so now I have a new favourite author to get to know better. Hugely recommended. This book will touch your soul.

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This book is stylistically similar to Nunez's novel The Friend.
Quite a melancholic book on interactions between people and coming to the end of life. Nunez is depicting real thoughts and ideas, which are often hidden and not talked about.
The characters and interactions are very true to life and relatable.
I can imagine it can be difficult to get into this book, but for me it was a fast read, feeling like I want to go back and re-read it. Nunez has a very inquisitive and likeable voice. An excellent read! 4.5/5

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I loved this weird potpourri of encounters the protagonist tells us about. There is no clear storyline, but the different stories are loosely connected, so it didn't feel all to fragmental. The book is wholly narrated through the protagonists' eyes, so it's really more like a well narrated stream of consciousness. All the stories the narrator/protagonist tells us circle around death and mortality, which I really liked, since I enjoy books about this kind of topic. All in all this book cured my reading slump and was really fun to read!

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I read this during a bit of a reading slump and struggled to really engage with the story, so fear that I would grade this significantly lower than if read at a different time. I won't be reviewing on any retail sites, as I dont think it would be fair.

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This is a really good book but it took some time to figure it out. I was lost the first 50 pages then I caught on and it was great .. probably me and not the book.

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I was unable to read this title as it did not appear to be formatted for my Kindle - I'm not sure whether the problem's at my end or not, but I'll look into it!

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What Are You Going Through brings award-winning writer Sigrid Nunezโ€™s singular voice to a story about the meaning of life and death, and the value of companionship. A woman describes a series of encounters she has with various people in the ordinary course of her life: an ex she runs into by chance at a public forum, an Airbnb owner unsure how to interact with her guests, a stranger who seeks help comforting his elderly mother, a friend of her youth now hospitalized with terminal cancer. In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.

This is a beautiful, power and emotionally intelligent story in which Nunez brings wisdom, humor, and insight about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now. Books rarely make me shed a tear but the sheer languid and lyrical nature of the prose managed to impact me in such a moving way. This is a life-affirming novella and despite its short length, it packs a powerful punch with memorable characters and a never less than compelling plot. Sharply observed and perceiving the beauty in all of life's delights, Nunez punctuates the dark sections with black humour which can be a welcome relief at times. A stunning read. Many thanks to Virago for an ARC.

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This was a very powerful, emotional, and beautiful book about the bonds of friendship. I loved the writing style and have to admit, this book really got to me. I usually only get sad about animals, but Nunez made me feel something for people. Well done!

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I could tell you very little about the narrator of this book, though I feel as though I have been inside her head - immersed in books read, films watched, people met, memories made. Itโ€™s a hard one to review, this: I can tell you that I loved it, although nothing really happened. The word that springs to mind is โ€œmundaneโ€, but not as a criticism. Sigrid Nunez has an incredible voice, and itโ€™s one thatโ€™s going to haunt me for a long time.

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What Are You Going Through was one of those novels that demanded your full attention, required thought, but most importantly examined what friendship means to us and just how far we would go to help them.

Our narrator, was nameless, we didnโ€™t know an awful lot about her, only that she was visiting a dying friend, a wonderful ploy by Nunez, as it intrigued, I wanted to know more about her, wanted to know what made her tick and the actions that she subsequently undertook.

The first part of the novel felt like Nunez was laying the foundations, of framing our narrator, of her place and understanding of current society. We learnt she was single, divorced, still spoke to her ex husband, relied on his counsel, her thoughts on religion, on the society she currently found herself in. We also learnt how she met her dying friend, the course of their relationship that perhaps made her subsequent decision surprising. But then again perhaps it wasnโ€™t, as Nunez gave her a feeling of loneliness, a lack of purpose, of aimless drifting.

The second part of the novel, was less of an examination of wide society as it became more personal, as Nunez explored the dynamics of a friendship, one in unusual circumstances, but one that was rooted in the simple things in life, of walks, discussion and movies. You read, as a sense of happiness engulfed our narrator, as she relished the companionship, even if the thought that her friend could end her life at any moment lingered in the background.

Yet as we all know friendships can change, and as Nunez shifted the dynamics, our narrator had to dig that little bit deeper in to her own psyche to understand what was happening, how to let go and how to move forward. As her friends condition deteriorated so did their relationship, as their talks became less frequent, as her friend retreated within herself, perhaps preparing for the inevitable her thoughts turning to herself. You wondered why our nameless protagonist remained, why she endured what appeared to be rejection, until you realised that it had given her life structure, purpose, that in a bizarre kind of way she was happy, happier than she had ever been.

What Are you Going Through was considered, thoughtful and wonderfully written, an author that I will be exploring a little it more in the future.

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What Are You Going Through is a book that will likely divide opinion to some extent. I can imagine some readers wondering quite what the point of it might be, and at times I too asked that myself. It meanders โ€“ perhaps a bit like life โ€“ and the three sections incorporate a range of viewpoints and literary style. I read each of the three parts in one sitting apiece, over the course of about a week, and the effect was pleasantly beguiling, a bit like visiting an old friend to continue the slightly rambling tale being told from earlier.

Sigrid Nunez is an author I've encountered before (I read 'The Last of Her Kind' and 'For Rouenna' years ago, thanks to an American friend who recommended her; until recently I think Nunez was practically unknown in the UK) and had enjoyed these more than sufficiently to want to read this latest one. (Unlike several other reviewers, I haven't yet got round to reading her previous book, The Friend, though I plan to). I actually consider her a great modern writer, unshowy, honest, someone who emotionally cuts to the chase with sparing, empathetic prose that โ€“ for me at least, with this latest book โ€“ really blurs the boundaries between author and narrator. There's no reason for me to think that parts of the book, or even the whole thing, are true โ€“ that's what great authors do, they create utterly plausible stories โ€“ yet the tang of authenticity for me at various points was so strong, I really struggled not to regard it as edging into autofiction or meta-literature (or whatever the correct term is). This isn't a criticism in any way, the book is thoughtful, intellectually reflective, full of cultural references and I suppose I'm trying to convey the flavour of its tone โ€“ it's not action-packed or narratively-driven, but instead ruminative, moving and elegiac for lives lived (and not lived).

In sum, I enjoyed it a lot. (I also thoroughly endorse The Last of Her Kind, which is far more of a traditional narrative). WAYGT is not a light or cheerful read, but I found it to be a rewarding and positive one and would certainly recommend it to anyone interested in a honest, stimulating depiction of life coming to an end - as all lives eventually will, sooner or later, whether we like it or not!

With thanks to NetGalley for an advanced copy in exchange for an unbiased review.

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The unnamed narrator is visiting a friend with terminal cancer who is in hospital in another town. She stays with a retired librarian with a cat but her host is quite reclusive and they hardly have any contact during her stay. Between the visits, she ponders about other people in her life: her former partner of whom she attends a public speech on the dystopian future we are facing, her old neighbour who can hardly manage alone, a woman she met in her gym who went through drastic changes, each of them starting point for another in-depth reflection. Her encounters reflect the whole range of people and therefore also introduce pestering issues of our time: the way women are judged and how their position in society and in a family is seen, how we treat the elderly and โ€“ the most important aspect โ€“ how do we want to die and what will remain of us. Quite unexpectedly, her poorly friend asks her a favour which will target core questions the narrator cannot easily answer for herself.

Just as in her former novel โ€œThe Friendโ€, it is a minor event โ€“ then an abandoned dog, here a visit to the hospital โ€“ which initiates an interesting journey into the depth of human nature. The narratorโ€™s experiences and encounters are analysed and questioned, it is an introspection which nevertheless is far from very individual and personal but, quite on the contrary, concerns everybody. Especially being close to a dying friend has a huge impact on her thinking, far beyond the question if we should rather ask โ€œWhat are you going throughโ€ instead of โ€œHow are youโ€.

The core issue revolves around suffering and pain and the question how much a human being can endure. How do you go on living in a world which does not seem to have a future, at least not an interesting or desiring one. The plot is minimal, at times rather feels like a collection of anecdotes, but looking at it as a whole, you get an idea of the protagonist who is sad, to a certain extent disillusioned, but not grim. She is still capable of attachment and fondness, even though she knows that it wonโ€™t last this time. Every single word becomes meaningful and should be use with care therefore.

Repeatedly, Nunez also has her narrator share her reading experiences with the reader and thus transgresses the boundaries of genres once more. She certainly pushes the limits in many respects and engages the reader in thinking. One of the most interesting questions for me was the one rotating around the problem of what can be reported and by whom the act of narration should be carried out, especially when it comes to experiences of general interest. The narrator questions if there is even a language capable of conveying experiences adequately or if, in the end, all language must fail to authentically depict what somebody underwent.

Nunezโ€™ language surely is plentiful enough to engage you in an interesting inner โ€“ and hopefully also outer - dialogue.

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<i>Dying is a role we play like any other role in life: this is a troubling thought. You are never your true self except when you're alone - but who wants to be alone, dying?</i>

This is a book about DEATH, or more specifically dying, or even more specifically the dying of a close friend. So... NOT A COMFORT READ. It's very short, and I recommend reading it in as close to one sitting as you can. I read it on the train to London and finished it in ninety minutes.

The character of the friend is maaaybe based on Susan Sontag - in any case, the character is a fairly well-known academic. The narrator is apparently the same person as "The Friend," (according to the author herself) a book I really enjoyed. The voice here has the same friendliness and warmth. There is a lot of humour, which is what really makes the book special - I was reminded of "All My Puny Sorrows." And there's a Rachel Cusk element of the book in the sense that the narrator meets a lot of different people who tell her different stories. There's also a talking cat that appears, albeit briefly. Ageing, climate change, the importance of physical appearance to women and what happens when that fades... the book looks at it all with clear prose and a blunt view.

Overall, quite an intense book but one I really enjoyed. Thanks to the publishers and to NetGalley for the ARC.

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A novel in conversations, this reminded me a lot Rachel Cusk's Outline trilogy and the recent Topics of Conversation. Our female protagonist visits a friend who has cancer, and while early conversations are between people she encounters on this trip - her Airbnb host, a stranger she meets near her apartment - the latter parts of the book are made up of discussions with said friend she is visiting.

I think readers who enjoyed the other books I've mentioned as well as Nunez's last offering (The Friend) will find something to enjoy here. The writing is smart and the observations often poignant without verging on sentimentality, particularly those about death and dying. Fair warning that there is a brief segment with a talking cat (in cat that isn't your thing).

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Where to start with reviewing this book? Firstly Iโ€™m afraid Iโ€™m not a massive fan like most other reviewers appear to be. While I usually like a stream of consciousness narrative I didnโ€™t feel comfortable with this one. Quite often I found my attention wandering and just as often I found myself thinking how pointless so much of it was. The first 50% barely mentions her terminally ill friend despite that allegedly being what the book is about. I did think the book improved once the focus was on her friends contemplating her death and was really enjoying it and feeling emotionally invested until the reason they left the New England house. Really?? For me that broke the spell that had finally been woven and returned the novel to the category of โ€˜Trying too hardโ€™.
On a positive note the book was a very quick read!
2.5 โญ๏ธ

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