The Hand of the Sun King follows the story of Wen Alder in an autobiographical manner as he struggles with both his desire to learn magic and with where his heritage and loyalties lie. Torn between his Empire upbringing, through the prolific line of his Father and his Mothers Nayeni background. Wen Alder forges a path through a life fraught with struggles between his mixed-race heritage that complicates his deeper desires to learn unrestricted magic; which is bound by the very Gods themselves.

Essentially, The Hand of the Sun King is a chronological biographical study of Wen Alder, known also as Foolish Cur, throughout his young adult years. We’re shown the world in which he inhabits through his eyes and experiences and the events that develop his character throughout the story as it progresses. Alder is a character that shapes the world around him and is organically shaped by it in return. Often in stories, there are events that happen that feel contrived – they happen because they have to happen in order for the story to progress – in The Hand of the Sun King, each life-shaping event feels completely natural. Certain events happen and, at the time, they may seem small or insignificant, yet more often than not, they circle back into major events in Alders life. Not once did I feel events were misplaced or felt trite and the flow of the story felt all the more enhanced because of it. Alder grew in himself organically, he developed at a pace that matched the events of the novel. His thirst for magic is his driving motivation throughout the story; it is an arrogant desire that sets him on a path that doesn’t always turn in his favor.

While I found Wen Alder himself a character that was engaging to read about, it was the world-building and how he lived and experienced this world that captivated me the most. The setting in The Hand of the Sun King is fantasy with clear far-eastern influences throughout. At the heart of this world are different systems of magic, each one as interesting as the next. The heritages of several different cultures are explained to the reader as they are experienced by the lead character. We come to an understanding at the same time as Alder does; the systems aren’t overly complex, but they all felt unique when compared to one another – a stroke of creativity that really lifts the novel when compared to its peers. Each of the cultures has its own aesthetics to accompany them, despite being part of a larger whole in the Empire. The details in these cultures come across with easy, yet vivid, imagery through the use of folk-lore, background stories, and rich descriptive writing.

Returning to Alder, he is a flawed character and because of that following his story isn’t always easy. He makes choices that end in tragedy, purely in his desire to learn unrestricted magic, and doesn’t always come away from these choices unscathed. Surrounding him are manipulative characters that seek their own ends, often wearing the disguise of a kinship that Alder so desperately seeks.

The plot of The Hand of the Sun King, as already mentioned, follows Alder throughout his young-adult years and his struggles to find his place in the world. At its heart, is a coming-of-age story that is like no other I have read. There are major events that Alder shapes throughout the novel but overall the pacing is quite steady, each event taking time to build to its climax before having its shattering impression on the main character and those around him. The plot can be broken down into key moments, each of which reaches a crescendo before being resolved after leaving a defining moment upon Alders life – which he is shaped by. Often the choices and impacts left behind during these moments remain with Alder as he grows throughout the novel.

While the focus throughout the novel is entirely upon Alder and his place in the world, there are other characters around him who are equally well-considered. From his parents, his friend, Oriole, and his teachers and mentors to minor characters features in folk-takes. Each of these characters has the same careful amount of detail written into them; they’re rich in their development and the roles in which they play in Alders life; making choices for him and pushing him in uncertain directions, adding to the ultimate puzzle; Where does Alder belong?

This book was super impressive. I didn't know what to expect going into it, but the world and the magic was fascinating - a medieval pseudo Chinese inspired setting with middle eastern and some Japanese influences as well. The main character was torn between two worlds, and his journey felt realistic and yet unpredictable throughout the whole novel. I loved the settings, the sense of progress, and the fascinating magic.

I received a free copy through Netgalley

An Asian-inspired fantasy steeped in ancestry, obligation and magics. Wen Alder is a child of a Sien father and a Nayeni mother; the Sienese are the conquerors of Nayen (& many other lands) and Alder is torn between the two early in his life. His (maternal) Grandmother names him in the Nayeni tradition - Foolish Cur - and tries to teach him of their ways in secret alongside his training at his Father's behest towards taking the Imperial Examinations at 17.

Alder yearns for magic and after a foolish attempt to wield it before understanding it his Grandmother departs to join the Nayeni rebellion in the north, leaving Alder only one path to know magic: to become a Hand of the Emperor. In the first series of examinations to take place in Nayen, Alder succeeds and begins his apprenticeship as a Hand, however, his introduction to imperial magic is not what he had hoped and his desperate desire to find that pure and powerful magic he touched as a child is rekindled.

This is a coming-of-age story that encompasses a number of years in the life of Alder, from 5 to 23, and what he learns in his questing journey for magic that has fascinated him as long as he can remember. We follow him through years of study, his examinations, apprenticeship and beyond as he tries to learn as much as can be found on magic. What he finds is often a disappointment to him and his pursuit of this knowledge leads him into some tragic circumstances, changing him forever.

The prose it not thick and is quite easy to read. The book is about the perfect length to introduce you thoroughly to Alder and this world as he learns more about it. The first-person POV I think complements this slow revealing of knowledge very well. One positive compared to other coming-of-age, 1st person POV fantasy novels (e.g. Farseer) is that there is no achingly slow downtime where little appears to happen. The Hand of the Sun-King ensure there is no dull, drawn out expositions or lengthy travel sequences to force yourself through. The only downside I felt was that there's a lot to fit in and as such some events had more of a cursory going-over.

Nevertheless, I think this is an excellent debut and would love to continue the series.



Thanks to NetGalley and the Orion Publishing Group for access to an Advanced Reader Copy (ARC) in exchange for review.

George Lucas drew on many Eastern inspirations to create the mythology of Star Wars and in reading The Hand of the Sun King it seemed to me that the author intends much the same. There isn't a book since the Potter series that can escape comparisons when a boy goes off to learn magic and there are plenty of similarities here, including the now standard Chosen One storyline. If maybe the tropes are a little familiar they can mostly be forgiven; in the times I saw shades of Harry Potter, A Song of Ice and Fire, Star Wars, or later the Matrix during the awakening of our hero in the final act, I am reminded that even the Wachowski siblings borrowed (heavily) from much older material.
I enjoy the real beliefs threaded through this work of fiction, and the concepts of both religion and philosophy. Whether Pattern or Force or Chi, it's a new take on the connections between all things and the eternal fight between good and evil, magic and mundane. There is even a character that reads oracle bones. While I did grow tired of the repetitition (you could play a drinking game to every time 'wispy beard' is used) I understand this is a debut and for the most part it was entertaining. Certainly good enough to stay for the second act.

ARC provided by the publisher—Gollancz—in exchange for an honest review.

An all-around marvelously crafted fantasy debut; The Hand of the Sun King has cemented its spot as the best fantasy debut of the year.

I personally think The Hand of the Sun King was even better than The Blacktongue Thief by Christopher Buehlman, The Helm of Midnight by Marina Lostetter, and She Who Became the Sun by Shelley Parker-Chan. I know that this is super high praise because I completely loved those three, but I am shocked at this myself. I didn’t plan to read this novel; this was a hugely impulsive read. Call me a cover snob if you want, but if you know me by now, you know that I love taking chances on an unknown debut or novels with awesome cover art. Believing in my gut has often lead me to a superior reading experience, and this notion has been proven once more here.

“It is a great strength of the young, this willingness to shoulder risk. It can also be our greatest weakness.”

The Hand of the Sun King is the first book in the Pact and Pattern trilogy by J.T. Greathouse. The story revolves around Wen Alder, or Foolish Cur, a boy torn between two legacies; one of his father, whose ancestries trace back to the right hand of the emperor; one of his mother, who reject the Empire. However, there may exist a better path, a magical path filled with secrets. By attaining this path, freedom from the shackle of legacies can be achieved, and Alder wants it. To do that, he has to take the Imperial Examinations, the first step to becoming The Hand of the Emperor and wield the Empire’s magic. The Hand of the Sun King is a coming-of-age fantasy with a magic—and calligraphy—school trope and beyond; in an Asian-inspired world-building setting. Now, I am no stranger to voicing how much I love these tropes done well, and Greathouse did an exceptional job on executing these tropes on his debut. The themes of friendship, apprenticeship, freedom, and the determination to choose our own path—to not have someone else decide our fates—were dominant in the days of companionship and learning that Alder undertook.

“As every decaying leaf and growing tree helps to shape the pattern of the world, so every human act shapes the paths that we might follow. And those in power, like Voices of the emperor, or ministers of trade, can shape those paths with a motion of their will.”

The character development of Wen Alder throughout the novel was outstanding. Alder isn’t a thoroughly flawless or kind-hearted character; he was arrogant as a boy, and he made a lot of mistakes despite his natural talents with magic and every other aspect. Honestly speaking, I totally enjoyed reading the gradual development in his characterizations. There’s something genuine about his thirst and pursuit of knowledge and magic. Walder continuously learned the hard way that he’s not as good as he thinks he is; I felt that this built his character wonderfully. Furthermore, his well-written relationship with his grandmother, Koro Ha, Oriole, Usher, Atar, and the other supporting characters truly shaped his characterizations.

“If the choice is between understanding some deeper truth or fighting for a chance to make good on all the harm I have done, then I choose to fight.”

The Hand of the Sun King was not epic in scope per se, but the world itself felt real, expansive, and vivid because we readers get to learn more about the politics and cultures of the world together with Alder’s progression in the story. As I said earlier, this is a coming-of-age fantasy, and the feeling of loneliness in the isolation of adulthood was so palpable. But it’s not all bleakness and sorrow; there’s hope, there’s love, and there’s a lot to learn here, and we need to remember to treasure the people important to us while we’re able to. We all have our own shackles and difficulties in our life, but it doesn’t mean we have to face them alone; sometimes, even the kindness of a stranger can be the light of hope in the darkness. Everything felt executed efficiently and effectively; the topic of politics, economy, and the difficulty of cooperation between people of different social status/cultures were handled with extraordinary finesse.

“Guilt gnawed at me and I recalled the Classic of Wealth and Labour, in which Traveller-on-the-Narrow-way wrote that a merchant is no better than a bandit if his wealth does not elevate the farmers and craftsmen who are the backbone of the empire.”

War, loyalty, leadership were some of the other pivotal themes of the novel. The conjuration of the elemental magic and how the pattern of the world affects it was so brilliant and atmospheric. Yes, if you love reading about ancient mysterious gods and elemental magic in your high fantasy books, you’re in luck here. There’s veering, windcaller, firecaller, and more, but it’s not all brutal destructions and ruin. Without giving any spoiler away, there were some gorgeous scenes involving the combination of wind and fire that I found to be so mesmerizing. The conflicts surrounding the canon of sorcery were captivating, and the devastations that lie in the path of its wakening enhanced the tension-packed battles. I’m not saying that The Hand of the Sun King is a heavily action-packed novel; that’s really not the case. But each battle scene was brimming with intensity, and it’s good to witness and be reminded that magic can be used for fruitful purposes, too. Plus, Alder’s obsession and fascination with magic continue to strengthen the core strength of the storytelling.

“There was a horrible justice in these warriors circling each other without end, meting out petty wounds, slowly bleeding each other dry, but always failing to deal a killing blow. If only they could do battle alone, isolated from the pattern of the world. Somewhere that their war would not leave towns besieged and starving. Where the romantic tales of wars long past could never trick the young into seeking glory, only to drag them down into death.”

Lastly, I can’t praise Greathouse’s prose highly enough. The first-person POV of Alder was magnificent, and the pacing has a consistently addictive quality to it, but more importantly, Greathouse’s beautiful prose was utterly engaging. It’s such an exquisitely written book; the prose was accessible but never too simplistic, and the world-building felt intricately designed. Elegant, lush, philosophical, and compulsive, Greathouse left an echo of beauty with each word stamped with his brush of ink. I guess this shouldn’t come as a surprise, The Hand of the Sun King is one of the very few—or maybe the first—high fantasy novel with a story that actually prioritized handwriting and calligraphies in the narrative. I certainly haven’t read many books that put such a clear emphasis on the advantage of being ambidextrous. I’ve highlighted a myriad of passages, and I wish I can share them with you all. Alas, that’s not possible unless I risk transforming this review into a collection of quotes from the book. I’ve shared a few on this review, but there’s so much more I haven’t shared. Instead, I’ll leave you with this:

“’The energy present in the body and the mind in the moment of writing is reflected in the brush stroke.’ By a close examination of a handwriting sample – and a proper understanding of the context in which that writing sample was composed – one can deduce a great deal about the personality and attitudes of an individual. People are far worse at regulating their handwriting than they are their facial expressions, tone of voice, and even body language. Yet masterful calligraphers learn such deft control of the brush that they can convey whatever temperament they wish.”

My reading journey this year so far—with the exception of a few standouts—has been unsatisfactory. The Hand of the Sun King arrived like a divine intervention to remedy that situation. This is the fourth book I read this year to receive a full 5 stars rating from me. My sleeping hours were happily sacrificed due to reading this book, and each waking moment I'm not reading it, I was looking forward to diving back in. The Hand of the Sun King deserves a mark of excellence. It is a spellbinding debut with terrific characterizations, immersive world-building, and prose that swept me away. The Hand of the Sun King is hands down the best debut of the year. Scratch that; this is one of the best debuts I've ever read, not just this year. I absolutely loved it, and I recommend this to readers who love coming-of-age fantasy. Bravo, J. T. Greathouse.

“Some moments fix themselves in memory, to be recalled again and again throughout our lives.”

Official release date: 5th August 2021 (UK)

You can pre-order the book from: Amazon UK | Book Depository (Free shipping) | The Broken Binding (Use my code: NOVELNOTIONS121 for discount!)

The quotes in this review were taken from an ARC and are subject to change upon publication.

You can find this and the rest of my reviews at Novel Notions