I finished this book a while ago, but haven't been able to leave a review until now, because I simply didn't know how to put my feelings into words.

This book is, at its very foundations, remarkable.

You can read the blurb, but it doesn't describe the sheer experience of the tale. Yes, it looks at politics, social systems, exploring identity and other worlds. it tells of alien - utterly alien, not even the slightest bit human - life and what that might mean when making contact. The fear of the unknown, the greater differences between other humans than those aliens, the need to find what personal and shared truth, life and unity is...

There's a LOT going on here, but while it may be 'hard' science-fiction, it reads like a beautiful (and often terrifying) dream. Skilfully told, with visuals that allow the reader to smoothly traverse the paths of Kiln with its protagonists, I stayed up very late to see this one through. There was literally no way I could put it down without knowing what would happen, because it is so very unpredictable - and the conclusion is simply glorious.

Yes, there's horror. There's strangeness, violence and all that the Deep Unknown of space can be. But then I thought: why would alien life be as simple and humanoid as, say, Star Trek, when it can be as weird and wonderful as this?

I'm using a lot of enthusiastic words here, but that's because this really is one of those books that you just have to experience for yourself. This is science-fiction in its truest sense: it's about humanity when taken out of traditional structures, thereby discovering what its core truth really is.

I hadn't read any Adrian Tchaikovsky before, and have worked immediately to remedy that. Also he seems prolific, so I'm looking forward to his upcoming titles this year alone!

One of my Books of 2024, easily. A huge recommend.

Professor Arton Daghdev has been shipped out to the distant planet of Kiln, condemned to live and work the rest of his days out at a labour camp as punishment for his political activism and defiance of the Mandate on Earth. Kiln is thriving with a chaotic alien ecosystem, which reacts in horrifying ways with the human body, so every day spent on the planet is rife with danger, not to mention the oppressive regime within the camp. Is this to be the rest of Arton’s life, or can he find a way to escape?

This book contains heavier sci-fi than I would usually go for, but Tchaikovsky is an excellent author with the ability to make the science more accessible and at least somewhat understandable for those of us who have a lesser interest in that kind of thing (me). Most impressive though, is the impeccable world-building. The setting is completely integrated to the plot, so an image of Kiln is painted without feeling at all deliberate or laboured – it feels like it could be an entirely real place.

In amongst the eco-science and general peril of Kiln, is Arton’s witty narrative which I really enjoyed. Arton is an incredibly relatable and mostly likeable character, who speaks directly to the reader and is full of humorous, self-deprecating and insightful thoughts and opinions.

Unfortunately a DNF for me, I just couldn’t get into it. I kept persisting because of other good reviews & I do love a Sci-Fi but my mind kept wandering, the story just wasn’t absorbing enough for me to pay attention to what was going on & I realised after reading 30% of it that I should probably just let it go - not for me, there are plenty of other reviews that say otherwise though!

Adrian Tchaikovsky is always a great read - I have read a small sampling across various types of stories from him and I have had a great time, the whole way through the book no matter the length.

Alien Clay is a short novel, focussing on a main character who has been identified as a political enemy on Earth and as a result he's been shuttled to a work camp on an alien world, The Kiln. The writing is a highlight of the story, a mix of humour observations while also keeping the tone serious and building a clear picture of this science fiction world the main character and the reader are trying to understand. I thought the main character, Professor Arton Daghdev, sprung straight into the meat of the story and build a fully formed sense of himself and his relationships which were established very quickly.

I think every science fiction fan should try Adrian Tchaikovsky, and Alien Clay is a good potential starting point. It's not my favourite of his work as I prefer a longer series, but his quality shines through each page and hooks the reader quickly.

I am grateful to NetGalley for providing an advance copy of this book in exchange for my honest review. 

‘Alien Clay’ is a new novel by the author Adrian Tchaikovsky. It is a stand-alone novel, so there is no need to have read any of Mr Tchaikovsky’s previous books. Although I do highly recommend you do !

This book is based some time in the future, on a distant prisoner-colony planet, now populated with various dissidents and ‘enemies of the state’ who have been transported from the Earth by a Totalitarian regime, referred to as The Mandate. It is a hostile and dangerous planet with a barely tolerable climate and a sometimes hostile geography. Lifeforms have some molecular similarities with those on Earth , but seems largely incompatible. Symbiotic in their relationships, melded together by some biological mechanism or evolution. “What could possible go wrong ?” the reader may wonder.

There is little reason for The Mandate to explore this planet apart from the indications that intelligent life is present or has been present at some time. The forced-labour population works under the guidance of Mandate employees, mostly security staff but also technical and professional staff. Their job is to investigate and document the previous culture which is apparently no-longer present. To understand their intelligence, history and what became of them.

Scientists and academics are amongst those transported from Earth and perform menial tasks for the most part. As their skills, knowledge and understanding is often superior to those working for The Mandate, their captors occasionally appreciate or at least utilise them.

The book captures the reader right from the start with the arrival of a new shipment of dissidents to the planet. We get to know about the situation on Earth that has led to their deportation and transportation. Essentially a one-way trip with no return to Earth likely, even if they survive the hard working and living conditions. Concepts such as “Acceptable Wastage” of prisoners are introduced, giving the reader some idea of The Mandate and their World-view.

The main protagonist, the narrator of the book, is a fascinating and engaging character. An academic by training, he is naturally not happy about his current circumstances but cannot help but be intellectually curious about the new planet and the possibility of intelligent life. He is also hilarious in his observations and commentary of his current predicament, describing life inside the labour camp and activities outside, on the new planet, as he is forced to support exploration and supposedly scientific activities.

We are introduced to a few of the governing elites from the Mandate, including administrators, scientists and technicians. The prisoners are a more diverse mix of anti-Mandate dissidents, criminals, scientists and others who may have just been in the wrong place at the wrong time.

The author builds the plot around these intriguing characters including their relationships, shifting or unknown alliances and genuine friendships. A main premise of the plot, is how and why some of the prisoners, the narrator included, remain fascinated and intrigued with their new environment. This attitude remains despite their predicament of being an expendable resource in a dangerous, hostile world, with little hope of a return to Earth. This desire for scientific knowledge competes with the individuals desire for survival in various unsettling scenarios.

The protagonist is introduced to the exploration activities, including encounters with various lifeforms. Horrific events are sometime presented with lightheartedness or at least a dark humour as the reader learns about the planet, the work, uprisings and always in the background, the possibility of intelligent life.

As more ominous events take place, and casualties increase, the humour is reduced, to be replaced by sheer human tenacity, bravery and companionship. Despite these events, optimism and faith in the human condition returns as the secrets of this planet and the possibility of intelligent life are gradually revelled.

A thought-provoking and thoroughly satisfying book. The plot is exciting, well thought-out and developed. It is a fascinating read, occasionally horrifying and sometime drily funny. There is great character development, with the key players well developed, engaging and believable.

I thoroughly enjoyed this book. A wonderful addition to Mr Tchaikovsky’s body of work. I wish him all the very best with the publication.

I am always excited when a new Adrian Tchaikovsky book comes out and I was not disappointed. In Alien Clay the author manages to combine some very thought provocing ideas about the nature of totalitarianism with a fascinating and novel alternative form of biological evolution. At the same time the reader enjoys a roller coaster ride of survival on an alien planet. . A space colony of political misfits is humanities spearhead on what appears to be a benign new planet but they soon find that the regime that banished them and their guards are not all they need to overcome. They story of how they survive the planet's weird forms of life and their imprisonment there is a terrific yarn. For me the essence of science fiction is new worlds and novel ideas: this book is stuffed full of them.

Before Nineteen Eight-Four was published, George Orwell played with many of its themes in his other writings, especially his regular newspaper columns. In one of these he wrote something to the effect that even the strictest of totalitarian regimes would have, for a time, to respect natural laws: when designing a rocket, one had to proceed on the basis that two plus two equals four, even if the Party decided that the answer was five.

But only for a time. Complete power would dissolve this need, and in his new book Alien Clay, Adrian Tchaikovsky gives us a world - worlds - past that point, where the natural, as well as the social, sciences are expected to toe the line of The Mandate, the cabal that runs Earth now. The problems that leads to when they encounter alien life - truly alien life, not Star Trek style bipeds with funny faces - is a focus of this book. The narrator, a respected academic who's been purged for unorthodoxy, is condemned to a penal colony on an alien world, Kiln, where the effort is on to portray the missing race that constructed strange, ceramic towers now overrun by jungle, as a human analogue.

For humans, it's basically a death world, the alien flora and fauna aggressive, adaptive and dare I say it, subversive. Protective gear and decontamination are essential, yet only provided half-heartedly - after all, the workforce is expendable, and destined never to go home. Even the ships that bring them are minimal, as cheap as will serve, breaking up on arrival. Life is then brutal.

It's a tough gig, and Arton Daghdev, thirty light years from home, is hampered in his task by doubts - doubts about who betrayed him, doubts about who he may have betrayed, doubts about who he can trust now. That's how they get you, he tells himself several times. That's how we get you. In another parallel with Nineteen Eighty-Four, it's understood that, cornered by the Mandate, everyone will crack. And this is equally true of the invasive, ineluctable wildlife of Kiln, a tour de force of invention that Tchaikovsky manages to make both truly alien, almost incomprehensible, and therefore deeply threatening - but also, precisely because it so different, also utterly beyond the silly political games being played out by the invaders from Earth. It's a long time since I read SF with such a strange native flora and fauna. As I said above, it's not people in elaborate costumes, it's not life as we know it, Jim, it's - well, simply weird, challenging the human sense that we "are the first of things". I won't try and describe it both because that would rather spoil the story and because I'm not sure I can. You'll have to read the book to find out what's going on here.

What I will say is that Tchaikovsky is not only playing with exobiology here, he's also riffing off parallels between revolution - its failure modes explored at length - and that alien life, he's studying the powerful and their failures of imagination, their inability to understand that the world will not be what they wish, because they wish - in a salvo that could be aimed at climate denialism and species destruction we see here the ultimate consequence of that failure and it's not a safe or pretty story.

At the same time, Daghdev himself (the g is silent) is a fascinating study, a figure who gives away very little of his past - his story leaking out rather than being set down - and whose relationships and likely behaviour in his new setting are mysterious. The novel is as much a discovery of him as it is of Kiln - and what a novel it is, one I'd strongly recommend, deeply compelling form the first page to the last.

Alien Clay draws an eerie parallel between Arton's radical past, with its "revolutionary sub-committees" and the roiling, baffling array of alien life to be found on Kiln.

This was my first Adrian Tchaikovsky book and I was really pleased with my choice. I’ve only recently started reading science fiction and this was an interesting story full of politics, prisons on the backdrop of a compelling planet called, Kiln.

It begins as Arton Daghdev is dropped on the planet, Kiln, to serve a prison sentence as punishment to science uprising which has been outlawed on earth. Kiln has been inhabited before and the purpose of the prisoners is to research the local fauna, flora and buildings to determine what lived there before while being infected by the environment.

This was a slow build and I really didn’t know where it was going to go. Some of the descriptions reminded me of a the spores in The Last of Us series and it was a little creepy at times.

I would recommend this to science fiction fans and I am going to read more from the author.

Thank you to netgalley and the publishers for the opportunity to read this in exchange for an honest review,

About halfway through this one, I really didn't know whether or not I should press on with it: I loved the world, but felt distanced from the story by the flippant narrator. Alien Clay is a standalone SF novel from the prolific Adrian Tchaikovsky, set on the exoplanet of Kiln, a place of burgeoning, abundant alien life but no obviously intelligent species. Humans are determined to find out who built the mysterious structures on the surface of the planet, complete with a series of hieroglyphs that seem to signify an unknown language. However, under the Mandate, free scientific investigation is forbidden: it's a totalitarian government that pushes an anthropocentric view of the world and is challenged by any suggestion of sentient aliens (interestingly, this is the second SF novel published March 2024 that uses this human-centric premise; the other one is Grace Curtis's Floating Hotel ).

So far, so good: I loved the fascinating horrors of Kiln and, although the solution to the central question about the planet is pretty obvious, I looked forward to watching how it would unfold. But that narrator! The protagonist, Arton Daghdev, is a xenobiologist exiled to a labour camp on Kiln for his dissident views. Life at the camp is brutal, and Daghdev clearly deals with it through humour. Unfortunately, while I didn't dislike Daghdev as a character, I found his defence mechanisms incredibly jarring; we can never engage with the seriousness of what's really going on, because he's always in the way. I felt like I was reading a weird cross between Jeff Vandermeer's Annihilation and John Scalzi's The Kaiju Preservation Society, to the extent that it kept wrongfooting me when the administration crack down violently, because the world felt softer than that. Daghdev's narration improves somewhat after the midpoint, when the plot actually starts and [he begins to become part of the hive mind of Kiln, but I still felt there would have been much more scope to explore this insightful take on collective consciousness if the voice of the novel had been different.

I'm glad I pressed on and finished this, but it struck me as something to speed through perhaps more quickly than the author intended. I think Tchaikovsky has two modes as a writer, properly serious SF, like the impressive Children of Time series, and this more lighthearted register, and I personally need to make sure I avoid the latter. Readers who liked his And Put Away Childish Things, for example, are likely to get on much better with this one. 3.5 stars.

A fantastic read from an author at the top of his game. This alien world brought vividly to life. Good plot and characters especially Arton can he survive this strange world. I could not put it down, highly recommend. Thanks to Pan Macmillan and Netgalley for this review copy.

I found Alien Clay to be a relatively fun, fast paced sci fi adventure. The plot was intriguing and the world building had me hooked from the start, with the opening scene of Arton being launched into the planet especially gripping. However I found many of the characters somewhat lacking and unfortunately I do not think this is a book that will last particularly long in the memory.

Thank you to the publisher and NetGalley for providing this ARC in exchange for an honest review.

This is a world where symbiosis is the norm - the world building is superb giving a truly Alien atmosphere to the book .
Arton Dagdev , a failed coup survivor , has been transferred to the 'Excursions' teams sent out clean the areas around the newly found artefacts .
Against this background the Mandate only allows for everything being black or white , nothing in between is allowed - but Humanity has always had trouble accepting such defined ideas .
This makes for an interesting paradigm and the story explores the revelations the planet and the characters reveal - humanity has always posed difficult questions and ideas that do not always fall into just one ideal .
This is yet another fascinating book from the Author whose fertile mind continues bring worlds to life often posing questions that cannot be answered .
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own

This was my first Adrian Tchaikovsky book and I did enjoy it! He is a very talented sci-fi writer and I love the amount of description and detail he goes into when crafting his worlds. Although overall this book ended up not being completely my thing, it was still good to read as there was great action and tension and the MC (Arton) was a very compelling protagonist to read. The pacing was a little slow for me, but I completely understand why sci-fi readers adore this author as he is clearly very talented.

Alien Clay was a solid 4 stars for me. It was rich in descriptions of a vast Alien landscape and I really enjoyed how our MC interacted with it.

I have to admit it did not go the way I thought it would but I was super happy with the book as a whole and I read it fairly quickly over the bank holiday weekend.

This was only my second book by the author but genuinely I am in awe of the range in writing style and genre that I've seen so far. While the other book I read was a dense sci fi, I found Alien Clay to be more readable and appealing to my reading tastes.

Alien Clay begins dramatically and doesn't let it go throughout. Exiles from Earth are dropped onto Kiln, a planet where Alien life has left its mark and Arton, our MC is determined to find out its secrets with his humourous and dry narrative. Kiln is a character itself, with its extreme landscape and it certainly steals the show with the flora and fauna that makes it so so vivid to explore.

Alien Clay by Adrian Tchaikovsky

Future Earth is not all is should be for people of science such as Professor Arton Daghdev. The Mandate is the authority in control and, while they regard themselves as followers of science, it’s got to be the right kind of science, that provides all of the answers about why they are the top of the evolutionary chain. Arton and other intellectuals like him are shipped off on a one way, hazardous trip across the light years to a labour camp on the peculiar, lethal world of Kiln. Their mission is to understand the lost civilisation of this planet, and the ruins it left behind, and die in the trying.

I love Adrian Tchaikovsky’s novels, particularly their portrayal of non-humans and alien environments. Much time is spent here on the way in which the life on Kiln works and how it reacts with the human invaders. Arton is our guide as he copes with terrors, madness, and a deluded camp commander. Alien Clay is an experience to read. It’s an immersive novel and at all times reflects the state of our narrator’s mind, and his awe and fear at what he sees and feels. I’m giving nothing away but I absolutely loved the way in which it all drew to an end. There’s a message in here but it’s not laboured, it’s really rather skin-crawlingly, creepily wonderful.

Didn’t finish, sorry - read about 30% of it and while the premise was intriguing, it was a bit too much of a slow burn for me. Thank you for giving me the opportunity to read

I was a little apprehensive to read Alien Clay by Adrian Tchaikovsky. I had read one of his short stories; The Road to Aldebaran and absolutely loved it, but then when I tried one of his full-length books; The Doors of Eden, I had to DNF it after 3 attempts.

I really needn’t have worried - I thoroughly enjoyed Alien Clay and was hooked throughout. We are introduced to Arton Daghdev, a rebel professor who has been shipped off to a prison colony on a new planet for upsetting The Mandate. However, the planet of Kiln holds a secret and Arton should have been careful what he wished for when he said he wanted to study alien life up close and personal.

Although I found The Doors of Eden to be a little inaccessible due to the more traditional sci-fi nature of the text, Alien Clay is a more relatable and easy read, whilst still keeping the intelligent narrative voice of Tchaikovky. Arton is an interesting character, and everything is written from his perspective. There are some time jumps in the third part of the story, as we are treated to flashbacks interspersed with current events, but this works well to keep the tension high. The world building of the planet of Kiln is vast and detailed, and I could picture everything that was described which is sometimes an issue for me with Sci-Fi books.

Not wanting to give any spoilers, the last part of the book is brilliantly crafted, and I really enjoyed seeing the characters develop. Although the ending is a touch cliched, I think it was the only way it could have ended.

Overall, Alien Clay was a 5 star read for me and has made me want to explore more of Tchaikovsky’s writing. Thank you to NetGalley & Pan Macmillan – Tor for the chance to read the ARC in exchange for an honest review.

Alien Clay is a book about politics as much as it is about aliens.

It begins as Professor Arton Daghdev plummets at speed to the ground of the planet Kiln, thrown from the latest ship bearing new workers. He's been exiled due to political activism, now condemned to live out the rest of his life under a new sky, where strange creatures roam outside the safety of humanity's dome.

It's a wry first-person tale from a scared and intrigued narrator. As desperate as Daghdev is to learn more about life on Kiln - the only known planet that might harbour intelligent life - he's also scared of being beaten to death by the superiors there, or worse. What follows is a prison story, to begin with. He doesn't know who to trust or who trusts him. He's constantly asking questions. Will he get beaten if the commandant asks to see him (yes)? Will previous allies ever trust him again (maybe)? Can a rebellion ever succeed (wait and see)?

The problem is, the people in charge at Kiln don't want to get truly up close and personal with this alien world until they fully understand it. Nor are they ready for the truth if it doesn't align to tidy expectations. Anyone with an opinion who differs from theirs is in danger. Including Daghdev. Eventually his opinions land him 'outside' where he finally gets to properly experience the alien clay (so to speak) that makes up the nature of Kiln. The things/individuals/monsters he encounters are scary, curious, and yet so believable in the world the author creates.

After all, Tchaikovsky is an expert at writing wondrous worlds, and Kiln is no different.

I was lucky enough to see him at a book signing shortly before the release of this title and it was fascinating to get an insight into what makes him tick, and how he enjoys looking at humanity through SF (which is exactly why I love SF as a genre so much).

This isn't a light read, but it is a well-thought-out, compelling one that's very relevant for today. The ending was both satisfying and a tiny bit disturbing - in a good way!

Alien Clay is a standalone (I think) far-future science fiction novel. It is typical Adrian Tchaikovsky in its uniqueness, its weirdness, its inventiveness, and I absolutely love it for that. The guy is an absolute master at creating incredible worlds and maybe making your skin crawl as you're reading and enjoying his work, and Alien Clay is no different.

We start off with a character literally being dropped off on a planet and we're just thrown in at the deep end. The planet itself is called Kiln and it's essentially a prison colony. In this far future, Earth has been taken over by the Mandate and they outlaw various sciences and scientific thought and so you have all of these people who are rounded up and sent off to various different prison planets, who you wouldn't normally expect to see imprisoned, or at least not for the reasons they are.

Kiln itself is a bit different to the other prison planets because it's got almost an Earthlike quality to it. It is almost a viable atmosphere—you can survive in it for a certain amount of time, at least—it's within that Goldilocks Zone of temperatures, so it does make it a potentially viable planet for humankind to colonise, but we only have a prison colony on there at the time the book is set.

The first humans to land on Kiln soon found out that they were not the first life forms there, and that that's where this book starts to get interesting because they are trying to find out where the builders went—they have these incredible structures and they have all of these incredible life forms, but they do not match up. There's no way that they can imagine the life forms that they have creating these structures, so a lot of the people who are sent to Kiln as prisoners are cherry-picked for their scientific background and they're going to try to unlock the secrets of the planet.

This story is written in the first person and you follow an ecologist called Arton Daghdev. I like exploring the world from his point of view because he's never been to Kiln, and I've never been to Kiln, so we're exploring together as we go and the vibe this gave me was very much that of Project Hail Mary by Andy Weir. The science was less “in your face”—it's not about trying to figure out where we are and what we're doing and using science to fill in the gaps, it's more about what the character already knows and explaining it to us in a very dry manner. That really worked for me, it's the type of humour that I get along with very well.

I like how we start with Daghdev waking up from cryosleep (or whatever you would call it in this far future) and he is literally falling to the planet. You've got these barges that send out prisoners and it's a one-way trip—the ship isn't supposed to go back and do another journey or anything along those lines, it’s literally a fragmentation barge that breaks up in the atmosphere and some of the prisoners don't make it. They die on entry to the planet, so it's a real harrowing opening as we're going through the waking experience with Daghdev as he's burning up in the atmosphere over a brand-new planet. So that's very different and I like the way that it was handled.

The planet itself is also very, very different in its worldbuilding. Tchaikovsky has literally built a world from scratch here and it shows. There are no real Earthly attributes to this planet, it's a whole new world and a whole new system and everything in it is brand new. There are analogues—things that look like things we would have, trees for instance, the structures have very defined rooms and they can imagine what certain rooms might be used for, that kind of thing, but everything is new, the materials and so forth, and it makes for a very creative and very exciting world as you're exploring it and finding out all of the dangers that lie within.

The two main things that I think were a bit different for Alien Clay are the characters and the plot. Adrian Tchaikovsky is great at writing characters I can really relate to, get on with, or generally just enjoy. Here it's very difficult because it's in the first person, so your main character is Daghdev and you don't really get to know the other characters quite so much, partly because he doesn't necessarily spend time with them, but partly because, of course, you're looking at them through one particular viewing portal. You're only seeing them as Daghdev sees them, so it's quite difficult to build a real picture of them and to really get into their heads.

The story itself was a little weird for me. It definitely surprised me as it did not go in the direction I expected it to. That's a good thing though because Tchaikovsky is so prolific, he has written a lot of books, a lot of very different storylines and scenarios, and I've read a number of those and he still manages to surprise me. He still takes me on a journey and ends up in a completely different location to the one that I fully expected to be arriving in.

It was done very well here, nicely developed over the course of the story, and even when I started to understand where we were going, I was still waiting for those moments where we would pull away from it. Periodically, those did come along, and then we were pulled back, and it was all very different for me, a very different way of telling the story and not necessarily pandering to our expectations.

I love that you've got two main story lines and the actual key story, the main thing that's happening, is kind of in the background actually for a lot of the book. It really gets brought to the forefront partway through the story though, and it does sneak up on you a little bit because you're focusing on the main aspect as the character sees it—and of course, he doesn't see the whole picture, he's learning things as he goes along. I think the way that that was told was done very well because you're not necessarily going to get the threads of the big picture until you spend enough time there to be exposed to them.

I guess the wording of being exposed to them is very relevant here as well because of the type of world that you've got, the type of organisms that you've got on there as well, and the way that they're not really compatible with humans but they're trying to be. You don't have alien species that will go and kill and eat humans, because they're not compatible, and that works the other way as well, so the humans can't really eat the vegetation or the creatures of the planet either, they can't digest them.

Overall, I had a good time with this story. There were a few bits in the middle where I though it kind of bogged down a little bit, the pacing wasn't quite right for me throughout the entirety of the story, but excepting that, I thought it was a really good novel. It showed another type of creativity, another weird and wonderful way that Adrian Tchaikovsky's mind can work, and it did everything I think it set out to do in a very competent way. It wasn't my favourite Tchaikovsky, but then I've read a lot of his work, and Alien Clay already had a very high bar to get over for me.

Alien Clay is a really interesting mix of sci-fi, dystopian and a tiny sprinkle of horror. We have an alien planet, Kiln, that acts as a prison for people who go against the Mandate which is essentially an all powerful government. Most of the prisoners are political dissidents giving this a very dystopian feel!

The world building is great and we get a real insight into how the system works and how corrupt it is. The Mandate basically wants to prove that humans are the optimal species and how life is meant to be. The descriptions of Kiln make us feel like we are really there and we can really see that this is a world very much unlike Earth.

The characters are all pretty interesting people and I like all the interactions between them. I really loved the writing style, it's easy to get hooked. This is my first full length Tchaikovsky novel and it has such a different more serious voice than the novellas!

Overall this is such a unique concept that was well executed.