In the face of the unrelenting death and misery of war, what recourse do everyday people have to try to stop it? If we believe war and violence are abhorrent, would it be better to lose the war than prolong it? Is specific, targeted violence okay if it appears likely to forstall more violence?

The Siege of Burning Grass by Premee Mohamed tackles these questions and more. Set in a war-torn corner of a nameless world, famous pacifist leader Alefret languishes in a prison of his own nation, a nameless scientist experimenting on him to see if his blown-off leg can regrow, using biologically altered wasps to sting the medicine into him. Alefret is used to suffering, having been born with a genetic condition that makes him enormous, with an obviously distinct face and hunchback; he refuses to reveal anything about his fellow members of the pacifist movement called the Pact. But soon a general coerces him into action with a very specific plan: if he and a fierce diehard soldier named Qhudur can sneak their way into the enemy’s floating city, he can ally with the enemy nation’s own pacifist movement, and using their trust, allow Qhudur to sneak in and kill the nation’s leaders. It is an act of deceit and broken trust, but if it works, it would mean the end of the war and the end of all this killing.

Alefret and Qhudur hate each other, but must rely on each other to succeed in their harrowing journey. They spend much of the book clashing ideologically as they make their way across the desolate grasslands between their city and the floating city of their enemy; Alefret denouncing the war as pointless and evil while Qhudur critiques his presumed naivety and cowardice. It’s here in these war-torn fields, living off the land and grappling with difficult questions, where the book is the strongest, evoking other resonant anti-war narratives outside of the world of speculative fiction. Mohamed strikes a difficult balance many lesser writers fail to achieve; she asks difficult moral questions without clear answers, yet never lets us believe that Qhudur’s nihilist and infantile violent worldview is anything but abhorrent.

The secondary fantasy world of the novel is only ever sketched in around the edges of Alefret’s vision, but it’s a fascinating one. Technology appears to be roughly around the war years of the early 20th century, with guns, radios, and planes; yet there are other stranger devices. Alefret’s nation utilizes creatures, perhaps biomedically altered or perhaps native, as technology, from the aforementioned vaccine-hornets to the pteridons that serve as flying vehicles or the lizards that produce bullets.

The Siege of Burning Grass deserves to stand among other great SFF fiction about war; unlike many other books that are granted this comparison, it actually evokes Ursula K. Le Guin, with a magical world filled with wonder and yet burdened by the same horrors as our own, a story told beautifully, and ideas that counter much of the simplistic good vs. evil schemas of classic fantasy. Unfortunately, I found that the book’s rather muddled and sudden ending undercut some of its themes, which wasn’t enough to ruin the book at all but maybe keeps it from true masterpiece status. Regardless, this is a really special novel, once with a profound empathy and righteous anger, that feels especially relevant in our current era.

Thanks to NetGalley for the advance copy in exchange for an honest review. All thoughts expressed are my own.

3,75⭐️

"The Siege of Burning Grass" is an exceptional tale of a war, much less focused on the battles, and yet somehow much more cruel, bloody and deathly than if it did happen amongst soldiers. I've enjoyed Mohamed's writing, peculiar and slightly reserved, as she guides us through her story not like an all-knowing deity, but a mentor. Supporting. not explaining. Distant, yet closer than ever before. While she draws a tale like none other, it gives it a feeling of realism, like looking in the mirror – not a perfect, one to one picture, but something closer. More chilling. Stranger.

Thanks again to Solaris for passing this along! This is a hell of a novella that I devoured in the space of Christmas Eve and Day this year, accompanied for a not insiginificant portion of time by a glass of wine and some cheese and sausage. The core of the novel would already be a hell of a setup - the leader of a pacifist movement being tortured by his own governement and sent as a spy to the enemy, but who is also on his own mission (which I think you can probably guess giving Mohamed's previous books, but I'll not spoil it for you). The message of community and care at the heart of this while also balancing survival in a greater hostile environment is great, and you're going to want to pick this up when it comes out, trust me and just preorder it now.

Just incredibly good- not only as a story and something with world holding unlike anything I’ve seen before, but also as a meditation on war and resistance that does not sacrifice character at the altar of allegory. Especially pertinent right now- I absolutely loved this book, heartbreaking as it was, and highly recommend it.

Thank you to NetGalley and Rebellion for this opportunity to read rate and review this arc which will be available March 12,2024!

Given the current situation in the Middle East this book was poignant, harsh and utter dang perfection. Well written, sharp, unflinchingly blunt.

Very powerful look at war (even in a fictional/fantastic/SF setting) and what some people will do to stand against it. Well developed cultures and characters, ending seemed to come a bit quicker than the rest of the book. The main character is unlike most protagonists you see in SF.

This book throws you off a cliff, but patches you up during the fall. Is the fall hard or soft? It depends, but trust that Mohamed knows exactly what she's doing from the first page and you're in her hands the entire way. You'll get there (where? the bottom. of? the abyss? all things?) and things (most of them) will be fine. Or they won't. It depends.

Solid read! I love a well written intelligent character and this is exactly what we get with our main character. Thoroughly enjoyable.

I found this book fascinating. I'm partial to smart, un-beautiful, conflicted protagonists like Alefret. He's was born a malformed giant, and more recently has an amputated leg that is growing back, thanks to being experimented on by a mad scientist while imprisoned. He's also gentle, thoughtful, and immensely principled. A pacifist so committed that he has written the manifesto for how to be one, he is throughout the book thrown together with a violent zealot who he utterly hates, and yet resists killing or even harming. The book is an examination of how to be a pacifist when given every opportunity to kill someone you know is going to kill or otherwise cause the death a great number of others, someone you would take pleasure in killing. The unusual, highly original world this is set in makes this a fascinating story. Alefret's people have advanced bioengineering, so there are living tools of all kinds, such as wasps that deliver various drugs, spiders that make bandages, and lizards that create bullets. The enemies have a flying city. The writing is excellent, the characters superbly developed, the story completely unique, and the ending entirely satisfying. I highly, highly recommend this book!

I was so sucked into this story. I thought that Qhudur's characterization was very interesting, and I was super glad that Mohamed resisted a one-dimensional / dehumanized role for him. I thought that after a pretty deliberate slow burn the final scene in the castle was somewhat rushed (although in many ways that was appropriate). I thought the depiction of a commitment to complete pacifism was very interesting, as was the examination of the strengths and limitations of collective action.
4.5/5

This is a book, that is hard to put into words. Reading it, I had the impression of tangled wool and I feel like I have not managed to smooth out every knot, not yet. I think I will be thinking about this book a bit more in the future.

My very favorite thing is the worldbuilding and the interesting world the characters live in. The conflict between Alefret, the protagonist, and Qhudur, the antagonist, was interesting to read about and Qhudur especially was a very interesting villain. Their shared cultural heritage and the myths and stories especially, that Alefret recounts, were immersive and fleshed out the world in what is maybe my favorite way to do this.

The ending twist came very suddenly, I wish its idea would have been hinted at sooner, wish it had been a bit more established earlier on, because it is so interesting. I wanted more of so many things! I want more of this world, more of its past. More of Qhudur and Alefret and their ideological conflict. So many things would have been even more interesting if they were fleshed out further! But it all cohered together nicely, so it is just a matter of personal wishes.
Also some stylistic choices did not mesh with me sadly which, again, is simply personal preference and many would surely disagree. This Book is a wonderfully interesting examination of a strange world and of the meanings of pacifism and nationalism.

A slightly more detailed version of this review is up on my goodreads.

A stunning meditation on war, nationalism, violence and courage by a rising star of the genre.

Excellent, important, everyone should read this.