Skip to main content

Member Reviews

I found it to be a dark gothic/horror and suprised myself that i actually enjoyed it!.
Thank you for the arc.

Was this review helpful?

“Finally,” she said. “I’m fucking starving.”

3.75 ⭐️

Thank you to the Author, NetGalley & Poisoned Pen Press for this ARC in exchange for an honest review!

I enjoyed this read, I felt like it definitely hit the gothic/horror mark & at times I was almost audibly going “ewwww” at some of the gore. I enjoyed the morally grey main characters - it feels like in the end, none of the characters really were truly ‘good’ and were all flawed which made for interesting reading experience, seeing their character growth and their flaws exposed layer by layer.

I did struggle to sympathise with Lucy towards the end… I think that the theme of sisterhood is definitely prominent in this book (as it claims to be I guess) and I think that it’s the main focus of it, it almost describes that unconditional love and loyalty, that despite all the things that happened and the fact that Not-Sarah is not quite Lucy’s sister anymore, Lucy’s loyalty and love for her sister is so strong that she’d do anything for her. However, it did make her seem like a bit of a pushover which was a bit frustrating to read.

Overall, I thought it was an easy, dark & gothic horror read! It was slightly slow to begin with and picked up just after halfway.

Was this review helpful?

Frankly, this was freaky as hell and I cannot recommend this to anyone who is squeamish about eyes, blood, self-harm, and did-i-mention EYES.
However, if you're interested in Dracula by Bram Stoker, 2024 Nosferatu, or you ever studied bog bodies in your secondary school history class, you'll love this to bits. From the first line this book had my attention and I found it hard to put down - although I won't lie towards the end I had to take a few breaks for my weak constitution because, as I may have mentioned, there was some pretty yucky stuff in here (or maybe I just haven't picked up a horror in a while? Hard to tell tbh). The pacing in this was fantastic and there wasn't a single moment that I wasn't either horrified at the situation the characters were in, or more often horrified at the characters themselves. A wild ride from start to finish, definitely interested in reading more of van Veen!

Was this review helpful?

One of the first books to make me go "<i>oh god, EW</i>" out loud while reading, and GAG!!! (COMPLIMENTARY)

I loved this book - a sort of Dracula inspired paranormal horror that's not really about vampires but uses them as a starting point. I loved how inventive this was! I can't go into too much detail for risk of spoiling it.

I thought this book was gripping with so many twists and turns and stomach churning moments, the characters were fleshed out (ew) and their relationships toxic and fascinating. My only issue was the pacing dropped a little in the middle.

Was this review helpful?

This was harder for me to get into but when I did I couldn’t stop reading! Thank you NetGalley and the publisher for a copy of this book.

Was this review helpful?

Oh Johanna van Veen I adore your dark and twisted gothic stories so much!!

THIS is how you handle gothic horror. It's eerie, mysterious, and yet so emotional. I truly loved the philosophic discussion about what makes us... US? Our memories? Our emotions? "What was a person if not the sum of all they had ever been through?" UGHHH so thought provoking and fit so well into the dynamic between Sarah and Lucy. (I wish I could go more into it but I don't want to give away any spoilers)

At one point I actually felt frightened and that hasn't happened to me in a LONG time. It was the ending of a chapter where Lucy had figured out what was going on - if you know, you know.

Also, I need to mention how perfect Johanna van Veen's author's note was at the start of the story. PLEASE do not skip it, especially if you are new to this genre. This is gothic horror... it's going to be full of extremes, it's going to be emotional, and strange, and maybe not for everyone.

CW's: sickness, death of a loved one, body horror/gore, the stigmatisation of the mentally ill, misogyny, sexual abuse, domestic abuse, cheating, and toxic co-dependent relationships.

Heavy on the gore by the way, even I couldn't handle the eyeball popping erghhhh

Anyways, to wrap this up - I think this is one for the girlies who enjoy a weird and unhinged story that's full of dark and creepy things!

I do find myself thinking that there is something more I would have liked for this story... but I can't quite put my finger on it. Possibly a little more work/depth into Michael as a character? (he is an absolutely horrific person by the way, be warned) Or maybe more show rather than tell.

But either way, I am LIVING for Johanna van Veen and her creepy gothic mind!!

-Sarah

*Thank you NetGalley + Sourcebooks UK for the e-ARC in exchange for an honest review

Was this review helpful?

I went into Blood on Her Tongue with high expectations, hoping for a deeper, more unsettling take on vampire mythology. Unfortunately, what I found was a novel that promises a lot but never quite delivers. While it’s certainly atmospheric and the prose can be haunting, the story itself lacks the depth and complexity I crave in a vampire novel.

The protagonist, a woman struggling with monstrous urges, is intriguing in theory, but ultimately falls flat. There’s an intimacy in Logan’s portrayal of hunger, but it’s more poetic than meaningful. I want to feel the tension of a vampire struggling with their nature, but here, it’s mostly an excuse for overly descriptive passages that often slow the pacing to a crawl. The writing is lush, but it leans too heavily into atmosphere rather than building real tension or giving the characters any real emotional depth.

The treatment of the vampire mythos is where this novel really lost me. There’s an attempt at reimagining the classic vampire story, but it feels more like surface-level experimentation than an evolution of the myth. The vampire lore is muddled, and instead of offering new insights or deepening the horrors inherent in vampirism, the book gets bogged down in metaphor and mood. The result is a hollow version of the myth that never really digs into what it means to be a vampire in the way that I would expect.

The characters also never really rise to the occasion. The protagonist is more of a vessel for the story’s atmosphere than a fully realized person with inner conflict. I never got the sense that her struggles were anything more than narrative devices to prop up the book’s aesthetic, and the supporting characters feel just as disposable. This lack of depth in the people you’re meant to care about makes the whole book feel more like an exercise in style than substance.

Overall, Blood on Her Tongue doesn’t have the bite I was hoping for. It’s more style than substance, more mood than meaning. If you’re looking for a vampire novel with rich mythology, complex characters, and psychological depth, this one might leave you feeling empty.

Was this review helpful?

This book was everything I wanted it to be! So dark, atmospheric, gothic and compelling.
Beautifully written.
Would love to read more from this author!

Was this review helpful?

"She imagined hell as an eternal waiting room whose doors would lead to planes of pain hitherto not experienced."

Johanna van Veen's novel is set in The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too.

This was a gripping mysterious thriller that I could not put down. Straight away the reader gets the sense that things aren't quite as they seem. There's people and events to be suspect of and Sarah's decent into madness comes into question until things begin to somewhat make sense.

Is this all a delusion shared by two sisters or is there something darker lurking? From chapter to chapter I could feel the creepy and disturbing behaviours of Sarah and other characters leading to something devastating.

This was an addictive and disturbing gothic horror novel that I would definitely recommend.

Was this review helpful?

Blood on Her Tongue is a compelling and atmospheric read that will appeal to fans of gothic horror. Johanna van Veen’s ability to intertwine psychological depth with supernatural elements results in a novel that is both unsettling and profoundly moving.

Slow to start, however it continued to pick up pace throughout.

Was this review helpful?

A young woman must investigate her sister’s mysterious madness which is brought on by the discovery of a bog body at their secluded country estate. Fast-paced, atmospheric and creepy, this is a gothic body horror which nods to Carmilla. Not as strong as Van Veen’s debut, My Darling Dreadful Thing, it’s still a wonderfully gory romp through the Netherlands during the late 1800s.

Was this review helpful?

Blood on her Tongue
Johanna Van Veen
UK release date 25th March

'I'm in your blood, and you are in mine ...'

From the author who bought us My Darling Dreadful Thing comes a Gothic horror promising us atmosphere, fear, dread and vampires. The cover is stunning and the synopsis intriguing but I found myself being a little disappointed with this book - it really wasn't what I was expected.

Yes there are some themes in this novel that we would associate with the Gothic but aside from the author referring to the vampire as a parasite there really isn't much in this book that's very original with a storyline that's similar to books already published. Based in 1887, the language used is very modern and up to date, occasionally flipping back and forth which just felt a bit uncomfortable and clunky. It is a very fast paced story with a few moments of tension and suspense, however, it didn't really scare me or give me the chills - it just seemed to lack a bit of oomph if I'm honest.

There is a lot of gore and a lot of scenes that could have been very dark but instead of being shocked or disturbed I did find myself laughing quite a lot. I'm not sure if there was a certain wit to the authors writing and I was supposed to laugh or the authors storytelling just wasn't for me? For a book filled with many dark subjects such as infant death, grotesque murders, insanity and cannibalism i just felt the writing was very childlike and I did speed read through a lot of the chapters.

It's not a particularly bad story but it's not a particularly good one either if that makes sense. The ending was too rushed, far too neat and tidy and didnt make much sense. The synopsis had me expecting so much more but unfortunately for me this story didn't deliver - it won't stop me reading her first book though as, apart from it's brilliant reviews, the author herself has said she had many, many difficulties when wtiting this particular book. Worth a go if the synopsis interests you but I would say more Gothic satire than Gothic horror ... 🌟🌟

Was this review helpful?

Lucy receives word that her twin sister Sarah is unwell after becoming obsessed with a centuries-old corpse that was recently discovered on her husband’s estate. The doctor diagnose her with insanity, even suggesting she be placed in an asylum for her own safety, but Lucy knows that is a death sentence that awaits her twin. So she must discover the mystery around her sister’s condition before her condition turns sinister. But Sarah isn’t the only sister with secrets and the guilt within Lucy eats her alive. As Sarah condition turns deadly, Lucy learns something else inhabits her sister and Lucy must face this monster head on – or risk losing Sarah forever.

I saw the cover on Netgalley and was enchanted! Read the synopsis and was even more excited! A gorgeous gothic horror of love, deception and betrayal.

Was this review helpful?

Dark, intense, and beautifully written, Blood On Her Tongue is an atmospheric thriller that grips you from the very first chapter. Johanna Van Veen crafts a suspenseful and unsettling tale, blending psychological depth with a chilling mystery. The prose is sharp and evocative, making the tension almost palpable. While some plot points felt slightly predictable, the execution was strong enough to keep me engaged throughout. A compelling read for fans of dark thrillers.

Was this review helpful?

Set against the eerie backdrop of 1887 Netherlands, "Blood on Her Tongue" delivers a captivating narrative that I found utterly gripping. Lucy is plunged into turmoil as her twin sister, Sarah, descends into madness, spurred by an unsettling obsession with a centuries-old corpse on her husband’s estate. As Sarah faces confinement in an asylum, Lucy’s determination to save her sister unravels a web of dark family secrets. The novel deftly explores themes of sisterhood, identity, and the supernatural. With its richly Gothic atmosphere and suspenseful plot, "Blood on Her Tongue" keeps readers questioning the fine line between sanity and the spectral. This book enthralled me from beginning to end, making it a must-read for fans of psychological spooky books

Was this review helpful?

Sarah and Lucy are twins, and they hold secrets.
This book has a gripping start, where Van Veen does the mood and the genre justice.
I enjoyed the macabre, the rage, and some aspects of the story world.
I was not keen on the ending, and my breakdown goes:
plot 3
characterisation 3
prose 3
mood 3.5
topics 3.5

I was very hopeful about this book, and had high expectations. Personally, when a theme and premise have been done multiple times before, I value literary prose, complex characterisation (as in Sarah in this book, and not so much Lucy and other characters), and a well-executed plot.

That being said, I can totally see that this book will be well-liked by many, and I understand its appeal.

Was this review helpful?

"It smells like a slaughterhouse in here."

4.5 ⭐ rounded up. A gothic novel, set in the Netherlands in 1887, which leans into weirdness, horror, and the macabre. The voice is great. There is a glint of humour and self-aware playfulness with the genre, and by the end the story gets quite messy and deranged. The sensory descriptions are vivid - sometimes gruesomely so.

There are some lovely touches - such as the gothic-themed trigger warning at the start ("In your hands, you hold a work of gothic horror.... I do wish to warn you so that you may prepare yourself accordingly before you wander into its darkness wearing only a flimsy nightgown and holding a dripping candle to light your way...").

Many thanks to the publisher and NetGalley for the advance copy.

Was this review helpful?

Rating: 2.5/5, okay
Publication Date: 25/03/2025
Thank you, Johanna Van Veen and Poisoned Pen Books, for the digital copy via NetGalley, in exchange for my honest opinion.

"I am longing to be with you, and by the sea, where we can talk together freely and build our castles in the air." Bram Stoker, Dracula.

Dracula’s famous quote from one of the most renowned works of gothic horror sets the tone for this fast-paced horror novel. Blood on Her Tongue by Dutch author Johanna Van Veen is marketed as historical horror, which had me extremely excited—I am a great fan of anything vampiric. However, this is NOT HISTORICAL HORROR fiction, which could be misleading to some readers – it tricked me. There’s little evidence of historical research, and the setting lacks the immersive detail that makes historical fiction convincing. That said, expect a mystery/romance/horror (horrantasy? I hope this will not be a thing).

Set in the Netherlands in 1887, the story follows Lucy from the moment she receives a very strange letter from her twin sister, Sarah, to the darkest corners of this marsh-soaked village. The letter is cacophonic and messy in both its formatting and content, adding an extra layer to the plot and a sense of urgency and madness. I found it interesting how Van Veen opens the first chapter—wink wink, nod nod to Bram Stoker. In the letter, Sarah describes disturbing things, including something about a woman's body found in an unnatural state in a bog nearby. Lucy immediately sets off to meet her twin, only to find herself worse than she imagined.

"She had barely finished the thought when fear grabbed her by the throat with enough force to cut off her breath. She dropped the handkerchief to her lap and buried her face in her hands to keep from crying."

Johanna Van Veen’s prose is good, and there are clear references and inspirations taken from Dracula—even in the name ‘Lucy,’ which confused me at times. At times, I found the writing similar to New Adult but not quite it, and not as 'gothic' and flourished and macabre as I expected and wanted. The novel is filled with numerous supporting characters, some interesting, others not so much, with every scene building up the mystery. However, I found some ideas overused and unoriginal, and Sarah felt like a weak imitation of Stoker’s Renfield. While parts of the book contain letters, it is not fully epistolary. At the beginning of the book, Veen makes the reader aware of the many trigger warnings this book includes, such as body horror, gore, mental health struggles, sexual abuse, misogyny, and toxic relationships—so it's not for the squeamish.

Lucy is an okay protagonist, but I found it hard to connect with her relationship with Sarah. I just didn’t buy what they were selling. While the premise is compelling, the execution left me wanting more. The book reads more like a romantic mystery with horror elements rather than the gothic historical horror fiction it is advertised to be. The writing itself is strong, but the language often feels too modern for the period, stuttering the reading flow.

I was expecting something more atmospheric and eerie, but instead, the book feels like it’s aimed at a new adult audience rather than readers who grew up on Dracula, The Monk, and RPGs. The gothic elements are present in theory but don’t quite land in execution. There are moments where Van Veen’s prose shines, but they’re often overshadowed by an inconsistent tone and modern-feeling dialogues and prose, which pulled me out of the narrative. Most of these criticisms stem from my high expectations when it comes to vampires and gothic fiction, and other readers might enjoy it way more than I did. That said, the mystery is engaging enough and the premise compelling. The romance, while central to the plot, at times overshadows the horror elements, making the book feel like it belongs more in the realm of dark romance than horror.

In conclusion, if you go in expecting atmospheric horror, you may be disappointed. However, if you approach it as a romantic mystery with eerie undertones, there’s enjoyment to be found. Blood on Her Tongue is an entertaining read, but it left me wishing for something darker, richer, and more immersive.

Was this review helpful?

Blood on her tongue is a gothic historical horror set in 1887. This novel started really strong and I really enjoyed the atmospheric lead up to Sarah’s mental illness through the discovery of the ‘bog body’
If I was to judge this book by its cover I would have guessed it was a romantasy, and not a book I would have chosen to read, however the synopsis really appealed to me and I was not disappointed.
I look forward to reading more from this author

Was this review helpful?

I really enjoyed this, though the ending let it down slightly, I thought. The characters were well written for the most part, flawed and human (well, some of them!). I enjoyed the setting very much, and the unusual type of "supernatural creature"

Was this review helpful?