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The Light Years

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Pub Date 11 Feb 2020 | Archive Date 14 Jan 2020


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Description

A long-lost battleship and an arranged marriage may hold the key to faster-than-light travel and humanity’s future in R.W.W. Greene’s debut The Light Years

Hisako Saski was born with her life already mapped out. In exchange for an education, better housing for her family, and a boost out of poverty, she’s been contracted into an arranged marriage to Adem Sadiq, a maintenance engineer and amateur musician who works and lives aboard his family's sub-light freighter, the Hajj. 

Hisako is not happy with the deal. The arcane branch of physics it requires her to study broke off a thousand years before, and she is not keen on the idea of giving up everything she knows to marry a stranger and move onto an aging spaceship. 

Onboard the Hajj, Hisako soon learns her dilemmas are overshadowed by the discovery of ancient secrets, a derelict warship, and a chance at giving the survivors of Earth a fresh start.

File Under: Science Fiction [ E=mc2 | Happy wife, Happy life | Marital Bliss | Light Years Away ]
A long-lost battleship and an arranged marriage may hold the key to faster-than-light travel and humanity’s future in R.W.W. Greene’s debut The Light Years

Hisako Saski was born with her life already...

Available Editions

EDITION Other Format
ISBN 9780857668363
PRICE $14.99 (USD)
PAGES 400

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Average rating from 26 members


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A really interesting premise that is well crafted, well told and a pleasure to read, I admit the story was not one I would have initially been drawn to but I am very grateful for being given the opportunity to read this book, highly recommended

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This was a good read.

Merchants ply their trades throughout the galaxy and when they come back to their planet, they have only aged the length of their voyage but planet side, people age in years or decades.

Traders are referred to as immortals and make long range plans including contracting for marriages to assist their businesses - here a marriage contract requires the future bride to study specific topics that will benefit the owners of a merchant ship. Ancient technology is scattered throughout the universe (a warp drive built by the Americas) and obtaining this technology can lead to nefarious plots.

Great and very interesting world building - I can't wait to see more. The characters are well written and relationships between characters are also very strong.

However, there was not much plot to the story and it seems like this book is laying the groundwork for things to come, which appears to be promising.

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The Light Years premise really intrigued me. Told in alternative chapters and timelines set way into the future, you’d be forgiven for getting a bit confused. I enjoyed The Light Years, but some of the space tech stuff was hard to follow. Definitely an interesting, speculative read.

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This was the kind of novel that I always hope to stumble across - fantastic world-building with just enough fiction blended in to make the SF aspirational-esque, vivid and enthralling characters who have their own motivations and voices, and a plot line with enough bends to keep you interested in continuing the story to the end. You can tell the author has some understanding of both music and politics, and is writing to his strengths. Greene does a great job building the characters during their changes in relative time, taking the effort to build their layers and growth step by step. The best thing I can say is that when I finished The Light Years, I immediately hoped there would be a sequel. If there is not, I will definitely keep my eyes out for anything else Greene does in the future.

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The Light Years is a wonderful debut novel from a talented writer making the transition from short stories to a longer form. It's excellent space opera with a family-owned slower than light ship making its run between post-diaspora worlds which experience decades for every year of the trader's transit. THere's a touch of Heinlein's Citizen of the Galaxy in here, as well as a lot of very original thought.

At the outset, Adem, the son of the ship captain, goes planetside to arrange for a wife. He won't take delivery until the ship's next visit more than two decades away, and his mother the captain has very specific requirements for the still-nascent bride, specifically near-genius aptitudes in math and physics. Fortunately, that can be genetically tweaked into her, and hopefully by the time they return the child, Hisako, will have matured into a tool the captain can user for her plans. Arranged marriages have always been about the families more than the principles, and the story follows both Hisako and Asem as she grows up to be a strong and independent woman and he processes the future in his accelerated time frame.

The future, as William Gibson has pointed out, is not evenly distributed. While the Haaj and her sister ships travel at speeds approaching c, a few ships were built with worm-hole technology, though the knowledge needed to make those drive was lost to war and cataclysm. The few remaining ships are rare and precious, properties of governments who dare not use them. But the captain of the Haaj has a plan that might just let her ship get its hands on one

I can't say enough good things about this book. It's rich in cultural details, full of great characters, internal conflicts, and family drama, and enough explosions and betrayals to keep it all lively.

Highly recommended.

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Published by Angry Robot on February 11, 2020

The Light Years builds on a science fiction premise I haven’t seen before. Most elements of the future that R.W.W. Greene imagines are familiar. Traders roam through the galaxy at relativistic speeds, returning home having aged less (relatively speaking) than the family members they left behind. The traders belong to a guild. Investors purchase shares in trading ships, taking a proportionate share of profits that the ship generates. The ships are family-operated, more or less.

Earth is a memory, most of its inhabitants having been incinerated by a solar event. The United Americas evacuated people on a dozen worm-drive ships and a bunch of ships that could not travel faster than light. Other groups of nations joined the evacuation. After the Caliphate and the United Americas settled their respective worlds, they destroyed each other in a war that lasted two days.

Here’s the new wrinkle to that background. Given the nature of relativity, it isn’t productive for a trader to begin a romance, go on a six-month voyage, and return to a lover who has aged fifty years. Traders therefore contract an arranged marriage, usually by bribing a family to donate a spouse in exchange for enough cash to live a better life.

Adem Sadiq is an engineer on the Hajj. His family arranges his marriage with Hisako Saski. They fund her education in physics, with a specialization that might help her understand wormhole drives, a technology that was lost when the UA was destroyed. The arrangement assures that Hisako and her parents will have a better life while bringing fresh blood to the crew of the Hajj. Adem’s only concern is that his new wife won’t want him to sleep with a crew member named Sarat, a pastime he enjoys.

Some of the story revolves around the relationship between Adem and Hisako, which for a long time is platonic, despite their shared interest in music. Adem is a nice guy and Hisako resents being sold into something resembling bondage, a situation that doesn’t lend itself to connubial bliss. That’s an interesting concept, although Greene could have done more with it.

The bulk of the story concerns a salvage operation that the Hajj undertakes. A badly damaged UA ship might yield a treasure trove of lost technology, including both a wormhole drive and the world-destroying weapon that ended the Two Day War. An investor/uncle named Rakin would like to sell the tech while a minority of family members think life-improving knowledge should be given away for the benefit of humanity, although only after instructions for building the world-destroying weapon are wiped from the memory banks. That conflict provides most the tension that develops in the novel’s later stages.

Whether Adem and Hisako will bond is a question that will interest readers who favor romance themes. Since the romantic plot thread never devolves into cheesiness, it contributes something to the story, although the contribution has little impact. Greene does raise philosophical questions about what it means to be happy, questions of a highly individualistic nature to which there are no easy answers. The exploration of those questions isn’t profound, but at least Greene makes an attempt to give a reader something to chew on.

The larger plot, involving the conflict over the salvaged technology, leads to an unexciting resolution. In fact, the plot generally fizzles out after a strong beginning. As a debut novel, however, The Light Years shows promise. With either greater depth or enough action to excite, the novel could have been exceptional. As it stands, it works well enough to earn a mild recommendation but not well enough to suggest it be placed near the top of a science fiction fan’s reading list.

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