"I'm going to be so careful to watch over my children and treasure them so nothing bad can ever happen to them."
"Mother Love" sounds like a perfect title for me to choose as I have discovered a keen interest in books where main characters have the role of caregivers or parents, and it does not matter whether the person treats their charge well or not. And truthfully, this sounded right up my alley.
Unfortunately, for most of my experience, reading this book felt rather like a chore I had to get through. I have spent lots of times asking myself why that is, as there is not real problem with the book, so I assign that mainly to my personal taste. Though it still puzzles me a bit, as I regularly read and enjoy character-driven, slow-paced books.
I like the book's premise: as I understand it now after having finished the book, I presume that the poem of Philip Larkin "They fuck you up" speaks more of the relationship Margaret had with her own parents rather than her own children, as they do not express the same eccentric tendencies as Margaret. And as far as Margaret goes, I suspect she has a case of PPD, aka Paranoid Personality Disorder, a bonus which came with the family "secret."
Seeing a person with mental bagagge trying to raise their own kids after a rough childhood is an interesting premise, one not seen often as the spotlight is usually given to characters who suffer during the course of the book.
I also rather enjoyed author's own poems, which were in the book attributed to Caroline - I should love to read more from her if she ever publishes a poem collection.
Characters were enjoyable, or at least most of them - what disappoints me is that certain people and relationships were not explored enough. That goes for Margaret too, however much I did dread reading from her POV because of her aggravating behaviour. While we see well how her relationships with her kids develop, I would have liked to see more of her relationship with her husband, and more input from her own mother and siblings, or at least more of a transition period between the Margaret we see at the beginning in her correspondence with her cousin and the Margaret from whose POV we read.
As we are told, Margaret carries a secret with her, one that she cannot inform her children about. We see her once saying it behind the scenes, then getting blamed for lying about it, a few POVs where her family displays disbelief about how much of a liar she is, and end. With how much Margaret actually lies for the remainder or the story to feel better about her own situation and herself, it is hard for me as a reader to feel for her, because until the very end you do not think it happened, then you forget and do not feel much satisfaction with its quick reentering at the end. I did not think it would be a resolved issue - and the level of realism I liked about this book - but when I look back at the book's description, I feel irked by the last line.
It is not Margaret's secret. It is the secret of her family.
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Again, looking back at it, I want to appreciate the book, even when I did not enjoy it as such. I love its theme. It is good for a discussion about parents with mental health problems and how the upbringing of their children can suffer not only because it is present, but also because it was never discussed.
Is the Mother's love a blessing or a curse? For the two who experienced it scarcely, an unforeseen blessing. For the one who was swallowed by it, as with all good things that come in extreme abundance, a curse.
"My job has been to protect my family from the secrets and I did what I had to do. That's Mother Love."