The Colour of God
A Story of Family and Faith
by Ayesha S. Chaudhry
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Pub Date 11 May 2021 | Archive Date 30 Apr 2021
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Description
Shortlisted for the William Saroyan International Prize 2022
‘Engrossing...brilliant’ Monica Ali
‘Heartbreaking and really funny’ Ross Gay
‘This book fell into my heart’ Sabrina Mahfouz
‘The kind of authentic voice that is rarely heard’ Saima Mir
Ayesha tells the story of growing up in a fundamentalist Muslim household; of parents who spent most of their lives away from Pakistan; of stealing her mother’s hijabs to wear to school as a five-year-old; of revisiting the beliefs and ideals she was raised with; of failed dreams and heartbreaks, but also of joy and love.
Life-affirming and funny, The Colour of God uncovers surprising answers to questions of faith, belonging, family and liberation, and offers a vision of freedom that isn’t measured in fabric.
Advance Praise
''The Colour of God is an engrossing read, not because it tells the story of one woman’s journey from "subjugation" within a puritanical sect of Islam to finding ‘liberation’ by taking off her veil, but because it refuses and interrogates these facile labels. Chaudhry is brilliant at dissecting how fundamentalism took root in her family, and she’s equally good at holding up a mirror to the culture that tends to dehumanise those who don’t conform to its norms.' - Monica Ali, author of Brick Lane and Refugee Tales
'The Colour of God meditates on the ways--illuminates the ways--identity, nation, religion, gender, and family are constituted and troubled. It's heartbreaking and, at times, really funny; the profoundly generous heart behind the questions this book asks.' - Ross Gay, bestselling author of The Book of Delights
Available Editions
| EDITION | Other Format |
| ISBN | 9781786079251 |
| PRICE | $25.00 (USD) |
| PAGES | 304 |
Average rating from 11 members
Featured Reviews
Chaudhry’s memoir traces her family’s roots in Pakistan and her parent’s two-ing and froying from Canada as they try and assimilate into the white western settler environment. Ultimately they (rightfully) reject, assimilation. They choose instead to align with fundamental Islam and a puritanical view of a religious life. From her she regales stories of wearing niqab, interacting with white feminists who want to ‘free her’ and men who want to take advantage.
Woven throughout are Quranic verses, historic retelling and present-day stories, combined it is compulsively readable in tone, reminding me the memoir can teach much more than a family history.
Most notable was her smart look at patriarchal systems in both her fundamentalist Islamic upbringing and white western culture, she’s clear on that. Patriarchy has infiltrated almost all facets of human existence, it is impossible to escape and is not inherent to one religion or group. It must be abolished as a collective. Her writing shines with humility as she delves into her own mistakes and looks back on a life that feels like many.
It is a book of multitudes, simultaneously Chandhry interrogates her position as a woman, a daughter of immigrants, a sister of a grieving sibling, a member of Islam, a wife of a Muslim man. Here she is, case and point, demonstrating why we must take each story as a singular and each person as an individual. There is no us and them.
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