All Is Fair

For Between Two Thorns:

“JK Rowling meets Georgette Heyer…Newman renders the Split Worlds with verve and an infectious sense of fun, and presents in Cathy a strong and personable heroine.”
- Eric Brown, The Guardian

“Emma Newman has created a reflection of Bath that reminds one that charming is not safe. Between Two Thorns shows the darkness beneath the glamour of the social Season. Learning to be a young lady has never seemed so dangerous.”

- Mary Robinette Kowal, Hugo Award winner, and author of Shades of Milk and Honey and Glamour in Glass

“With a feather-light touch, Emma Newman has crafted a very English fantasy, one brilliantly realised and quite delightful, weaving magic, mystery and parallel worlds together with ease. Newman may well be one of our brightest stars, The Split Worlds: Between Two Thorns is just the beginning of a remarkable journey.”
- Adam Christopher, author of Empire State and Seven Wonders

“Between Two Thorns is magical, exciting, and clever. It manages to conjure a world that feels completely natural but also mysterious, sometimes dangerous, sometimes funny, combining several different kinds of urban fantasy into one story, and capturing a lovely sense of modern Britishness that is reminiscent of other fantastic British fantasy. I’m eagerly awaiting the sequel!”
- Fantasy Faction

“An enchanting novel from Emma Newman, an urban fantasy that has no sign of tattooed women in leather pants. A headstrong scion and an investigator discover dark doings in the outwardly genteel world of Bath’s secret mirror city.”
- Paul Weimer, SF Signal

“Between Two Thorns really was an unalloyed pleasure to read and it’s hard to write a review for it that isn’t just gushing … Newman has created a unique blend of urban, historical, and crime fantasy clothed in a Regency veneer. Between Two Thorns is delicious, engrossing, and enchanting and, so far, my debut of the year.”
- Mieneke van der Salm, A Fantastical Librarian

“a modern fantasy that playfully mixes magic and interesting characters into an intriguing mystery.”
- John DeNardo, Kirkus Reviews

“Treading similar thematic ground to the likes of Clive Barker’s Weaveworld and Neil Gaiman’s Neverwhere, Emma Newman’s first Split Worlds novel still manages to be a wonderfully iconoclastic affair. I feel like I’ve only been given a tantalising glimpse through a fantastical doorway.”
- Pablo Cheesecake, The Eloquent Page