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Life is full of terrible things. Ghosts of dead relatives, heartbreak . . . burnt toast.
In
1987, Sue Bowl's world changes for ever. Her mother dies, leaving her
feeling like she’s lost a vital part of herself. And then her father
shacks up with an awful golddigger called Ivana.
But Sue’s mother
always told her to make the most of what she’s got – and what she’s got
is a love of writing and some interesting relatives. So Sue moves to
her Aunt Coral’s crumbling ancestral home, Green Place, along with a
growing bunch of oddballs and eccentrics. Not to mention the odd badger
or two . . .
There she fully intends to write a book, fall in love, and learn to live decadently.
Campari for Breakfast is a heart-warming, eccentric novel that joins the ranks of great British coming-of-age novels such as Dodie Smith's I Capture the Castle and Nancy Mitford's The Pursuit of Love.
Life is full of terrible things. Ghosts of dead relatives, heartbreak . . . burnt toast.
In 1987, Sue Bowl's world changes for ever. Her mother dies, leaving her feeling like she’s lost a vital part...
Life is full of terrible things. Ghosts of dead relatives, heartbreak . . . burnt toast.
In
1987, Sue Bowl's world changes for ever. Her mother dies, leaving her
feeling like she’s lost a vital part of herself. And then her father
shacks up with an awful golddigger called Ivana.
But Sue’s mother
always told her to make the most of what she’s got – and what she’s got
is a love of writing and some interesting relatives. So Sue moves to
her Aunt Coral’s crumbling ancestral home, Green Place, along with a
growing bunch of oddballs and eccentrics. Not to mention the odd badger
or two . . .
There she fully intends to write a book, fall in love, and learn to live decadently.
Campari for Breakfast is a heart-warming, eccentric novel that joins the ranks of great British coming-of-age novels such as Dodie Smith's I Capture the Castle and Nancy Mitford's The Pursuit of Love.
A Note From the Publisher
We can only consider UK and Commonwealth requests for this title.
We can only consider UK and Commonwealth requests for this title.
Marketing Plan
A very quirky, very British coming-of-age novel, for readers who loved Maria Semple's Where'd You Go Bernadette, Nina Stibbe's Love, Nina and Sarah Winman's When God Was a Rabbit.
*
Sara Crowe is best known as an actress. She has appeared on television, stage and film, including the iconic Four Weddings and a Funeral.
She has won the Olivier Award for Best Supporting Actress, the Variety
Club Best Actress Award and the London Critics Circle Theatre Award for
Most Promising Newcomer. Sara’s West End appearances include Private Lives, Calendar Girls and Hay Fever. She has also toured with Acorn Antiques: the Musical, and appeared in The City Madam for the Royal Shakespeare Company.
Campari for Breakfast is Sara’s first
novel, inspired by a crumbling old house and a love of English
eccentricity. She began writing as a child and has also written comedy
sketches for television and stand-up. But in the tradition of late
developers, it was only recently that she re-opened the notebooks of
yesteryear and some of the characters climbed out.
A very quirky, very British coming-of-age novel, for readers who loved Maria Semple's Where'd You Go Bernadette, Nina Stibbe's Love, Nina and Sarah Winman's When God Was a Rabbit.
A very quirky, very British coming-of-age novel, for readers who loved Maria Semple's Where'd You Go Bernadette, Nina Stibbe's Love, Nina and Sarah Winman's When God Was a Rabbit.
*
Sara Crowe is best known as an actress. She has appeared on television, stage and film, including the iconic Four Weddings and a Funeral.
She has won the Olivier Award for Best Supporting Actress, the Variety
Club Best Actress Award and the London Critics Circle Theatre Award for
Most Promising Newcomer. Sara’s West End appearances include Private Lives, Calendar Girls and Hay Fever. She has also toured with Acorn Antiques: the Musical, and appeared in The City Madam for the Royal Shakespeare Company.
Campari for Breakfast is Sara’s first
novel, inspired by a crumbling old house and a love of English
eccentricity. She began writing as a child and has also written comedy
sketches for television and stand-up. But in the tradition of late
developers, it was only recently that she re-opened the notebooks of
yesteryear and some of the characters climbed out.