The Dirty Dust

Cre Na Cille

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Pub Date 26 Mar 2015 | Archive Date 17 Mar 2015

Description

Mairtin O Cadhain's irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley's vigorous new translation, full of the brio and guts of O Cadhain's original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, O Cadhain's daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it-apart from talk. In this merciless yet comical portrayal of a closely bound community, O Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

Mairtin O Cadhain (1906-1970) is considered one of the most significant writers in the Irish language and among all writers of the twentieth century. A lifelong language-rights activist, he invigorated the Irish language and Irish literature as well as modernist literature at large. Alan Titley, a novelist, story writer, playwright, and scholar, writes a weekly column for The Irish Times on current and cultural matters

Mairtin O Cadhain's irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever...


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Available Editions

EDITION Hardcover
ISBN 9780300198492
PRICE £16.99 (GBP)

Average rating from 2 members


Featured Reviews

According to Colm Toíbín this book is “the greatest novel to be written in the Irish language”. I have to take his word for that as I’ve never come across any other book originally written in Irish, but certainly it’s an unusual and quite distinctive novel that feels very Irish to me. Shades of Joyce and Beckett, for sure. Toíbín also claims that it’s “amongst the best books to come out of Ireland in the twentieth century”. Praise indeed. It was published in 1949 but has only now been translated into English. The author is one of the most significant writers in the Irish language but little known outside his native land. That might well change with this translation. I hope so, as it’s a book well worth discovering. However I can’t say that I actually enjoyed it, although I certainly appreciated its originality. Told entirely in dialogue, with no narration, it certainly taxes the reader’s concentration, trying to keep up with who is talking. All the characters are dead but there’s no peace in the grave for them. They carry on talking just as they did when alive, preoccupied with all the worries and concerns they had before. They only find out what’s been going on since they died when someone new gets buried and can join the conversation. It’s a clever idea, and the author carries it off well, but I did find myself getting tired of the conceit after a while. Absurd, quirky and imaginative, but ultimately, for me, a little tedious.

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