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We Could Not See the Stars

A Literary Speculative Novel

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Pub Date 24 Jul 2026 | Archive Date 11 Sep 2026


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Description

Set in an alternate Malaysia, We Could Not See the Stars follows Han who crosses the Peninsula in search of his mother's origins, to the forest of Suriyang, so cursed that those who enter return without their memories. A literary speculative novel for readers of Piranesi, The Memory Police, and Haruki Murakami.

'No people, only ghosts here,' he whispered.

Han has lived his whole life in a sleepy fishing village on the Peninsula, raised by a mother who arrived from across the seas, carrying no memories and a mysterious spade. Now she is gone, and the questions that she has left behind are the only inheritance he has.

When a stranger comes asking about his mother, Han sets off to cross the Peninsula and the seas. His destination: the forest of Suriyang, so cursed that those who enter will return without their memories. Somewhere in the forest is rumoured to be an ancient civilisation, and a mysterious golden tower -- and the truth of where Han's mother came from.

For readers of Piranesi, The Memory Police, and Haruki Murakami, a luminous and devastating novel of memory, loss, and the stories we carry, written with the lyrical precision that announces Elizabeth Wong as a singular new voice in literary speculative fiction.

Set in an alternate Malaysia, We Could Not See the Stars follows Han who crosses the Peninsula in search of his mother's origins, to the forest of Suriyang, so cursed that those who enter return...


A Note From the Publisher

Looking for readers of literary speculative fiction. Comparable titles like Piranesi, The Memory Police, How High We Go in the Dark, and comparable authors like Haruki Murakami, David Mitchell. Contains speculative and science fiction elements. Malaysian Chinese diaspora literary fiction. For libraries and readers seeking diverse international literary voices.

This novel is deeply rooted in Malaysian Chinese culture and uses local vernacular throughout -- may not be necessarily right for every reader. Please keep this in mind when requesting.

Elizabeth Wong is a Malaysian author and geologist, with degrees in English and Geology from Yale University and Imperial College London. She has won prizes for her writing as a Yale undergraduate. Her debut novel, WE COULD NOT SEE THE STARS, first published by John Murray Press (Hachette UK). An earlier draft of the novel was longlisted in the Bath Novel Awards and Lucy Cavendish Fiction Prize. Her short stories have been published by Wasafiri, Sinking City, Earth Lines and others.

Looking for readers of literary speculative fiction. Comparable titles like Piranesi, The Memory Police, How High We Go in the Dark, and comparable authors like Haruki Murakami, David Mitchell...


Advance Praise

Fantastical elements and dreamlike sequences that elevate it above the ordinary... A tale of loss, memory, and remembering, this literary speculative fiction surprised me at every turn. -- Elaine Lau, Lit Books

I get this feeling like I have a tenuous grasp of something profound as I was reading this book, like I am on the verge of a revelation. And then that feeling is gone, like wisps of a dream. -- A Naga of the Nusantara

Elizabeth Wong's debut novel is a beautiful and heartbreaking read. -- Jasmine, Goodreads

Fantastical elements and dreamlike sequences that elevate it above the ordinary... A tale of loss, memory, and remembering, this literary speculative fiction surprised me at every turn. -- Elaine...


Marketing Plan

Publication: Previously published under the JM Originals imprint, John Murray Press (Hachette UK) in 2021 This edition published by Trace Fold Press in 2026, and available for the first time to US readers.

Audience: Readers of literary speculative fiction. Comparable titles like Piranesi, The Memory Police, and comparable authors like Haruki Murakami, David Mitchell. Malaysian Chinese diaspora literary fiction. Libraries and readers seeking diverse international literary voices.

Active marketing:

Kindle Countdown Deal September 1 at $0.99
Goodreads Giveaway running August-September, 400+ entries
Amazon Sponsored Products ads launching September 1
BookBub self-serve ads launching September 1
Substack author platform with excerpt posts in August and September

Press/reviews:
Originally published by John Murray Press (Hachette UK)
Profiled in The Edge Malaysia
Endorsed by Elaine Lau, LitBooks
Reviewed by A Naga of the Nusantara
Endorsed by June Rubis, Research Fellow, Macquarie University

Author platform:

Substack: elizabethwong.substack.com
Goodreads Author Profile active with 500+ Want-to-Read addition

Distribution:
Currently available on Kindle and Kindle Unlimited while the author seeks a US small press home. Library ebook distribution via OverDrive, Hoopla and cloudLibrary is planned for late 2026.

Publication: Previously published under the JM Originals imprint, John Murray Press (Hachette UK) in 2021 This edition published by Trace Fold Press in 2026, and available for the first time to US...


Available Editions

EDITION Ebook
ISBN 9786299277507
PRICE $3.99 (USD)
PAGES 299

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Average rating from 6 members


Featured Reviews

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I really enjoyed *We Could Not See the Stars*, especially for its atmosphere and the way it treats memory almost like a physical place that can be lost, recovered, or reshaped. Han’s journey through the Peninsula and into the forest of Suriyang kept me curious throughout, particularly because the mystery surrounding his mother gradually becomes more important than simply discovering where she came from. I also loved the alternate Malaysia setting, which gave the story a distinctive sense of place and made the speculative elements feel more haunting.

What I liked most was the novel’s exploration of loss and identity. Han is not only searching for his mother’s origins, but also trying to understand how much of a person’s identity can survive when their memories are taken away. The golden tower and the mysterious forest added a dreamlike quality that I found particularly compelling.

That said, I sometimes felt that the story was **too deliberately mysterious**. There were moments when I wanted a little more clarity about the world and its mythology rather than having everything remain ambiguous. Some parts also moved more slowly than I would have preferred, especially when the atmosphere took priority over the plot.

Overall, though, I found it haunting and beautifully written. It’s the kind of book that stays with you because of the questions it raises rather than simply because of what happens, and I especially appreciated its ideas about memory, grief, belonging, and the stories we inherit from the people we lose.

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You are a young man from a small village on the Malaysian coast. You toil on the fishing boats to help feed your father and grandmother - your mother died when you were very small. One day, a mysterious man shows up asking strange questions, he eventually steals something precious from your family. You embark on a long and perilous journey to recover what was taken but come to learn more about your world and yourself than you could possibly have imagined.

This is the story of Han, whose world is turned upside down by a quest he did not ask for. Others embark on similar adventures, all searching for one elusive truth. On these various journeys we discover the bravery and cowardice, cruelty and kindness of humanity.

This is a gentle and beautiful novel by Elizabeth Wong, who explores life, death, family and friendship through varied Malaysian landscapes. We Could Not See the Stars transports you from a small fishing village to a vast city to an awesome desert. Wong guides you through earth, sea and air in her delicate meditations on being – and on how we can be together. Language is a major theme, so is faith; war and displacement present but often hidden underneath the main plot.

This is not an action-packed novel, though there are moments of tension. This is a novel that unfolds slowly, that keeps you hooked as truths are revealed. It ends in a direction you perhaps do not expect, but absolutely one worth waiting for.

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