“To make it in life one has to learn to live with an unhappy heart.”

A literary novel set in and around a contemporary South African township, The Hollow Sound of Lightweight Bodies follows Mxabanisi Bulawayo, a young crematorium worker who burns bodies, writes obituaries and stories for the dead, and watches his inherited home and family fall apart. Grounded in social realism—gangs, corrupt councillors, Boere farmers, informal insurance schemes, police violence—it is threaded with speculative and mythic elements: talking spirits, experimental “ikhosi” beings, and a swampbound town where a spiritual scientist, Baba Bouka, tries to reshape life and death.

The story charts the decline and death of Mxabanisi’s grandmother Masithathu, a beloved shebeen storyteller whose tales hold the township’s memory; his daily work among unclaimed and mutilated bodies at the Despatch Crematorium and graveyard; township life under economic precarity and racial tension; the breakdown of his own family under an abusive, hypocritical father, a hostile stepmother, and a halfbrother who displaces him; and the creation of new “spiritual technologies” in Kings Town, where ancestral spirits are domesticated into physical bodies and older beliefs are challenged.

In a candid, restless firstperson voice that blends dark humour, philosophical reflection, township idiom, and moments of speculative and mythic imagery, The Hollow Sound of Lightweight Bodies asks: who is remembered and who is erased; what dignity and faith look like where both the living and the dead are treated as disposable; where home lies when a grandmother’s house is sold; when and why violence becomes ordinary; and how a man who lives among the dead can still find a story worth telling.