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Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish sets out to deconstruct and unlock a film that has haunted him for decades, and argues that Dirty Dancing, the 1987 sleeper hit about a young middle-class girl who falls for a handsome working-class dance instructor, is actually about everything. The film is a union of history, politics, sixties and eighties culture, era-defining music, class, gender, and race, and of course features one of the best love stories set to film. Using scene-by-scene analyses, personal interpretation, and comparative study, it's time to take Dirty Dancing out of the corner and place it under the microscope.
Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish...
Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish sets out to deconstruct and unlock a film that has haunted him for decades, and argues that Dirty Dancing, the 1987 sleeper hit about a young middle-class girl who falls for a handsome working-class dance instructor, is actually about everything. The film is a union of history, politics, sixties and eighties culture, era-defining music, class, gender, and race, and of course features one of the best love stories set to film. Using scene-by-scene analyses, personal interpretation, and comparative study, it's time to take Dirty Dancing out of the corner and place it under the microscope.
Advance Praise
For all those inexplicably drawn to Dirty Dancing again and again, here's a book that will finally make it feel like more than a "guilty pleasure," that will intellectually legitimize your love for the movie you'd never previously admit is your real and forever favorite, at least not in front of polite company. Stephen Lee Naish helps the 80s gem rise up the cinema ranks. The moment you put the book down, you'll want to put Dirty Dancing on for another spin. Holly Grigg-Spall, author of Sweetening the Pill: or How We Got Hooked on Hormonal Birth Control
For all those inexplicably drawn to Dirty Dancing again and again, here's a book that will finally make it feel like more than a "guilty pleasure," that will intellectually legitimize your love for...
For all those inexplicably drawn to Dirty Dancing again and again, here's a book that will finally make it feel like more than a "guilty pleasure," that will intellectually legitimize your love for the movie you'd never previously admit is your real and forever favorite, at least not in front of polite company. Stephen Lee Naish helps the 80s gem rise up the cinema ranks. The moment you put the book down, you'll want to put Dirty Dancing on for another spin. Holly Grigg-Spall, author of Sweetening the Pill: or How We Got Hooked on Hormonal Birth Control
Marketing Plan
Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish sets out to deconstruct and unlock a film that has haunted him for decades, and argues that Dirty Dancing, the 1987 sleeper hit about a young middle-class girl who falls for a handsome working-class dance instructor, is actually about everything. The film is a union of history, politics, sixties and eighties culture, era-defining music, class, gender, and race, and of course features one of the best love stories set to film. Using scene-by-scene analyses, personal interpretation, and comparative study, it's time to take Dirty Dancing out of the corner and place it under the microscope.
Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish...
Renowned film critic Roger Ebert said Dirty Dancing "might have been a decent movie if it had allowed itself to be about anything." In this broadly researched and accessible text, Stephen Lee Naish sets out to deconstruct and unlock a film that has haunted him for decades, and argues that Dirty Dancing, the 1987 sleeper hit about a young middle-class girl who falls for a handsome working-class dance instructor, is actually about everything. The film is a union of history, politics, sixties and eighties culture, era-defining music, class, gender, and race, and of course features one of the best love stories set to film. Using scene-by-scene analyses, personal interpretation, and comparative study, it's time to take Dirty Dancing out of the corner and place it under the microscope.