Lingua Cosmica

Lingua Cosmica is a well-packed and nicely organized tour through authors and voices in the world of science fiction that are not as well known in the U.S.  This trip is worth attention by itself, but what makes the book even stronger is the way the contributors consider the works academically.

At once an avenue of new titles and voices, and a scholarly consideration of the literary virtues of a genre that is sometimes looked down on by scholars, Lingua Cosmica comes with my recommendation.

Sci-fi readers and those with literary tastes will find much of value in this text.

Lingua Cosmica: Science Fiction from Around the World is an academic book. This isn’t a novel or even a generic non-fiction title. This is a book by academics about science fiction writers from countries other than the United States. These authors are giants of the genre, the sort of authors whose works change science fiction in that region.

Some of these authors are familiar or half familiar names, people like Cixin Liu who won the 2015 Hugo Award for Best Novel. Others I’d never heard of despite being the sort of authors I should have, either due to particularly prolific careers, having immense influence on science fiction, or simply because the books outlined within these essays sound like the exact sort of book I usually love. Not all of these authors have their works translated into English. In fact, the vast majority have not. Cixin Liu is an outlier in this regard. Many of the others do not have many or, at times, any of their books translated into English. This is a great shame and is, in part, exactly why Lingua Cosmica exists.

Certain essays I enjoyed more than others. Despite being very interesting in their own right, I felt as if one or two of the essays strayed a bit from the given topic for several pages before getting to the point. Even then, I did enjoy reading these essays.

Perhaps this gripe is a bit trivial, but I do need to mention the use of endnotes. Each essay has its footnotes and bibliography in the form of endnotes. I am firmly on team footnotes forever; I do not enjoy flipping back and forth to endnotes. The end of the book does include a pretty extensive index. There is also a section at the end of the book that has short biographies on each of the essayists.

I’m glad this book was written. I’m glad that academics are talking about science fiction more. However much bloggers, authors, and publishers scream from the rooftops about books, academia, at times, does not, which the editor mentions in the introduction. Now they have, and, perhaps, they will do so more often.

I can’t say that this book is for everyone. Lingua Cosmica does read very academically. If this isn’t something you enjoy, do be warned. Still, this is a very interesting book that talks about some very interesting authors and their work.

Lingua Cosmica is an academic book written about Science fiction authors who are relatively unknown in the USA. It has an academic tone and, while I'm no expert in the field, feels well written and very informative. It is interesting even for lay people to learn about new authors in the world of science fiction. It is also important to expose more people to diverse perspectives from authors. That being said, it may be a bit of a difficult read for some people as it is written by an academic for academics. It achieves its purpose well.

This is a non-fiction book with essays about "creators in the vanguard of international science fiction" as said in the book description, 'international' being the word that makes this book an exceptional and valiant effort in the direction of calling atention to books, films, comics and other works of art from creators from all countries to a worldwide audience. 
As a reader who reads also in Portuguese and German I have very often found great books which were never translated to English, or to any other language other than the one in which they were written, and therefore were known only in the country where they were published. 
I hope in the future this lacking situation changes and what today is only 'regional or national' makes the leap to international more often, being translated not only in English but in other languages, so readers in the whole world become able to read books from every country. 
The essays were written in academic depth, unfortunately there wasn't any about Brazil (my country, which would be ideal for me since Brazilian Portuguese is my mother language and I would be able to read or watch the works the essay mentioned immediately), but I will check the authors included in this book. 
I would like to thank NetGalley and University of Illinois Press for providing me a copy of this book in exchange for an honest review.

I thought this was an anthology of short stories, instead it is a collection of essays about science fiction around the world.
As someone from a Spanish-speaking country i'm used to read works in translation from different languages apart from my own (something not so common in English-speaking countries for some reason) so i have already read or at least know about several authors in this book.
Still I found it very interesting, my favorite being the essay about Latin American writers (in which my favorite Angélica Gorodischer was mentioned) and the ones about Chinese and Russian literature. My least favorite was the one about African authors because it talked too much about African American authors and not that much about African countries.
Anyway, the book gives me a good glimpse of topics and style in different parts of the world, and i have added some works to my ever expanding TBR list.