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Description
The International Bestseller
‘No one writes like Samanta Schweblin’ – Lorrie Moore 'These stories are perfect for the times we dwell inside' - Colum McCann
The strange and explosive new collection from the incomparable imagination of Samanta Schweblin, a master of the short story.
A gripping blend of the raw, the astonishing and the tragic, every story is as perfectly unexpected as a snare: tightly, exquisitely wound, ready to snap at a touch.
Here, a young father is haunted by the consequences of a moment of distraction; tragedy is complicated by the inexplicable appearance of an injured horse; an attempted poisoning leads two writers to startling conclusions; a lonely woman’s charity is rewarded with home-invasion. And in the shocking opening story, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring.
Guilt, grief and relationships severed permeate this mesmerizing collection – but so do unspeakable bonds of family, love and longing, each sinister and beautiful. Step by step these unnerving stories lure us into the shadows to confront the monsters of everyday life – ourselves.
The International Bestseller
‘No one writes like Samanta Schweblin’ – Lorrie Moore 'These stories are perfect for the times we dwell inside' - Colum McCann
‘No one writes like Samanta Schweblin’ – Lorrie Moore 'These stories are perfect for the times we dwell inside' - Colum McCann
The strange and explosive new collection from the incomparable imagination of Samanta Schweblin, a master of the short story.
A gripping blend of the raw, the astonishing and the tragic, every story is as perfectly unexpected as a snare: tightly, exquisitely wound, ready to snap at a touch.
Here, a young father is haunted by the consequences of a moment of distraction; tragedy is complicated by the inexplicable appearance of an injured horse; an attempted poisoning leads two writers to startling conclusions; a lonely woman’s charity is rewarded with home-invasion. And in the shocking opening story, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring.
Guilt, grief and relationships severed permeate this mesmerizing collection – but so do unspeakable bonds of family, love and longing, each sinister and beautiful. Step by step these unnerving stories lure us into the shadows to confront the monsters of everyday life – ourselves.
Advance Praise
Praise for Fever Dream:
'Read this in a single sitting and by the end I could hardly breathe. It's a total mind-wrecker. Amazing. Thrilling' Max Porter
'The book I wish I had written' Lisa Taddeo
'Genius' Jia Tolentino, author of Trick Mirror
'Sickeningly good' Emma Cline, author of The Guest
Praise for Fever Dream:
'Read this in a single sitting and by the end I could hardly breathe. It's a total mind-wrecker. Amazing. Thrilling' Max Porter
In Good and Evil and Other Stories, Samanta Schweblin once again proves herself a master of unsettling fiction. This forthcoming collection distills the eerie brilliance of her style into six taut, dreamlike tales that linger just beyond the edge of reason. Blending the surreal with the deeply human, Schweblin explores guilt, grief, and the fragile architecture of familial bonds. With her signature precision and quiet dread, each story pulses with emotional tension, revealing moments of everyday life cracked open by the uncanny. It’s a haunting, elegant addition to Schweblin’s already remarkable body of work.
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Featured Reviews
Nemra N, Reviewer
In Good and Evil and Other Stories, Samanta Schweblin once again proves herself a master of unsettling fiction. This forthcoming collection distills the eerie brilliance of her style into six taut, dreamlike tales that linger just beyond the edge of reason. Blending the surreal with the deeply human, Schweblin explores guilt, grief, and the fragile architecture of familial bonds. With her signature precision and quiet dread, each story pulses with emotional tension, revealing moments of everyday life cracked open by the uncanny. It’s a haunting, elegant addition to Schweblin’s already remarkable body of work.