Reframing Women Printmakers
by P.L. Henderson
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Pub Date 6 Jun 2025 | Archive Date 31 Oct 2025
Aurora Metro Books | Supernova Books
Talking about this book? Use #ReframingWomenPrintmakers #NetGalley. More hashtag tips!
Description
Who are the great women printmakers?
From Cassatt to Kollwitz and Kruger to Kusama, the art of printmaking has been a catalyst for revolution in women’s artistic expression.
The fascinating lives of diverse and historic women artists, and their use of a range of printmaking techniques from engraving to digital art, are revisited and reframed.
The book also explores the importance of printing in women’s activism via artworks, pamphlets, posters and zines.
Includes over 20 interviews with contemporary women printmakers, providing unique insights into their practices, themes and personal motivation.
Interviewees include:
UK based Artists/Interviewees
Nana Shiomi (London & Japan)
Veta Gorner (London and Europe)
Loraine Monk (London)
Mila Fürstová (Cheltenham)
See Red Women’s Workshop (UK – London?)
Rebecca Vincent (Northumberland)
Gail Brodholt (London)
Anita Klein (London & Italy)
Jane Daniell (London)
Richenda Court (London)
Amarjeet K Nandhra (London)
Fiona Watson (Glasgow)
UK based Image Contributors
Sarah Bays (Norfolk)
Pamela Grace
Louise Hayward (London)
Anna Marrow (Bristol)
Louise Stebbing (Norfolk)
Annie Williams (London)
Europe based Artists/Interviewees
Annemarie Petri (Netherlands)
Diana de Brito (Portugal)
US based Artists/Interviewees
Kiki Smith
Tanekeya Word
Julie Buffalohead
Latoya M. Hobbs
Ellen Heck
Leslie Nichols
Australia based Artist/Interviewee
Anne Starling
Ukraine based Artist/Interviewee
Olesya Dzhurayeva
About the author:
P.L. HENDERSON
P.L. Henderson was born in the North of England and now lives in Lisbon, Portugal. She is an art historian and freelance writer who regularly contributes to publications on art, ecological issues and wider culture. Her research into the subject of women artists led to her creation and curation of the successful and ongoing social media project: @womensart1 (X, formerly twitter) and WOMENSART blog to platform the work of women artists.
Whilst having a case study published in the book Feminism and Museums, Intervention, Disruption and Change (2017), she was also one of the writing team for Phaidon’s book Great Women Artists (2019) and also Great Women Painters (2022). She has also written her own successful books about art: Unravelling Women’s Art; Creators, Rebels & Innovators in Textile Arts (Aurora Metro/Supernova Books 2020) and Unlocking Women’s Art: Pioneers, Visionaries & Radicals of Paint (Aurora Metro/Supernova Books 2023).
www.womensartblog.wordpress.com. The references for this book can be found here. https://www.aurorametro.com/wp-content/uploads/2025/04/Bibliography-and-Reference-for-Reframing-Women-Printmakers.pdf
Advance Praise
“P. L. Henderson works tirelessly to bring the work of
global women artists to a wider audience... “
– Jackie Morris, award-winning illustrator and writer
“P.L Henderson’s writing is essential and key to the always unfolding
story of the impact of women on art. And of art on women .”
– Bonnie Greer, novelist, critic and broadcaster
"Women artists have long been undervalued and cast aside by our historically male-dominated culture...Art historian PL Henderson has dedicated her career to rewriting this narrative"
- Charlotte Beach, PRINT Magazine
Marketing Plan
to coincide with a new exhibition of women artist-printmakers in London from May to June 2025.
author has 500,000 followers on X
her two previous art history books became Amazon bestsellers within 2 weeks of release
talks to take place at universities and arts organizations
reviews in art journals
social media marketing
Available Editions
| EDITION | Paperback |
| ISBN | 9781913641443 |
| PRICE | £19.99 (GBP) |
| PAGES | 272 |
Links
Available on NetGalley
Average rating from 10 members
Featured Reviews
Daisy C, Reviewer
Reframing Women offers a powerful and much-needed reexamination of the role of women in printmaking, challenging long-held assumptions about artistic authorship and gender. Through a combination of historical analysis, striking visual examples and interviews with practicing artists, the book sheds light on often-overlooked female artists whose contributions have been marginalized in mainstream art history. The writing is thoughtful and well-researched, offering both scholarly insight and accessible narrative, as well as a broad look through time and cultures. This is an essential read for anyone interested in feminist art history, print culture, or the broader redefinition of women’s roles in the creative industries.
on Storygraph - https://app.thestorygraph.com/reviews/f655c0f4-69b7-40ae-89c6-330532443212
on Goodreads - https://www.goodreads.com/review/show/7479812226
Reviewer 585195
I am a digital artist who has recently begun teaching myself printmaking so this book was right up my alley! There are many print examples in this book that I could not believe were prints! This book did an excellent job of showcasing works that demonstrate the versatility of printmaking. It does beyond what the everyday person would expect. I especially enjoyed the chapter on printmaking in protest. Although, I must say my favorite part was the interview with the founder of Black Women of Print. In the very short amount of time I’ve been in the printmaking sphere, I have encountered very few black printmakers so this was a pleasure to see. I will be seeking out more information on this group.
Reframing Women Printmakers offers an exciting new perspective into Printmaking from the women that created it, made it their own, and changed the industry/art practice. The book offers a nuance look into the history of printmaking and the relationship of printmaking with women, nature, protest and politics. Often many of the artists represented in this book have been overlooked, ignored, or just forgotten. The addition of the artist and writer interviews were awesome, reflecting own voices and shedding light on previously unheard opinion. It is a thoughtful, well researched and well written art book and I’m excited for this to be published! Definitely one that should be on college and university art reading lists.
My only criticism of this book is that it felt overly academic at times when I was expecting more of an art book, it felt like I was reading a theoretical paper.
Also loved that there are illustrations on every page!
I’ll just dive right in and say that I think that this is an essential read if (like me) you are a women and a printmaker, or even an artist of another kind, or just has an interest in print, but also that it should be included on reading lists for art courses. The author has done a great job of covering women printmakers across history considering how sidelined they’ve been throughout and therefore how sparse records can be. Learning just how oppressed women were made me simultaneously angry and depressed, but on a happier note I learnt about so many amazing women, not just white European women (again, this book reminded me how depressingly male and Eurocentric my art ‘education’ was), but women from all around the world including First Nations’ artists.
The book is split into nine chapters on a particular theme which is then complimented with interviews from prominent women printmakers for each chapter - I think this is what really drew me to the book and made it more compelling than the average art book. I also enjoyed how the history of print, not just fine art printmaking but the advent of the printing press, more commonly associated with pamphlets and books, was interwoven with the advances of women in printmaking and its importance in feminism, activism and women’s rights.
The whole book was informative and inspiring from start to finish, my only complaint? Not enough of the amazing art work was included, which I fully understand you can’t just fill the book with hundreds of images so I have a lot of notes of artists (and techniques) to research, so in case you hadn’t guessed, 5/5 for me.
Rosa S, Educator
This history of printmaking and its visual record of methods and gifted printmakers can only encourage and inspire. Whether making art as statement, protest, or observation, women have created prints with strong impact. The photos are beautiful!
Well-researched and illustrated, this is an informative and beautifully written textbook for art students, teachers, and artists alike.
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