A Better Life
by Lionel Shriver
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Pub Date 17 Feb 2026 | Archive Date 5 Mar 2026
HarperCollins UK, HarperFiction | The Borough Press
Description
‘A superb satirical novelist’ WASHINGTON POST
In a provocative novel addressing contemporary immigration by the sharply observant Lionel Shriver, a New York family takes in a Honduran migrant – who may or may not be the innocent paragon she claims to be.
‘An incendiary provocateur’ EVENING STANDARD
Gloria Bonaventura, a divorced mother of three living with her 26-year-old son Nico in a sprawling house in Brooklyn, decides to participate in a new city programme – Big Apple, Big Heart – that would pay her to take in a migrant as a boarder. Gloria is thrilled when sweet, kind, helpful Martine arrives. But Nico is sceptical. A classic live-at-home, unemployed Gen Zer with no interest in adulthood, Nico resents the indignity of moving from his self-contained basement flat and back into his childhood bedroom.
As the months go by, Martine endears herself to both Nico’s sisters, while finding her way into Gloria’s heart. But as Martine’s disturbingly dodgy compatriots begin to show up, Nico grows only more hostile to both his mother’s altruism and the ‘migrant crisis’ in general – though turns out to be anything but a reliable narrator himself.
Available Editions
| EDITION | Ebook |
| ISBN | 9780008800123 |
| PRICE | £12.99 (GBP) |
| PAGES | 384 |
Available on NetGalley
Average rating from 34 members
Featured Reviews
Reviewer 421976
Although a bit bit of slow burner, it is well worth sticking with this book. Beautifully written and truly a masterpiece.
Lionel Shriver’s new book, A Better Life, should be compulsory reading for all politicians. It’s a masterclass in showing how gullible naïve people, who refuse to recognise that there are some bad people out there, are viewed as turkeys ready for plucking by said villains.
In this fictional world, Gloria agrees to host a migrant as part of New York’s Big Apple, Big Heart programme. Martine flatters Gloria and gradually takes on most of the household chores. Gloria’s son, Nico, is sceptical about Martine’s intentions. You and I, gentle reader, perhaps share Nico’s wariness and can offer guesses about how this might end. Spoiler alert: outside fairy tales, it’s not always “Happily ever after” for everyone mentioned in the tale – just ask the Wicked Queen or the Giant who used the beanstalk.
There are so many dimensions to Shriver’s excellence as a writer. Firstly, plot: any path down to hell is best depicted as a series of steps, rather than one cataclysmic cliff. Should Gloria make a stand when Martine destroys her plants? When Martine’s brother moves in? When…? Secondly, character: the Bonaventura family are beautifully depicted as markers on a scale that stretches from 100% gullible (Gloria) to 100% cynical (Nico), with Gloria’s daughters at different points in between. Martine presents different facets of herself, depending upon the audience. Thirdly, language: Nico wondered when immigrants became migrants, “[…] the dropping of that inbound suffix was meant to cloak these new arrivals in the appealing linguistic fiction that they were ever going to leave.” Fourthly, direct, platitude-scorning, politically-incorrect, truth: “[…] the authorities seemed more concerned with vetting the sponsors than the unknown quantities who’d presumably acquire keys to local homes.”
If you thought Shriver’s last novel, Mania, depicted a plausible future, do read her new book. Mania depicted a dystopian world – does this real world offer a better life? If so, for whom?
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