A sharp, contemporary debut about survival and selling out, for fans of Oisín McKenna and Torrey Peters

For years, Billy’s decisions have been made for her by long-term girlfriend Rose, leaving her free not to think for – or about – herself. But when they break up and Billy is left without anywhere to live, she’s forced to take up an unappealing but affordable Spareroom ad. Her new flatmates, Sid and Rhoda, are the kinds of people who talk very seriously about taking accountability, adhering to the flat’s community guidelines and holding space for one another. Meals are communal by force, polyamory is assumed, and whatever the problem, capitalism’s usually to blame. Yes, Rhoda’s parents own the flat, but that doesn’t matter: they’re unapologetically political and loudly queer, and slowly Billy becomes enmeshed in their radical, vulnerable world. But as Billy’s past starts to catch up with her, and all of their boundaries begin to crumble, each of them must reckon with what they truly stand for — and what they’ll sacrifice to hold onto it.