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Lovecraft’s Brood

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Pub Date 21 Jul 2026 | Archive Date 21 Jul 2026


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Description

Fans of H. P. Lovecraft will rejoice in—and recoil from—these lovingly illustrated and mesmerizing tales of cosmic horror. This long-awaited sequel to the bestselling anthology Lovecraft’s Monsters is once again presided over by expert horror editor Ellen Datlow (FEARS) and award-winning artist John Coulthart, Lovecraft’s Brood is a must-add to any horror fan’s library…or else.

[STARRED REVIEW] “Fans of literary horror that gives the psychological impact of terrifying developments their due will be rapt.” —Publishers Weekly

A prison guard and a convict have an affair fueled by the hallucinations of fungal spores. Squatters arrive in a weird train station, where they unearth a strange idol. Researchers discover skin thieves instead of normal turtles. A mezcal-tasting tour turns utterly terrifying. An old woman stitches a portal that is disrupted by a nameless cat.

Discover the Mythos as you’ve never experienced it before. These dizzying new spins on classic Lovecraftian themes will leave you disoriented, but sane (we make no promises).

Fans of H. P. Lovecraft will rejoice in—and recoil from—these lovingly illustrated and mesmerizing tales of cosmic horror. This long-awaited sequel to the bestselling anthology Lovecraft’s Monsters ...


A Note From the Publisher

Ellen Datlow is the quintessential editor of horror fiction. She has won multiple Hugo, Bram Stoker, Locus, and Shirley Jackson Awards and has received lifetime achievement awards from the World Horror and World Fantasy Associations. Her many anthologies include the Best Horror of the Year series; Snow White, Blood Red; Lovecraft’s Monsters; Naked City; The Monstrous; Body Shocks; FEARS and Darkness: Two Decades of Modern Horror. Datlow lives in New York City.

Ellen Datlow is the quintessential editor of horror fiction. She has won multiple Hugo, Bram Stoker, Locus, and Shirley Jackson Awards and has received lifetime achievement awards from the World...


Advance Praise

Advance Praise for Lovecraft's Brood

[STARRED REVIEW] “Hugo Award–winning editor Datlow’s stellar latest anthology (after The Big Book of Science Fiction and Fantasy) demonstrates that wholly original takes on Lovecraft’s conception of cosmic horror—“the idea that human minds cannot comprehend certain truths beyond the veil of perceived reality; and that if one does see them the experience can drive that person insane, either from terror or from the inability to understand what they are seeing”—are still possible. These terrors are encountered by a painter in Caitlin R. Kiernan’s weird and winding “The Beholder’s Share,” and a septuagenarian’s kitten in T. Kingfisher’s quirky, bite-size “Agent of Chaos.” In Conrad Williams’s “Once Seen,” a police photographer documenting a series of violent suicides discovers that “there is no sky. There’s just an unspeakable jump from the top of my head to the furthest reaches of never. Nothing tangible to enclose us.” Ray Cluley’s “Sideways” is another standout, featuring a 1950s pilot who insists that the aircraft he’s testing moves “sideways,” in a plot reminiscent of a Conan Doyle horror classic. “One Possible Shape of Things to Come” by Brian Hodge is the best of the bunch, featuring an epidemic of baffling child deaths that portends disaster for humanity. Fans of literary horror that gives the psychological impact of terrifying developments their due will be rapt.”
Publishers Weekly

“Ellen Datlow is, by far, the most famous and prolific editor of horror fiction and the present book is a further, good example of her well known professional ability.” 
Hellnotes

“Ellen Datlow’s taste as an editor is legendary. In Lovecraft’s Brood, she shows us why. The stories here range in style and mood, showing just how far cosmic horror can stretch itself and still satisfy. I had a blast reading this book.” 
—Victor LaValle, author of The Ballad of Black Tom

“A marvelous Lovecraftian anthology that burns cold and bright within the constellation of cosmic horror must-haves.”
—C.S. Humble, author of the Amid the Vastness of All Else saga

“Ellen Datlow’s taste as an editor is legendary. In Lovecraft’s Brood, she shows us why. The stories here range in style and mood, showing just how far cosmic horror can stretch itself and still satisfy. I had a blast reading this book.” 
—Victor LaValle, author of The Ballad of Black Tom

“A marvelous Lovecraftian anthology that burns cold and bright within the constellation of cosmic horror must-haves. Highly recommended.”
—C. S. Humble, author of the Amid the Vastness of All Else saga

“Completing the duology she began with Lovecraft’s Monsters (2014), award-winning editor Datlow is back with 19 previously published stories, all from this century. An impressive list of authors focus their talents on cosmic fear as H. P. Lovecraft defined it: an immersive, existential dread, steeped in the realization that the universe is indifferent to our suffering. The range of stories includes those firmly grounded in reality such as Paul Tremblay’s ‘The Note,’ where a neighborhood walk leads to a wife’s disappearance, to a tale caught in the space between realities—the roadside motel—as in Wendy Wagner’s ‘Halogen Sky,’ to a tear in the fabric of reality (caused by a kitten) in T. Kingfisher’s ‘Agent of Chaos.’ Each story begins with an illustration by John Coulthart that perfectly captures the appeal of the story to come. A great choice for longtime Lovecraftian horror fans and newcomers alike, yes, but this volume will also lure readers in with the promise of a tale by a beloved author. Readers will exit having discovered a few new favorites along the way.”
Booklist

“Ellen Datlow and Tachyon are a match made in hell. Tachyon consistently puts out my favorite short story anthologies, and Lovecraft’s Brood is no exception.”
Bonnie Jo Stufflebeam, author of Grim Root 

“Anyone who prefers their Lovecraft-adjacent stories to slip past the nerdtropes and tentacular trappings and go straight to the absolute-zero core of cosmic horror will be suitably gratified.”
Horror Tree

Praise for Ellen Datlow

“Ellen Datlow is the tastemaker, the greatest, most respected, and most prolific horror anthologist who’s ever lived.” —Christopher Golden, author of Ararat

“Ellen Datlow has long ago earned her place as the premier anthologist of fantasy and horror.” —Joe R. Lansdale, author of In the Mad Mountains

“Datlow once again proves herself as a master editor.” —Arkham Digest

“Datlow is not just an expert at recognizing great horror; she’s an expert at recognizing great storytelling.” —Cemetery Dance

Praise for Lovecraft's Monsters

“Some of the best Lovecraftian short fiction of the past 30 years.” —Washington Post

“If you like Lovecraft even a little bit, this collection is a must.” —Book Riot

“It’s simple: if you like Lovecraftian fiction, you need to get this.” —Horror Talk


Advance Praise for Lovecraft's Brood

[STARRED REVIEW] “Hugo Award–winning editor Datlow’s stellar latest anthology (after The Big Book of Science Fiction and Fantasy) demonstrates that wholly original...


Marketing Plan

  • Select outreach to leading horror and Lovecraft print and online reviewers and editors
  • Social media advertising campaign to include Instagram book tour and influencer outreach
  • Email marketing campaign and ongoing promotion
  • Promotion along with editor's backlist titles
  • In-person events to include regional New York and national U.S. and European venues
  • ARC dstribution and and finished copy giveaways on Goodreads and Storygraph
  • Select outreach to leading horror and Lovecraft print and online reviewers and editors
  • Social media advertising campaign to include Instagram book tour and influencer outreach
  • Email marketing campaign...

Available Editions

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ISBN 9781616964627
PRICE $18.95 (USD)

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Average rating from 17 members


Featured Reviews

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To be clear, this is NOT an anthology about Lovecraft's Cthulhu mythos, eldritch old gods, or tentacled monstrosities; there are such anthologies out there, and Datlow has several under her name - but this isn't one of them. "Lovecraft's Brood" is Lovecraftian only in the very general sense of hitting the right note, the right mood, the creepiness and the uncanniness, the atmosphere, which only Lovecraft's best cosmic horror tales achieve. There's enough cosmic horror to satisfy readers of Lovecraft-inspired stories, but the emphasis lies more on weirdness, dread, and paradoxicality, and less on confrontations with monsters or alien entities with an explicit agenda. The book thrives on ambiguity and cosmic uncertainty - some stories drowning in it to the point of indeterminacy and abstraction, others just nodding towards it, acknowledging it in the blink of an eye (a huge bloodshot eye, admittedly). To put it bluntly, this is an anthology of 20 high quality stories (reprints, mind) meant to reveal the way (and not so much the terrain) Lovecraft opened to horror; to capture a feeling, a reading experience, a powerful effect - make the reader feel uncomfortable, nervous, unsure, cold, and insignificant, under the gaze of things which never explicitly appear, but whose gravity of presence suffocates, tortures, and occasionally kills.

The stories collected point to a generation of writers who've taken Lovecraft's nihilistic message to heart, and brought its impact onto the page with no apology offered or even needed. Sometimes, a story will reinterpret the message as the threat of extinction (Brian Hodge's "One Possible Shape of Things to Come," a brilliant tale of children dying while looking at corners); transformation (Ian Rogers' "Infantum," about mysterious pregnancies); infection ("Once Seen" by Conrad Williams, the opening story, about a viral threat to the mind; Caitlin R. Kiernan's "The Beholder's Share," a finely textured (in fact, baroque) display of erudition, has eleven cursed books driving a man slowly insane); or invasion (Ray Cluley's "Sideways," a richly detailed story of a US pilot flying an experimental aircraft, and dying under mysterious conditions). A story blends the otherwordly with body horror (Jacob Steven Mohr's "Empty Shells on a Cold Shore"), while another combines it with urban horror (Aaron Dries' "The Keep Quiet"). One goes for tongue-in-cheek horror comedy (T. Kingfisher's "Agent of Chaos," starring a cat), and another for a single memorable image (Elizabeth Hand's "Eat the Wyrm"). And a couple of tales are on entirely their own level (Paul Tremblay's metafictional "The Note"; Laird Barron's surreal "a strange form of life")!

Neither an homage nor any kind of mash-up, "Lovecraft's Brood" delivers creepy and wildly inventive, solid stories, by some of the best authors in the business. Worth picking it up and devouring it from beginning to end!

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Ellen Datlow is the best editor around and I will always buy and recommend these collections. I will buy for my personal library upon release.

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Lovecraft’s Brood does an amazing job in creating a great horror anthology and enjoyed getting into the stories and enjoyed the theming of this. Each story worked and had that horror element that I was looking for and glad I read this.

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