The Uskok
a tale of love, betrayal and intrigue
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Pub Date 1 Jun 2026 | Archive Date Not set
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Description
In the elegant yet treacherous world of 17th century Venice, young nobleman Orio Soranzo has squandered his fortune and his reputation. Only by marrying the rich and beautiful heiress, Giovanna, can he regain both fortune and favour.
Soranzo hurls himself into perilous ventures against the Turks — unaware that his quest for redemption will entangle him in a web of lies, shifting alliances, and dark deeds.
As pirates stalk the seas, Giovanna dares to join Orio at the forbidding island fortress he commands. But with the arrival of an old friend, fate unleashes a terrible reckoning none could foresee.
Lynne Forest’s vivid new translation invites readers to savour one of Sand’s most thrilling stories, in this newly rediscovered classic.
Advance Praise
Reviews:
“…a lost gem by French literary icon George Sand which has remarkably modern characters and themes. Set in Venice at the height of its power, this gripping story keeps us guessing until the end.”
– Pascale Sardin, Professor, Bordeaux Montaigne University
“... Sand astutely explores the darker side of human nature in this astonishing tale of greed and corruption. Another first-rate translation by Lynne Forest.” – Hervé Picton, author and translator Goodreads Reviews of previous work by the same author:
Of previous books by the same author:
“La Petite Fadette is an easy and a memorable read. I do recommend it!”
“…this is an enjoyable read, easy to read, and a typical provincial story. We have a bucolic atmosphere from beginning to end, two well developed main characters, and an ideal ending.I truly enjoyed reading The Devil’s Pool, which is like a one-sitting read, and therefore I’d recommend it.”
“Yes, you can read Indiana for its advocacy for women’s freedom, to know History through this story, or simply to read a good and beautiful story. But when you have read Indiana, you will come back to it to impregnate yourself with George Sand’s knowledge of the world, deep understanding of men and women’s soul, and the great intelligence that she puts at your fingertips in a clear, simple, bright and attaching style.”
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Available Editions
| EDITION | Paperback |
| ISBN | 9781911501282 |
| PRICE | £12.99 (GBP) |
| PAGES | 256 |
Links
Available on NetGalley
Average rating from 4 members
Featured Reviews
Reviewer 1902553
This was a very entertaining read. I enjoyed the blend of romance, adventure, and political intrigue, which kept the story engaging from beginning to end. The historical setting added plenty of atmosphere, and the themes of love, loyalty, and redemption gave the story emotional depth.
While some aspects of the writing feel very much of their time, the characters and dramatic twists kept me invested. Overall, this was a captivating classic that delivered both adventure and heart, making it a highly enjoyable read.
Michael C, Reviewer
This is one of the lesser-known novels of the relatively neglected author George Sand (perhaps best known in the English-speaking world for her relationship with Chopin). Inspired by Byron, it is set in Venice, the Adriatic and the Ionian Sea in the late 17th century, it is a splendidly melodramatic tale of love, piracy, treason, betrayal and murder. The lead male character is an unprincipled villain who finds that his actions do not bring happiness and who finally gets his deserts in a showpiece trial. One of his accomplices is a cross-dressing Arab. The story carries the reader along with huge panache, helped by a superb translation.
Patrick C, Reviewer
I am grateful for receiving a DRC of this new translation of George Sand's <i>L'Uscoque</i>, translated by Lynne Forest, from Aurora Metro Books via NetGalley.
Described by the publisher as a tale of 'love, betrayal and intrigue', this classic French novella follows the exploits of the young and handsome, yet ultimately unscrupulous, Venetian aristocrat Orio Soranzo. The story is set in the seventeenth-century Venetian Republic and amongst the islands of the Dalmatian Coast, where we see Orio squander and regain his fortune while he charms and manipulates those around him.
While this is my first foray into Sand's work, Lynne Forest's translation feels fresh and engaging, carrying the reader along on this fast-paced jaunt from the palaces of Venice to sea battles with pirates. Although <i>The Uskok</i> is a slim read at only 256 pages, it manages to pack a lot in with its exploration of themes of love, loyalty and revenge. Sand also cleverly frames the tale as a shocking yarn retold by three companions who each, in turn, pick up the story at various points throughout the book, almost as if we were listening to an adventure being recounted by a blazing fire on a long dark night.
The title of the book refers to real-life pirates that frequently attacked Ottoman and Venetian ships along the coast of what is now modern-day Croatia, which would lead you to believe this is just a story of swashbuckling sea exploits, a genre that's not really my cup of tea at all, yet the most intriguing sections of this book are its dark and Gothic depictions of Venice and the nobles that inhabit that enchanting city. Unsurprisingly, considering this was written in 1838, Sand plays with typical Orientalist tropes to add a certain 'exoticism' to some characters but this all fits within the romanticised depiction of the setting and the era. Sand likewise makes some humorous digs at Lord Byron, suggesting that the tale of the Uskok inspired him to write his idealised <i>The Corsair</i> and Sand's group of narrators purport to recount the real, and uncensored, story for the reader's delight.
A recommended read for any lovers of Gothic literature and the classics.
The Uskok is a swash-buckling, tragic tale of pathetic love, dastardly deeds and deceptive appearances. I also learnt a lot about a war I had never heard about before.
Apparently George Sand was quite disparaging about this pirate story that she wrote during a time of financial constraint, later calling it "the worst thing I have ever written." I wouldn't go that far.
Despite (or maybe thanks to) it's melodramatic, overblown, fantastical qualities, The Uskok is actually a real page-turner. It reminded me of a grand Shakespearian tragedy, something along the lines of Macbeth with a splash of Twelth Night. This may not be the best thing that Sand wrote (Mauprat still has the honour for me) but in the hands of George Sand even a potboiler, pirate story can turn out to be rather magnificent.
Also a shout-out to Lynne Forest and her wonderful translation and background notes. The translation appeared flawless and her footnotes were insightful and useful.
Blog review to follow...