The latest instalment in David Kynaston’s brilliant ‘A New Jerusalem’ series, an overview of British History from 1945 to 1979 arrives in 1962. Written, he says, in lockdown it was meant to sweep up to 1967 but instead turns its focus on three months between June and October with Britian on “the real cusp” of the 60’s when the first Beatles single and the first James Bond film were released on the same day.
To call Kynaston’s works history or social history or micro history or indeed to plonk any label on them would miss the point. He casts a magpie’s eye over events picking out events, characters and movements, some big, some small, some seismic and others random and by putting them together creates a portrait of an era. If Adam Curtis has helped us reimagine the documentary sphere, Kynaston has done the same for history.
Thank you NetGalley and Bloomsbury for allowing me to read this terrific book.

This is part of Kynaston’s popular, and on-going, history of postwar Britain. The summer of 1962 gets its own book because the author sees it as a turning point in many ways. It was a period in which the ‘state-of-the-nation’ debate certainly got going and in which the 1944 Education Act children were preparing for university, primed with new ideas. It was a point of equilibrium (‘On the Cusp’) between old and new, establishment deference and technocratic reformism, and with the Beatles and the Rolling Stones about to break through.

Kynaston has cobbled together a diverse mass of events from diaries and newspaper reports (from an enormous range of local papers). The breadth of his interest (and knowledge) is amazing: popular culture, (1962 saw the first outing for Steptoe and Son, Z Cars, and Dr Finlay’s Casebook) finance (the Eurobond is in the planning stages), architecture (town precincts and tower blocks are on the way), political rivalry (Macmillan’s ruthless cabinet reshuffle doesn’t prevent Labour turning the tide), farming (becoming more mechanical and industrial), sport (Bangor City beat AC Napoli 2-0), immigration (West London and West Yorkshire), and so on, …

Kynaston’s real skill is in managing the explanation of the individual episodes (like the controversial Pilkington Report that denounced commercial TV): he avoids mini-historical or interpretative lectures, instead preferring to build an explanation out of selected contemporary commentary and analysis. The result is hugely entertaining, never dull. Sandbrook’s popular history books make good use of this same method, but the level of detail in Kynaston’s book is even more diverse and fine-grained.

Perhaps the best way to characterise this book is a mix of the virtues of Peter Hennessy’s book on this period, Having it So Good (2007), which was a bit too tightly focused on Macmillan’s ‘night of the long knives’ and his plans for entry to the European Common Market, and Robert Hewison’s Too Much: Art and Society in the Sixties (1986), which provided a still-worth-reading study of the intellectual and cultural currents.

This riveting series charting the post-war history and development of the country has reached 1962, the turning point between the lingering after-effects of the war and the emergence of the modern world we recognise today.

Particularly effective is the use of the Mass Observation diaries, which give a fascinating insight into the lives of ordinary people, and contribute to building a very ful and varied picture of everyday life beyond events reportd in the media.

I am a huge fan of this series, and cannot wait for the next instalment.

This is such an interesting read. It was so insightful. We see 1960's Britain and all that we love from that era. The Beatles, Coronation Street, James Bond and Steptoe and Son. We see Britain struggling to recover post war and its political changes. It was a really insightful read, one I still think about regularly.