Maps of Our Spectacular Bodies

Narrated by Lydia Wilson and Tamsin Greig
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Pub Date 31 Mar 2022 | Archive Date 24 Oct 2022

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Description

Longlisted for the Booker Prize 2022
Winner of the Desmond Elliott Prize 2022


'Original, memorable, shimmering' - Sarah Moss

'Extraordinary, kaleidoscopic' - Daisy Johnson

'Restlessly inventive . . . delicate and persuasive' - The Guardian


Something gleeful and malevolent is moving in Lia’s body, learning her life from the inside out. A shape-shifter. A disaster tourist. It’s travelling down the banks of her canals. It’s spreading.

When a sudden diagnosis upends Lia’s world, the boundaries between her past and her present begin to collapse. Deeply buried secrets stir awake. As the voice prowling in Lia takes hold of her story, and the landscape around becomes indistinguishable from the one within, Lia and her family are faced with some of the hardest questions of all: how can we move on from the events that have shaped us, when our bodies harbour everything? And what does it mean to die with grace, when you’re simply not ready to let go?


Maps of Our Spectacular Bodies is a story of coming-of-age at the end of a life. Utterly heart-breaking yet darkly funny, Maddie Mortimer’s astonishing debut is a symphonic journey through one woman’s body: a wild and lyrical celebration of desire, forgiveness, and the darkness within us all.

Longlisted for the Booker Prize 2022
Winner of the Desmond Elliott Prize 2022


'Original, memorable, shimmering' - Sarah Moss

'Extraordinary, kaleidoscopic' - Daisy Johnson

'Restlessly inventive...


Advance Praise

Remarkable . . . A tearjerker, but it's hopeful too . . . Brave, inventive and mature - Sunday Times

Here is a book to dance and sing about. An extraordinary, kaleidoscopic dive into language - Daisy Johnson, Man Booker-shortlisted author of Everything, Under

Compelling and uplifting . . . undeniably impressive: Mortimer is clearly a talent to watch - Telegraph

Remarkable . . . A tearjerker, but it's hopeful too . . . Brave, inventive and mature - Sunday Times

Here is a book to dance and sing about. An extraordinary, kaleidoscopic dive into language - Daisy...


Available Editions

EDITION Audiobook
ISBN 9781529069402
PRICE £11.99 (GBP)
DURATION 12 Hours, 21 Minutes

Available on NetGalley

NetGalley Shelf App (AUDIO)

Average rating from 36 members


Featured Reviews

5/5 stars, Favourite Read of 2022 thusfar.

“Thyme is to chili, parsley, basil, as time is to cancer, cancer, cancer.”

Every so often I come across a book that I fall deeply in love with, but know for a fact that I won’t be able to express or share that love with many others. Because my love and connection to it is as much tied to me and my personal story, as it is to the story contained in these pages.

Maps of Our Spectacular Bodies is the lyrical tale of a woman, her body and the illness that coinhabits it. Told from the perspectives of Lia herself, her daughter Iris and the (callous? Cynical? Caring…?) voice of the disease itself, we follow her life after a diagnosis of terminal cancer. Despite the fact that my head is still too full with it to write a proper-form review, here are three things you need to know:

1. The prose is exquisite. It’s somewhere in that shadowland of not being quite prose, but not quite poetry either, yet every word is purposeful and in its right place. The closest thing I can compare it to would be Salena Godden's Mrs Death Misses Death, although I personally loved this book even more.
2. I can’t quite remember the last time I physically cried over a book. This one broke my tear-free streak though. With its unflinching and raw honesty, its deeply relatable characters and striking delivery, it hit a nerve I didn’t know was still so raw within me.
3. This is the best book about cancer I’ve read in a long time. That’s mainly because it’s not just a book about cancer. Unlike many others within the genre, Mortimer doesn’t portray a battle-narrative. There is no hero’s journey of a strong-willed protagonist against a body in revolt, or a personified evil to be vanquished. Instead it’s the story of Lia as a whole, and everything her body holds: memories, heartbreak, love, regrets, experiences; cancer being but one of them. Yes, it’s the story of a body’s annihilation, but only secondary to being about the life it has lived.
As a cancer-survivor, and now MD in Oncology myself, that neutrality and perhaps even “compassion” was what resonated with me and my journey so strongly. The journey of seeing cancer, not as an all-powerful malevolent force, but more neutral "passenger" or co-inhabitor of a body and a life. It's what I strive for in my own life and that of my patients: for their illness not to be all-consuming, but a part of life and a body that they can look at without fear, and with acceptance and a bit of compassion. I've never read a novel that captured a similar feeling so strongly.

I want to recommend this book to everyone. I also know that very few people are going to share the deeply personal connection and experience I had with it. I can see this being a marmite-book: great to some, off-putting to others. The only way to know is to experience it for yourself. Sometimes the best experiences are the ones we share with only a few.

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