From the Militant Recommender's Book Review Blog:
http://militantrecommender.blogspot.com/

From Gaston Leroux's Phantom of the Opera: The Persian narrates Erik's time in Iran during the Rosy Hours:

"No one knows better than he how to throw the Punjab lasso, for he is the king of stranglers even as he is the prince of conjurors. When he had finished making the little sultana laugh, at the time of the "rosy hours of Mazandaran," she herself used to ask him to amuse her by giving her a thrill. It was then that he introduced the sport of the Punjab lasso.

He had lived in India and acquired an incredible skill in the art of strangulation. He would make them lock him into a courtyard to which they brought a warrior--usually, a man condemned to death-- armed with a long pike and broadsword. Erik had only his lasso; and it was always just when the warrior thought that he was going to fell Erik with a tremendous blow that we heard the lasso whistle through the air. With a turn of the wrist, Erik tightened the noose round his adversary's neck and, in this fashion, dragged him before the little sultana and her women, who sat looking from a window and applauding. The little sultana herself learned to wield the Punjab lasso and killed several of her women and even of the friends who visited her. But I prefer to drop this terrible subject of the rosy hours of Mazandaran. "

Taking this snippet of information, dark and descriptive as it is, and turning it into a full length life story of the little Sultana, or, in this case Shahzadi, and her relationship with Erik, or Eirik as he becomes known to her, is quite a daunting task and Ms. Woolley wholly succeeds in bringing this mysterious world of the Phantom's past to vivid, magical life.

The author pulls us into this world, the mid 1800s world of life and culture under the Shah and his harem and the infighting that goes on among the wives to be chosen as his favorite, and the life of the Shah's first and favorite daughter, Afsar (which means Crown), who at 10 years of age, as the story begins, is beautiful and already feared, because, as she says, "They understood me for what I was, Death disguised as Grace".

One morning she is called to her father who has her listen to tales of an incredible circus told by a traveling fur trader. In particular, he spoke of a man, a magician so skilled he could make his voice travel and could sing like the angels, and yet he was so ugly, he had to wear a mask. The Shah promises to bring the circus to Mazandaran for her birthday. When, eventually, the circus does make its way there, Afsar will find her life irrevocably changed by her meeting with the masked conjuror, who, is there any doubt? is, of course, the future Opera Ghost. Here, at 19, he has already traveled the world and acquired a variety of skills through his travels... some of them deadly.

If you are a fan of the Phantom you will see where some of that baggage he's hauled around with him came from. Don't miss this fascinating trip into his past and that of a minor character in Leroux's classic who finally has her starring role.

Afsar, the eldest daughter of the shah, has lived a privileged and sheltered life. When the circus comes to the harem, she meets Vachon, a mysterious performer who wears a mask to hide a deformity. Afsar befriends Vachon, and together, they explore the darker sides of their souls. When Afsar finds a penchant for murder, it seems that the duo is unstoppable.

I'm hard pressed to describe this book. It was disturbing, yet oddly fascinating at the same time. I don't know that I would re-read it, but I was hard pressed to put it down. Overall, an intriguing story.

Wow what a great read! If you love The Phantom of the Opera as much as I do, then I strongly suggest you pick this one up!

In this Phantom-inspired tale, we meet Afsar, eldest daughter of the Shah of Iran, actually Persia at that time. It's around 1851 and Afsar is 10 years old when her father offers to bring the circus to their palace for her birthday. For within this traveling circus, there is talk of a conjurer with a face so ugly but with the voice of an angel, and the Shah decides that he simply must meet this man for himself, on the pretense of his daughter's birthday of course.

It is a year or so later when the circus finally arrives at the palace, and it seems that everything the trader has said is true. Afsar is quite taken with the conjurer—who is known by many names: the Comte de la Mort Rouge, Vachon, and eventually Eirik. Eirik makes a striking impression on both the Shah and his hauntingly beautiful daughter. As a man of many talents—quite useful, he claims, in overcoming the hideousness of his appearance—Eirik is charged with building a grand place for the Shah, opulent and lavish in design, yet full of secret rooms, passageways, and trap doors, and he also becomes the Shah's favored assassin. His extended presence at the palace allows Afsar to spend more time in Eirik's company, reveling in his darkness and trickery, all the while exploring and embracing her own dark side. For what she learns about herself and the world around her whilst in Eirik's presence is more valuable than any other life lessons she's learned at the palace thus far.

Though Afsar is only a young girl when this story begins, she grows to about 15 years old at the time of it's conclusion. Though that may seem young for everything she's experiencing, the time frame within which this novel occurs places her at a quite marriageable age, women of this time often marrying as young as twelve or thirteen years of age. And the future Opera Ghost, at only nineteen himself, is already quite cultured, having traveled extensively and this only adds to Afsar's wonderment of him.

The writing was superb, written a bit like prose, yet fully descriptive and engaging at the same time. I truly immersed myself in this book, forgetting where I was and feeling myself walking through the sumptuous palace, the streets of Sari, or wherever else the author happened to be describing. Though the the juicy bits didn't really start until about 1/4 of the way in, all the foreshadowing began much sooner, and once Eirik arrived with the traveling circus, you just knew things going to get sinister real soon. This book will definitely be classified as one of my favorite reads.

Since I'm going to see the stage production of The Phantom of the Opera in September, it was a perfect time for me to read this, and I'll probably reread The Phantom of the Opera book before then too. This will actually be my third time seeing the stage production, but I will never get tired of such a spectacular show... so beautiful and haunting! LOVE LOVE LOVE!!