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Description
12 haunting, uniquely crafted short stories about loss and memory from a revered Japanese-Argentine author, available in English for the first time.
“Her stories are a transformative experience... Kamiya makes simple what for others is impossible to express.” —Clarín
In 12 stories of exquisite compression and perfectly-formed images, Japanese-Argentine writer Alejandra Kamiya conjures absences, shadows, and all that must remain unsaid.
As dawn breaks, a woman goes to the market in search of ingredients to make a perfect breakfast for her husband and son, while a subtle note of disquiet grows louder. A Japanese prisoner of war resolutely obeys a command as precise as it is inexplicable: he must dig a pit in a precise location until he receives another command, which never seems to arrive. 2 girls discover themselves through electrically charged games, which they will recall in letters for the rest of their lives.
In prose that is at once serene and shot through with disquiet and mourning, Kamiya creates a fictional world with its own rhythm, where preice, minimal phrasing reveals vast emotional landscapes. Enigmatic yet sharply clear, The Fallen Trees Are Also the Forest is a book of quietly shattering epiphanies from a unique voice in international fiction.
Revered in Argentina, where her diamond-sharp stories are championed by a legion of booksellers and readers, Kamiya has a strikingly clear and subtle style that will delight fans of Claire Keegan, Yuko Tsushima and Yiyun Li.
12 haunting, uniquely crafted short stories about loss and memory from a revered Japanese-Argentine author, available in English for the first time.
12 haunting, uniquely crafted short stories about loss and memory from a revered Japanese-Argentine author, available in English for the first time.
“Her stories are a transformative experience... Kamiya makes simple what for others is impossible to express.” —Clarín
In 12 stories of exquisite compression and perfectly-formed images, Japanese-Argentine writer Alejandra Kamiya conjures absences, shadows, and all that must remain unsaid.
As dawn breaks, a woman goes to the market in search of ingredients to make a perfect breakfast for her husband and son, while a subtle note of disquiet grows louder. A Japanese prisoner of war resolutely obeys a command as precise as it is inexplicable: he must dig a pit in a precise location until he receives another command, which never seems to arrive. 2 girls discover themselves through electrically charged games, which they will recall in letters for the rest of their lives.
In prose that is at once serene and shot through with disquiet and mourning, Kamiya creates a fictional world with its own rhythm, where preice, minimal phrasing reveals vast emotional landscapes. Enigmatic yet sharply clear, The Fallen Trees Are Also the Forest is a book of quietly shattering epiphanies from a unique voice in international fiction.
Revered in Argentina, where her diamond-sharp stories are championed by a legion of booksellers and readers, Kamiya has a strikingly clear and subtle style that will delight fans of Claire Keegan, Yuko Tsushima and Yiyun Li.
The Fallen Trees Are Also the Forest is a collection comprising 12 short stories. The stories are poignant, written in a precise and poetic style, with short sentences and strong visuals. They vary in length but tend to be on the shorter side.
The stories are simple and tender, exploring the bonds between fathers and daughters, childhood friends, siblings, and many other characters. Sorrow and melancholy are present but conveyed in a comforting manner. The result is a gentle, delicate collection, underpinned by the author’s Japanese-Argentinian roots.
My favorite stories were Perfect Breakfast, The Remains of the Secret, The Boots, and Out in the Darkness. I can see myself returning to this book to reread them.
4 stars
4 stars
4 stars
4 stars
4 stars
Was this review helpful?
Susan O, Reviewer
4 stars
4 stars
4 stars
4 stars
4 stars
Originally published in 2015 in her native Spanish, this is the first book by Japanese Argentine author, Alejandra Kamiya, to be published in English. It comprises twelve brief short stories, several just a few pages in length but they're to be savoured rather than gobbled up.
Kamiya explores themes of loss, family, heritage and motherhood in understated, often poetic prose. Characters experience sometimes devastating epiphanies, pulling the reader up short. Several stories explore Kamiya’s own heritage, tinged with a quiet regret for not asking about her father’s life in his native Japan. The longest piece, The Pit, which sees a lone Japanese soldier continuing to execute a specific order, not knowing the war has ended, was only the story that didn’t quite work for me. A small criticism of what is otherwise a superb collection, beautifully translated by Daniel Hahn. I’m hoping Pushkin Press will consider publishing more of Kamiya’s backlist in English.
4 stars
4 stars
4 stars
4 stars
4 stars
Was this review helpful?
Featured Reviews
Reviewer 2042450
4 stars
4 stars
4 stars
4 stars
4 stars
The Fallen Trees Are Also the Forest is a collection comprising 12 short stories. The stories are poignant, written in a precise and poetic style, with short sentences and strong visuals. They vary in length but tend to be on the shorter side.
The stories are simple and tender, exploring the bonds between fathers and daughters, childhood friends, siblings, and many other characters. Sorrow and melancholy are present but conveyed in a comforting manner. The result is a gentle, delicate collection, underpinned by the author’s Japanese-Argentinian roots.
My favorite stories were Perfect Breakfast, The Remains of the Secret, The Boots, and Out in the Darkness. I can see myself returning to this book to reread them.
4 stars
4 stars
4 stars
4 stars
4 stars
Was this review helpful?
Susan O, Reviewer
4 stars
4 stars
4 stars
4 stars
4 stars
Originally published in 2015 in her native Spanish, this is the first book by Japanese Argentine author, Alejandra Kamiya, to be published in English. It comprises twelve brief short stories, several just a few pages in length but they're to be savoured rather than gobbled up.
Kamiya explores themes of loss, family, heritage and motherhood in understated, often poetic prose. Characters experience sometimes devastating epiphanies, pulling the reader up short. Several stories explore Kamiya’s own heritage, tinged with a quiet regret for not asking about her father’s life in his native Japan. The longest piece, The Pit, which sees a lone Japanese soldier continuing to execute a specific order, not knowing the war has ended, was only the story that didn’t quite work for me. A small criticism of what is otherwise a superb collection, beautifully translated by Daniel Hahn. I’m hoping Pushkin Press will consider publishing more of Kamiya’s backlist in English.